Thursday, June 18, 2015
road/house 7 (1979)
road/house #7
todd moore, editor
Belvidere, IL
(c) 1979
20 pages stapled journal. Irregularly published. 9 of these pages were dedicated to one poem, The Farmer's Manifesto by Tom Montag. Cover illustration of man next to a tracker, sort of visually sets the tone here.
Tuesday, June 16, 2015
Found Gil Williams (in upstate NY)
A simultaneous thing happened when I took a chance and contacted the poet Steve Lewandowski: it opened up the entire upper half of New York State to me. I had not thought that there was much regional poetics happening outside of "the apple" and Buffalo, but further north toward the Lake and Canada were in fact many Presses and poets. As I have been learning.
I mentioned earlier that I had a chapbook from Bellevue Press by Al Glover entitled Paradise Valley. I hadn't thought to try and contact the publisher of that chapbook until my interest in Upstate New York was piqued. I also mentioned that I had bought some photo postcards from a seller on ABE who turned out to be the Williams'. Deborah and Gil. They have since responded. Not surprisingly, the Press did not make them any money. Chapbook/small presses are supposed to make money? No, I didn't think so.
There is now something called Bellevue Literary Press which has nothing to do with the Williams' operation. I have yet to ask for the history of the Press so I don't know their start and stop dates. I am interested in what they might have left from their inventory. I am, after all, a collector as well as a publisher on hiatus.
If you are interested in learning more or seeing their books, you should contact them : Gil's Book Loft/PO Box 365/Binghamton, NY 13905-0365. Gil likes mail, you know, the kind with actual writing and stamps and that? Send him something. Oh, Bellevue Press did several series of poetry postcards - so send him a postcard!
I mentioned earlier that I had a chapbook from Bellevue Press by Al Glover entitled Paradise Valley. I hadn't thought to try and contact the publisher of that chapbook until my interest in Upstate New York was piqued. I also mentioned that I had bought some photo postcards from a seller on ABE who turned out to be the Williams'. Deborah and Gil. They have since responded. Not surprisingly, the Press did not make them any money. Chapbook/small presses are supposed to make money? No, I didn't think so.
There is now something called Bellevue Literary Press which has nothing to do with the Williams' operation. I have yet to ask for the history of the Press so I don't know their start and stop dates. I am interested in what they might have left from their inventory. I am, after all, a collector as well as a publisher on hiatus.
If you are interested in learning more or seeing their books, you should contact them : Gil's Book Loft/PO Box 365/Binghamton, NY 13905-0365. Gil likes mail, you know, the kind with actual writing and stamps and that? Send him something. Oh, Bellevue Press did several series of poetry postcards - so send him a postcard!
Friday, June 12, 2015
Apple: An Anthology of Upstate New York Poets (1979)
Apple:An Anthology of Upstate New York Poets
Judith Kitchen,editor
State Street Press
Pittsford, NY
(c)1979
This is a very concise anthology of 22 poets in 26 pages ably (or perhaps, "appley") assembled by Judith Kitchen and published by State Street Press. Pittsford, NY is in the extreme northern section of NY close to Lake Ontario. There is a loose network of poets and other regional presses located up there. I came to know even this little bit from my on-going correspondence with poet Steve Lewandowski. Along with Lewandowski, this collection is graced with work by Joseph Bruchac, Carl Dennis, and Carol Frost (among others).
I notice that the printer of this collection was The Geryon Press in Tunnel, NY which printed a number of books of this region and that's really what this collection embodies; place. Also, apples. At least in this collection. Apples. Everywhere. No need for Johnny Appleseed, this book has a bushel full.
Sunday, May 24, 2015
Not the Same Tramp You Dumped by Andy Doyle (2011)
Not the Same Tramp You Dumped
Andy Doyle
self published
(c)2011
I am sad that trees were felled for this chapbook. Yuck.
Andy Doyle
self published
(c)2011
I am sad that trees were felled for this chapbook. Yuck.
Wednesday, May 13, 2015
pack rat sieve by Mei-Mei Berssenbrugge (1983)
pack rat sieve
Mei-Mei Berssenbrugge
Contact II
Bowling Green
NYC, NY
(c)1983
There once a small press in a city of Publishing Megatrons, and this tiny little PO Box location press brought out some stellar little bits - like this one. Mei-Mei's Wikipedia page lists the publisher of this 17 page chapbook as "Cambridge Graphic Arts".
Her work is generally associated with both the New York School and LANGUAGE poets. A shadow across both fields. The work in this chapbook had previously appeared as a special supplement for Contact II issue No. 27/28/29.
Wednesday, May 06, 2015
Barbaric Yawp vol. 10 #1 (2006)
Barbaric Yawp
Volume 10 number 1
May 2006
BoneWorld Publishing
Russell, NY
This staple-bound journal is from a Press I didn't know about before, a town I never heard of before, and publishers I was completely unfamiliar with. New York up-State. 53 pages. Published by John and Nancy Berbrich in Russell, NY. Disclaimer: one of the poets in the journal is Kenneth DiMaggio, who Plan B Press published in 2007. The interesting thing for me is that John Berbrich wrote a column in the journal called "Book Beat" and some of the books he reviewed I have also received that year. Ah, 2006. Yes. Klyd Watkins, t kilgore splake. The column provides me with names and chapbooks all new to me. Within a journal, fresh nuggets.
Great stuff. Great, great, good and so-so. The rainbow of criticism. I will focus on the new stuff. There's even a writer in here from the tiny town of Adelanto, California where I was stationed in the USAF from 1975-1977. High Desert.
No matter - more for me to learn about!
Sunday, May 03, 2015
Total Stranger by Terence Winch (1982)
Total Strangers
Terence Winch
The Toothpaste Press
West Branch, Iowa
(c)1982
Terence Winch was one of the linchpins of Some of Us Press. He and Michael Lally, and Ed Zahniser. The story of SOUP is an important story which I will be releasing like air bubbles from the deep archives. There are several books published by them that are rarer than hen's teeth. Toothpaste Press is one of my favorite small presses. Their books are works of art. This one is a hand-sewn chapbook with illustrations by Gaylord Schanilec. This copy was numbered (259) and signed by Terence.
The writing is crisp. Here's the opening sentence of his piece Low Life : "The rock and roll jellyfish virgins, eating the socks off the commuters, licking the little black hairs off their shins, biting on their ankles till they start to smile, begin to dance." So does the language throughout; it begins to dance. Right off the page.
Saturday, May 02, 2015
Vital Steps to Chastity (1954)
Vital Steps to Chastity
Mission Helpers of the Sacred Heart
Towson, MD
(c)1954
120 pages of fear and loathing by a nameless Catholic front organization that wants little Catholics to love God more than the opposite sex, that's for sure. I was not raised Catholic. This staple-bound chapbook (it's not really a chapbook at 120 pages. It's a staple-bound anti-sex tract) is a complete waste of paper. It's fear of sexuality. It's hatred of one's own body. It's remarkable in its "group-think" collectively written by women who love God more than their own bodies, as you should to, horrible child. It's designed to brain-wash the student of Catholic school against loving their own bodies and from loving the opposite sex for their own bodies. Afterall, what good will come of this? SEX ! BABIES ! ABORTIONS !
One should love God and God alone. Can't say that's a successful strategy for procreating future generations but - ah - get married to someone who God has deemed you should, even if the two people end up loathing each other. Ah, yes, the loathing again. The Catholic Church's position here is circular and not really open to independent thought. Do as you are told and don't think about it. Don't listen to that girl or boy you love. Listen to your Priest or Nun, who as we know, neither of whom has experienced sex or childbirth or any of THAT. (This is 1954, no pedophilia yet - we are to believe) I am tired about it already. This chapbook. The recycling bin awaits.
SHOULD HAVE SAVED A TREE!!!!!!
Mission Helpers of the Sacred Heart
Towson, MD
(c)1954
120 pages of fear and loathing by a nameless Catholic front organization that wants little Catholics to love God more than the opposite sex, that's for sure. I was not raised Catholic. This staple-bound chapbook (it's not really a chapbook at 120 pages. It's a staple-bound anti-sex tract) is a complete waste of paper. It's fear of sexuality. It's hatred of one's own body. It's remarkable in its "group-think" collectively written by women who love God more than their own bodies, as you should to, horrible child. It's designed to brain-wash the student of Catholic school against loving their own bodies and from loving the opposite sex for their own bodies. Afterall, what good will come of this? SEX ! BABIES ! ABORTIONS !
One should love God and God alone. Can't say that's a successful strategy for procreating future generations but - ah - get married to someone who God has deemed you should, even if the two people end up loathing each other. Ah, yes, the loathing again. The Catholic Church's position here is circular and not really open to independent thought. Do as you are told and don't think about it. Don't listen to that girl or boy you love. Listen to your Priest or Nun, who as we know, neither of whom has experienced sex or childbirth or any of THAT. (This is 1954, no pedophilia yet - we are to believe) I am tired about it already. This chapbook. The recycling bin awaits.
SHOULD HAVE SAVED A TREE!!!!!!
[anti-eratio] by Christina Strong (2005)
[anti-eratio]
Christina Strong
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2005
2005 - endless war - Bush Presidency. Christina Strong is not having it. She sees Ronald Reagan resumed and revived. Cult of dis/misinformation and disjointed text. Text Luther. Bald evil. Majestic surprises. Muted opposition. Limp language can not shield us from the brutality of naked Nationalism. Truth lingers in the shadow of words. Words quiver in fear of discovery. Librarians protecting their patrons from the NSA. Illegal phone call taping, a government spying on its citizens. Protecting itself from its citizens. END THIS WAR CALL slip-in with #s for the President, for Senators, a prayer against waking.
a smaller trove from Steve Lewandowski
a secondary second trove has arrived from Upstate New York. Even more to consume. Fantastic!
Tuesday, April 28, 2015
These Days by Lee Lally (1972)


These Days
Lee Lally
Some of Us Press
Washington, DC
(c)1972
I wrote this about this 'infamous' chapbook in July 2013 on my chapbook Facebook page: "Publishing pettifoggery: not everyone is on the level.
Back in 1972 Lee Lally published "These Days" with Some of Us Press, a press that she was personally involved with. The way that SOUP worked was that any profit from one book might earn would be used to publish the next book. Pay it forward.
Unfortunately, Lee's book became the best seller that SOUP would ever have and the Diana Press of Baltimore decided, without contacting Lally or anyone AT Some of Us Press, that IT would bring out ITS OWN version of the chapbook with the discreet proviso "Diana Press FOR Some of Us Press" on the publisher's page. However, no money was ever sent to SOUP nor to Lally.
All this happened 40 years ago - still, pretty underhanded, if you ask me."
Here is the cover image of that pirated copy. Some of Us Press was a collective. The proceeds from one book went toward publishing the next book. This chapbook was their best seller. Their best known. Their own pirated one as well. One of the people to whom this collection was dedicated to is Tina Darragh and Tina told me about the strife that the pirated copy caused within SOUP (the press's working initialized title). Lee was upset to the point of crying over this sorted affair. Diana Press did not pay Lally or SOUP a dime in compensation. How nice of you, Diana Press, may you sit on a poisoned quiver.
I don't know if Joan Hanor was part of SOUP or of Diana. She is credited with the back cover image which I have seen on other SOUP chapbooks. This is a 36 page, staple-bound chapbook. Chronically, it was one of the earliest chapbooks published by SOUP. As the chapbooks were brought out, they listed those previously published ones as well as those forthcoming.
This is an important collection in feminist writing. I will share with you one of the poems in this collection:
The woman will miss the typewriter.
The fence will miss the cold of steel and cash.
The junkie is on the street again
and the poems are harder
like a bad vein
every minute.
Monday, April 27, 2015
Max by Ray DiPalma (1974)
Max : A Sequel
Ray DiPalma
Burning Deck
(c)1974
(I love it when I am right.) Staple-bound chapbook. Unpaginated. Burning Deck, 10 years in.
What on earth am I talking about? Burning Deck started in 1964. This is actually a sequel to his first published chapbook, MAX, which was published in 1969 by the Body Press. (Okay, so how are you right?) Well, I was getting ready to write about this chapbook and Ray DiPalma and I noticed that on neither his Wikipedia page nor his Poets & Writers biography page is there a mention of him as a publisher, yet I know I remembered that he was.
Indeed so, A few years ago I found a chapbook of Asa Benveniste, which really was more of a mimeo sized book than a more familiar sized "chapbook" but the listing had misspelled his last name so I bought the chapbook for $0.99 and later traded it to Kyle Schlesinger for a box of poetry bumper stickers (okay, ask him about them). That mimeo/chapbook was published by Doones. Doones was Ray DiPalma's press.
Yet either he has decided not to mention it in his current bio or those bio-creators have not done their homework all that well. In either case, Doones Press did exist from 1969-1976 and published some of the voices which became L=A=N=G=U=A=G=E poetry as well as short run magazines, including 'Shelter'.
Ray DiPalma
Burning Deck
(c)1974
(I love it when I am right.) Staple-bound chapbook. Unpaginated. Burning Deck, 10 years in.
What on earth am I talking about? Burning Deck started in 1964. This is actually a sequel to his first published chapbook, MAX, which was published in 1969 by the Body Press. (Okay, so how are you right?) Well, I was getting ready to write about this chapbook and Ray DiPalma and I noticed that on neither his Wikipedia page nor his Poets & Writers biography page is there a mention of him as a publisher, yet I know I remembered that he was.
Indeed so, A few years ago I found a chapbook of Asa Benveniste, which really was more of a mimeo sized book than a more familiar sized "chapbook" but the listing had misspelled his last name so I bought the chapbook for $0.99 and later traded it to Kyle Schlesinger for a box of poetry bumper stickers (okay, ask him about them). That mimeo/chapbook was published by Doones. Doones was Ray DiPalma's press.
Yet either he has decided not to mention it in his current bio or those bio-creators have not done their homework all that well. In either case, Doones Press did exist from 1969-1976 and published some of the voices which became L=A=N=G=U=A=G=E poetry as well as short run magazines, including 'Shelter'.
Friday, April 24, 2015
Sorting Facts; or, Nineteen Ways of Looking at Marker by Susan Howe (1996, 2013)
Sorting Facts; or, Nineteen Ways of Looking at Marker
Susan Howe
New Directions Poetry Pamphlet #1
(c)1996, 2013
New Directions made poetry pamphlets? I didn't know. Of course, this isn't one. Not really. It's an essay about the films of the French director Chris Marker. One of his films was reimagined by Terry Gilliam as the 12 Monkeys. This essay was written BY a poet, a poet whose work has been published by New Direction fairly often and whom I admire greatly, Susan Howe. But it's not a collection of poetry although the language is lucid enough to pass as poetry.
63 page, staple-bound chapbook. Using Marker's two critically acclaimed films, Le Jetee and Sans Soleil as her baselines, Howe weaves a mental tapestry as only she could. It's excellent writing. The production of this item, as a chapbook, is more in the "shrug-who-cares" category (if such a title existed). After all, New Directions did not start as a chapbook publisher so the finer points are missing here. But since the substance is what is important here, I am willing to overlook the generic presentation. But only this once. (Did I mention I am a big Susan Howe fan?)
Wednesday, April 22, 2015
a treasure trove from poet Steve Lewandowski
This particular episode began a few years ago when I found, and bought, a chapbook entitled Visitor by a poet named Steve Lewandowski on a press called White Pine that I never heard of before. Fast forward to March 2015 and a different poet whom I know was boasting a bit (deservedly) for winning an award and having a reading at State College, PA. I like this guy's work and while I wasn't going to be able to attend, I wanted to see where it was that he was reading. I went to the website of the location and looked over their upcoming events and there was going to be a reading by a Steve Lewandowski and I thought "there can't be two poets with that name" so I looked around a bit online and found him, and wrote him; he wrote back. A conversation began. He liked this blog and asked me if I was a librarian. I am an archivist who will be getting my ever growing chapbook collection to an academic institution, I said, which is true.
He said he would some me some stuff.
He did. Jaw dropping. I have so much new material to investigate and write about, and archive! The first thing I have discovered is that Steve has opened up the entire State of New York out of city small press publishing world to me with this trove. As well as small presses from New England and one from Canada as well. My ever expanding universe of knowledge!
He said he would some me some stuff.
He did. Jaw dropping. I have so much new material to investigate and write about, and archive! The first thing I have discovered is that Steve has opened up the entire State of New York out of city small press publishing world to me with this trove. As well as small presses from New England and one from Canada as well. My ever expanding universe of knowledge!
Tuesday, April 21, 2015
Myths & Texts by Gary Snyder (1975)
Myths & Texts
Gary Snyder
Totem/Corinth Books
(c)1975
It's Gary Snyder
It's Gary Snyder first published in 1960 and this copy, being the 6th printing, comes at us in 1975
It's a great collection
It's what one would have hoped for and expected in the Gary Snyder who read with Allen Ginsberg and the rest at the famous Six Gallery event just 5 years prior.
It's a book originally published by Leroy Jones's Totem Press.
It oozes history and importance, and it doesn't fail to deliver.
My chapbook fairy sent it to me, thanks chapbook fairy.
Gary Snyder
Totem/Corinth Books
(c)1975
It's Gary Snyder
It's Gary Snyder first published in 1960 and this copy, being the 6th printing, comes at us in 1975
It's a great collection
It's what one would have hoped for and expected in the Gary Snyder who read with Allen Ginsberg and the rest at the famous Six Gallery event just 5 years prior.
It's a book originally published by Leroy Jones's Totem Press.
It oozes history and importance, and it doesn't fail to deliver.
My chapbook fairy sent it to me, thanks chapbook fairy.
Fossil Record/Cabin Fever by Dan Brady (2014)
Cabin Fever/Fossil Record
Dan Brady
Flying Guillotine Press
Denver/Rosslyn
(c)2014
It's fitting that a collection of poetry published by Flying Guillotine Press would be two separate collections, separate covers and texts upside down from each other. Janus face. The Press itself is two homes half a continent apart. Denver, CO and Rosslyn, VA. Split by land and sky, rivers and asphalt. Unpaginated. Hand-stitched. Brilliant writing. (disclaimer - Dan Brady and I attended and graduated from George Mason University in the same initial class of the Master of Arts Management program)
It seems that FGP has slowed down since the spring of 2014, but Dan Brady certainly hasn't. He's the poetry editor of the Barrelhouse. He's a man about (Washington,DC) town. A mover and shaker. DC is better for it. As you will be when you get a copy of his awesome chap.
Sunday, April 19, 2015
Paradise Valley by Al Glover (1975)
Paradise Valley
Al Glover
The Bellevue Press
Binghamton, NY
(c)1975
This chapbook arrived in a mixed lot I won on ebay about 2 years ago and while it interested me, I didn't write about it until today. An oversight. I have a lot of chapbooks to write about. (so much to do, so little time) Anyway, this copy was signed by Al Glover on the back page. There was 350 copies printed, 50 of which were signed. So this is one of 50. That alone makes it fairly unique.
However, I was just as interested in the Press and that was challenging since there wasn't a whole lot about the Press that I was able to find 2 years ago - so I put it aside. Then, this month I decided to try to present a daily blog entry and I pulled this one out again (blew off the dust)and started looking on-line again. This time I was able to find a name, Gil Williams, who seems to have been the publisher. It also seemed that the Press never left Binghamton, NY. Other presses move with their owners : Pentagram moved several times, as did Robie Liscomb and his Fathom Press, and my own Plan B Press which started in Lancaster County, PA - Philadelphia - and finally Alexandria, VA before going on "hiatus".
I find a listing for a photo of his Gil Williams person taken by Gerard Malanga (wait, I know that name!) Yeah, Malanga was part of the Warhol Factory world and he took photos of this Williams person? The listing was on ABE which I have never used even though I had known about them since logging on in 1999. So, I opened an account and bought the photo
It wasn't until a packet of photos, the seller sent more than one item, did I realize that perhaps I was buying a copy of the photo from Gil Williams himself. The invoice was from Gil's Book Loft in Binghamton, NY and a quick note was included on the invoice from Deborah Williams. Gil.......Williams. Whoa, wait, cool, I - I immediately sent off a card in that direction and now am writing about this chapbook.
Paradise Valley is an 18 page prose poetry "story". Hand-sewn. Nice presentation. Well written. A foreword was written by Rutherford E. Delmage in 1973. There is an image of a horse inside. It's relevant. (I hate when there are images that have no bearing at all to the title or the content of a book, even a chapbook). I still don't know much about Al Glover but I do know a bit more about Bellevue Press, and I might know more soon should the folks at Gil's Book Loft respond. Fingers crossed.
Labels:
Al Glover,
Gil Williams,
The Bellevue Press
Saturday, April 18, 2015
...but for a Brief Interlude at Versailles by Travis Cebula (2011)
...but for a Brief Interlude at Versailles
Travis Cebula
Highway 101 Press
(c)2011
Handsome little chapbook of poetry and images by author. 36 pages of wow.
Thursday, April 16, 2015
melissa & smith by Ntozake Shange (1976)
melissa & smith
Ntozake Shange
Bookslinger editions
Toothpaste Press
West Branch, Iowa
(c)1976
At it's best, Toothpaste Press brought out some of the most ideally crafted chapbooks. This is among those. Letter-pressed cover. Hand made paper. Hand sewn binding. #187 of 300 printed. Some of the copies were given to friends, others were donated to Mixed Blood Theatre which was just starting in 1976. I imagine that donation came from Ms. Shange's involvement with this project. Another 225 copies of this chapbook were put on sale at Bookslingers Editions in Minneapolis, MN. The copy I have is signed by Ms. Shange.
This is a beautiful chapbook. (I wish you were here to see it!)
Wednesday, April 15, 2015
Two Geese by Theodore Enslin (1980)
Two Geese
Theodore Enslin
Pentagram Press
Markesan, WS
(c)1980
This 2 poem, hand-sewn tiny chapbook (7.5 X 4.25) is a gem. I have written previously how I had a number of conversations with the primary publisher of Pentagram Press and how the Press had a number of different locations, one of which was Markesan Wisconsin.
I did not register that Theodore Enslin had died in 2011. I am doubly grateful to Michael Tarachow for including this little item in the packet he sent me a few years ago. It was one of 275 copies printed. Glad to mention it.
Countries by Anne Waldman (1980)
Countries
Anne Waldman
Toothpaste Press
West Branch, Iowa
(c)1980
Anne Waldman had several of her early books published on Toothpaste/Coffee House Press. This tiny sized, 5 X 6.5 inches with linoleum blocks by Reed Bye, falls in the middle of their working collaboration. One of 1,000 printed. Short pieces. Tight, compact, ready for travel.
Monday, April 13, 2015
Application Counter by Matthew Wascovich (2002)
Application Counter
Matthew Wascovich
Slow Toe Publications
Cleveland, OH
(c)2002
Matthew Wascovich published a number of books of poetry, before starting the band Scarcity of Tanks. The poetry in this book is clean and tight. 35 pages, stapled-bound chapbook with cover art painting by Catherine Langsdale. It's a fine collection and if one looks at the work knowing that he morphs into a lead singer, it's easy to see these as chunks of lyrics as well.
EarDada #1 (2000)
EarDada
editor: Re'Howse
Gardenia, CA
(c)2000
Volume 1 Issue 1
This staple bound zine was the handiwork of Re'Howse who, I believe, is alive and well and living in Louisiana where she is makin' some art. 15 years ago, she put together this tiny zine of art, prose, and poetry. A piece I wrote was in it. The concept of "flash" writing was already around and I wrote a piece that took only half the 50 words allotted. I called the piece
on her neck.
Three piercings in right
nostril,
silver.
Metal slash
industrial music
rattles the chandelier.
Her hand
jerks the wires
when she sneezed;
BOOM!
I even scored a Tshirt (a special EarDada shirt) which I wore out. There are so many small zines and journals out there. I just happened to be in this one. It was a pretty cool experience.
Friday, April 10, 2015
Sir by H R Hegnauer (2011)
Sir
H R Hegnauer
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2011
A short story with experimentation in white space? Possibly. Unpaginated white pages of decent writing in a lovely, typical of these books, presentation. A beautiful object. But the writing did not impress me; either as prose or - was it meant to be poetry?
Thursday, April 09, 2015
Notice the Star by Dan Carr (1976)
Notice the Star
Dan Carr
The Four Zoas Press
Hardwicke
(c)1976
Another ebay find. I am always surprised how little sellers learn about the things they sell. Especially chapbook. "little slivers of nothing". I swear that most people think that way about chapbook. This little one was printed in 1976. Linoleum cut by Parnell Rogers.
Letter-pressed cover. Nice quality. Good read. Rare, good luck finding a copy.
The Landscape of Mind by Jianqing Zheng (2001)
The Landscape of Mind
Jianqing Zheng
Slapering Hol Press
Sleepy Hollow, NY
(c)2001
#340 of 500 printed. 29 pages. Hand-sewn binding. This book is the winner of the 2001 Slapering Hol Press contest. Mr. Zheng was born in China and was forced into "re-education" from farmers. Jianqing Zheng, Greenwood, Mississippi, is professor and chair of English at Mississippi Valley State University. He is the editor of Valley Voices: A Literary Review. A noted Wright scholar, Zheng's work on the writer has appeared in the Explicator, Southern Quarterly, Modern Haiku, Frogpond, Notes on Contemporary Literature, and other periodicals.
These poems are luscious. Well worthwhile. DO find and read.
Wednesday, April 08, 2015
little mysteries by ken mikolowski (1979)
little mysteries
ken mikolowski
toothpaste press
West Branch, Iowa
(c)1979
With illustration by his artist/wife, ann mikolowski. Another beautiful like chap from Toothpaste Press. Designed by Allan Kornblum. This copy is part of the 2000 copy second run of this little gem. Ann Mikolowski went on to do a number of covers and internal illustrations from other Toothpaste Press.
Labels:
Ann Mikolowski,
Ken Mikolowski,
The Toothpaste Press
Monday, April 06, 2015
when we were together in 1954 by Patrick Riedy (2012)
when we were together in 1954
Patrick Riedy
pressboardpress
Buffalo, NY
(c)2012
#55 of 80 made. 5" X 5" (how square). Riedy put down markers in Buffalo, NY which is a good place to do it in upstate out of New York City kinda way. We communicated with each other by mail and chapbook exchanges in 2013 after Ryan Eckes, who Plan B Press published in 2007, did a reading in Buffalo. Riedy has since moved on to Syracuse. Buffalo shakes off its poets, and more come to fill the void.
Letterpressed cover, hand sewn stitchery, unpaginated pages, and pages of few words. But of the words that are there! They float, flutter, and meander. A book with a title that includes a year does so, indirectly and inadvertently, like nailing a marker into the soft ground of memory. To many born in or around 1954 (including this sod), that isn't just a year - it is THE year, our year. It's a year that left a mark, a "before 1954" or "in 1954", followed by "after 1954". 1954? It's not an idle insufficient series of numbers.
It's the year that Rock and Roll began. The year the French lost Vietnam and American "advisors" took over. It's the year of polio shots and color TV sets, and frozen dinners. Matisse died. The first nuclear sub was launched. On The Waterfront. Senator McCarthy. Brown vs. Board of Education. Oppenheimer is stripped of his security clearance - cut out of the debate, America detonate bigger bombs over Bikini islands.
Riedy, without digging through historical documents, nonetheless brilliantly states :
in 1954
we weren't born yet
which is both a truism and deeper statement about how every successive generation can not fully comprehend or appreciate the previous one. The Political columnist, Gail Collins, wrote that no one grows old in the country that they were born in. Sage brilliance. Because rust never DOES sleep. There is always some younger, smarter, generation of fresh faces and stupid responses pushing up from "the future". And the future itself is not a static collection of datum. It's happens right now - and then, now - and again right now - no, I mean, NOW (snap your fingers, you have already missed it)
and when he concludes "everything had meaning/nothing was worth nothing/and these words/meant something" he summed up a good deal more than he imagined.
Sunday, April 05, 2015
Why Jesus? by Nicky Gumbel (HAPPY EASTER)
Why Jesus? Nicky Gumbel
religious tract
It's Easter Sunday and back when I was started Bardfest in Berks County, PA it was always tricky to have a 30 day poetry month with a poetry reading every day of the month when Easter fell in April which is why I am including this little tract. My first question is why green? Why is the cover and the lettering green? well, Green is the color of plant life, abundant in spring. It is used to represent the triumph of life over death. Green is the liturgical color for the Trinity season in some traditions, and may be used during Epiphany in others.
Ben Franklin and other early American printers stayed in business and prospered from the printing of religious tracts like this one. This particular one was printed in the UK. But no matter, it part of a long history of religious printing going back to the original Gutenberg Bible. It's likely that more religious items have been published since the invention of the Press than any other type of material.
It's not poetry to my ears, but it's designed to resinate with many a reader. Here's to publishing religious tracts!
Saturday, April 04, 2015
The Yellow Wallpaper by Charlotte Perkins Gilman (1993)
The Yellow Wallpaper
Charlotte Perkins Gilman
Orchises Press
Washington, DC
(c)1993, (c)1891
I am writing about this story by Charlotte Gilman because it was published by Orchises Press which publishes primarily poetry which is the main focus of this blog. Orchises is the brainchild of George Mason University professor, Roger Lathbury.
This 16 page staple-bound story has this description from the Orchises catalogue: "This unforgettable tale of madness and repression, first published in The New England Magazine in January 1892, was praised by William Dean Howells as a tale to “chill the blood,” but it has also been viewed as a study in progressive madness, a text that destroys itself in the telling, and an early instance of feminist fiction."
Gilman was known for this story from the time it first appeared in print. However, these days she is also know for Herland. She wrote 4 volumes of poetry as well as several books and collections of essays.
Here is the original cover for the book for of The Yellow Wallpaper.
Orchises Press has been publishing since the early 1990s.
Friday, April 03, 2015
Cherry by Barbara Jane Reyes (2008)
Cherry
Barbara Jane Reyes
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c) 2008
I liked the poetry very much in this small collection and decided to let her website speak for itself: "Barbara Jane Reyes is the author of Diwata (BOA Editions, Ltd., 2010), winner of the Global Filipino Literary Award for Poetry and a finalist for the California Book Award. She was born in Manila, Philippines, raised in the San Francisco Bay Area, and is the author of two previous collections of poetry, Gravities of Center (Arkipelago Books, 2003) and Poeta en San Francisco (Tinfish Press, 2005), which received the James Laughlin Award of the Academy of American Poets. Her fourth book, To Love as Aswang, is forthcoming from PAWA, Inc. She is also the author of the chapbooks Easter Sunday (Ypolita Press, 2008) Cherry (Portable Press at Yo-Yo Labs, 2008), and For the City that Nearly Broke Me (Aztlan Libre Press, 2012).
Her work is published or forthcoming in Arroyo Literary Review, Asian Pacific American Journal, Boxcar Poetry Review, Chain, Eleven Eleven, Fairy Tale Review, Fourteen Hills, Hambone, Kartika Review, Lantern Review, New American Writing, North American Review, Notre Dame Review, Poetry, TAYO, Unpublished Narratives, xcp: Cross Cultural Poetics, among others.
An Andrew W. Mellon Foundation Fellow, she received her B.A. in Ethnic Studies at U.C. Berkeley and her M.F.A. at San Francisco State University. She is an adjunct professor at University of San Francisco’s Yuchengco Philippine Studies Program, where she teaches Filipin@ Literature in Diaspora, and Pinay Lit. She has also taught Filipino American Literature at San Francisco State University, and graduate poetry workshop at Mills College, and currently serves on the Board of Directors for Philippine American Writers and Artists (PAWA). She lives with her husband, poet Oscar Bermeo, in Oakland, where she is co-editor of Doveglion Press."
Completely worthwhile.
Thursday, April 02, 2015
Now Poetry by Xerox Education Publications (1974)
Now Poetry
Xerox Corporation
Xerox Education Publications
Columbus, OH
(c)1971
This is an interesting and overlooked item. Overlooked in the sense that it should be in every chapbook collector's archives. This 63 pages booklet is as much a promotional tool for Xerox as it is a collection of poetry. The work included is concrete poetry as well as more formal styles but the eye-catching element is that there are images on every page. Xerox is showing off a bit but it works! Since this booklet is part of the Xerox Educational Publication services, the poems are actually primarily from kids. There are some poems by adults in here but it's primarily a collection of kid poems. Some of which are very good.
The booklet is produced on Xerox paper stock meaning it's thin and can be easily damaged. Yet this copy is in great condition. What better way to celebrate National Poetry Month than with kids' poetry!
Wednesday, April 01, 2015
Shards by Pat Sadowski & Al Nadolski
This is National Poetry Month in the USA so I am going to write about a poetry chapbook a day for the month. Ambitious? Perhaps a little, but it's worth doing. So here goes:
Shards
Pat Sadowski & Al Nadolski
publishing date unknown
unknown publisher
We'll start with a mystery. This one more than others IS a mystery. The ebay seller had no details about this book except that he thought it was made locally and locally for him was Milwaukee. Staple-bound chapbook. Unpaginated. Each poets few poems in this volume are good. Topical and geographical. Were I to guess, I would place this collection in the 1970s. Little more than unearthing a lost gem, really. I will return to this chapbook if I ever find out more.
Wednesday, March 25, 2015
Cyrus by Anna Burton-Wachter (2013)
Cyrus
Anna Gurton-Wachter
The Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2013
Sometimes one just tries to do too much, spread themselves too thin. This tiny chapbook is an unfortunate example. It's not prose-poetry. It's surface writing. It lacks depth. I did not connect with the writing at all. SAVE A TREE.
Thursday, March 05, 2015
Trailer Trauma by Robin Axberg (1995)
Trailer Trauma
Robin Axberg
Milwaukee, WI
(c)1995
This is one of the oddest chapbooks I have yet to find. It's a collection of poetry with B&W photo images and drawings done by friends of the poet and assembled - interestingly. At first I didn't know what to make of it and then I spied the dedication to "Larry and the Cafe Melange poets". Ah, a clue! Cafe Melange has a history! This can be seen as much as a historical document of Milwaukee history in the early 1990s as anything. Ms. Axberg signed to the book to a friend using her (then/NOW) married name. This chapbook is something alright. Glad I got it.
Saturday, February 21, 2015
Fervent Remnants of Reflective Surfaces by Evelyn Reilly (2006)
Fervent Remnants of Reflective Surfaces
Evelyn Reilly
Portable Press at Yo-Yo Labs
(c)2006
This work, like so many books published by Yo-Yo Labs, has the fingerprints of Brenda Iijima all over it and that's not a bad thing. The work itself is a fun exercise in marginalia, reductionism, and playfulness. It is as though the author has gone outside after a significant snowfall and left her singular footprints in the white both for herself and her readers with a hot chocolate GLEE. Ms. Reilly incorporates some Moby Dick text in the second section (Lesser Levithans)to get Mr. Melville involved. It works well at every level. Unpaginated. All images by Ms. Iijima. Score one for the Labs!
Evelyn Reilly
Portable Press at Yo-Yo Labs
(c)2006
This work, like so many books published by Yo-Yo Labs, has the fingerprints of Brenda Iijima all over it and that's not a bad thing. The work itself is a fun exercise in marginalia, reductionism, and playfulness. It is as though the author has gone outside after a significant snowfall and left her singular footprints in the white both for herself and her readers with a hot chocolate GLEE. Ms. Reilly incorporates some Moby Dick text in the second section (Lesser Levithans)to get Mr. Melville involved. It works well at every level. Unpaginated. All images by Ms. Iijima. Score one for the Labs!
Wednesday, February 18, 2015
the months since last posting
Sorry - overwhelmed by holidays and the remodeling of our house. Our front porch has become a mudroom/office. Whose office? well, mine actually and I am still going through my stacks and boxes and bins of chapbooks. It has been some time and now in the midst of WINTER the local school district doesn't know how to be ready for "winter" so my kids are home far more often than they should be.
Well known and loved poets have passed away over the past few months, including just a day about Philip Levine. His first few books were chapbooks/small press books. Rod McKuen passed away as well but I never liked his work and I don't believe he was published in chapbook form. More importantly to me, Allan Kornblum (Toothpaste Press) died in Fall. A generation of publishers is passing from the scene before our eyes. Their work remains and much be collected. That's where this blog comes in. That's what this blog has been about from the beginning, talking about people, publishers, Presses.
Well known and loved poets have passed away over the past few months, including just a day about Philip Levine. His first few books were chapbooks/small press books. Rod McKuen passed away as well but I never liked his work and I don't believe he was published in chapbook form. More importantly to me, Allan Kornblum (Toothpaste Press) died in Fall. A generation of publishers is passing from the scene before our eyes. Their work remains and much be collected. That's where this blog comes in. That's what this blog has been about from the beginning, talking about people, publishers, Presses.
Wednesday, December 24, 2014
rushing to the end of the year
There is life after blogging too. Or perhaps, instead of blogging. Instead of capturing every second of one's life on some electronic devise or another. Not standing on every platform available. Not screaming in every direction at once.
I meant to write more about chapbooks this year but was overwhelmed BY the year. Too much happened, and blogging fell off the radar screen. Keep collecting, I did a good amount but writing about the treasures I did not do in the measure I meant to do.
I see them like snowflakes falling on ebay, some big fishnet in Minnesota pulling up entire schools of chapbooks posted there. Then put up individually with some odd priced numbers. I see these illuminated little fish from the deep forgotten unknown flashing across my momentary awareness; names and titles I never heard of. Like old signs along route 66 in the desert night. Surrounded by the hollow darkness of obscurity. Never remembered. Pages never opened. Poems never read.
And unlike the masked poster from Minnesota whose only in it for the quick buck, I try to uncurl the twisted logic of best intentions and the scrubbing away of time. Chapbooks, authors, presses. Swept clean from our morning brains like forgotten dreams.
Thursday, September 18, 2014
A Message to Garcia by Elbert Hubbard (1917)
A Message to Garcia
Elbert Hubbard
The Roycrofters
East Aurora Erie County New York
(c)1917
Hubbard was a member of the Roycrofter artisan community in New York state and died on the Lusitania (May 7, 1915). He lived in an Arts & Crafts community and two years after his death, this lovely handmade chapbook was created to honor Hubbard. It's a wonderful example of the Arts & Crafts movement in the US during this period. Handmade paperback, hand sewn binding. Very fine indeed. A bookworm also enjoyed it sometime in the past and I am now keeping it for the relic that it is since some of the text was literally devoured years ago.
Sunday, July 20, 2014
My Lost Idols by Jackie Botterio (1967)
My Lost Idols
Jackie Botterio
twowindows press
san francisco, ca
(c) 1967
I was going to write about this chapbook in terms that I have before: size, page count, details and all that. But with this one I got caught up in that printed in November 1967 in an edition of only 130 copies and that the copies were only distributed to friends. Why? Well, the clue is found on the title page at the bottom:
1942-1966
The young lady, all of 24 years old, died. This is her only book. Her remembrance. The fact that there are 5-10 copies posted online to be sold is heartbreaking. This young woman, this small press, deserves more than the briefest mention. I did a quick search of this blog and found a different chapbook by Twowindows Press : a 1987 chapbook by Joanne Kyger and Michael Rothenberg. By that time, the press was located in Berkeley. Apparently the press brought out close to 50 books over its lifespan. Not done digging but wanted to put this up.
Thursday, July 03, 2014
Jamaica by Travis Cebula (2011)
Jamaica
Travis Cebula
pamphlet poets series no. 4
bedouin books
(c)2011
It's summer. Some folks like to think about going to the islands. Like Jamaica. It's the right time for it, you know? This tiny format chapbook is the perfect size for a quick read on a hot beach. The poetry captures a snapshot of a moment of a memory of an island few of us will ever reach. Very cool.
Thursday, June 26, 2014
Vodka and Roses by Michael Irene Welch (1978)
Vodka and Roses
Michael Irene Welch
Toothpaste Press
West Branch,Iowa
(c)1978
Uniquely sized chapbook. Pink cover. Linoleum block images by Cinda Kornblum. Staple-bound. The more I collect Toothpaste Press books, the more interesting it becomes to see the evolution of the Press over time. From thin well crafted chapbooks toward books with a spine. Of course, one could conclude, this Press would evolve into something else - and it did - Coffee House Press!
Wednesday, June 25, 2014
Shaved Code by Frances Richard (2008)
Shaved Code
Frances Richard
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2008
#53 of 130 printed. Unpaginated. Poems as collage as cover. Fragmented. Great chapbook. Simply said.
Sunday, June 15, 2014
Above Us Only Sky : Atheist Poetry (2003)
Above Us Only Sky: Atheist Poetry
edited by Michelle Rhea and Anita Barnard
Incarnate Muse
Sanata Barbara, CA
(c)2003
100 page anthology, which is a staple-bound chapbook, is like a ducked billed platypus (what kind of odd bird is this?) A chapbook that is 100 pages is not a chapbook. All the same, the poetry is mixed. Some familiar names. Some decent poems.
Saturday, May 24, 2014
A Ship of Bells by George Hitchcock (date uncertain)
A Ship of Bells
George Hitchcock
Kayak
San Francisco, CA
date uncertain
I just got a huge lot of books and among the items is "a ship of bells" by George Hitchcock who also ran Kayak - his own imprint. There are woodcut prints by Mel Fowler throughout. The 61 page staple-bound chapbook does straddle the line as far as I am concerned regarding size but that's his decision as Publisher/Poet. Since is wearing both hats, more power to him. It was his first book. The is some guessing as to when this was published, the best guess seems to be 1969 but there is no date in the book itself and Google searches have been inconclusive. However, the book is beautiful. It's an incredible chapbook. The artwork by Mel Fowler is exceptional. Wow.
Thursday, May 22, 2014
Sextuples Are Not Heavy by Danielle Roderick (2010)
Sextuples Are Not Heavy
DoubleCross Press
Single Sheet Series No. 4
Brooklyn, NY
3.5" X 4" tiny chapbook accordion-style printed Feb. 2010 at the Minnesota Center for Book Arts. Linocuts by Jeff Peterson. Overbeaten flaxabaca paper made at Lost Arch Papermill, Tuscaloosa, AL. Doublecross does some interesting work. I have noted them before when I wrote about Brandon Shimoda's little chap, The Grave on the Wall. This one is just as well done and handsome.
Tuesday, May 13, 2014
Obit for the Warehouse by Jaime Niedermeier (2006)
Obit for the Warehouse
Jamie Niedermeier
Duplex Press
(c)2006
I found this little nugget via ebay. It has led to an interesting bit of detective-ing in the sense that Ms. Niedermeier is present on the Net in various places. This thin booklet is her only book to date. I saw a short film she posted in 2012 of her in a temporary homeless situation - hopefully that's all changed now. She's living on-line. A lot of people do that. Not that she is doing it intentionally but that she is sharing her life on-line, likely as a way to promote herself as an artist. The film was pretty interesting, I have to say.
This is a single poem booklet. The poem is filled with interesting language. I appreciate it. I like it. The visual presentation is shit though. Separation of the visual from the linguistic is obvious. I can see this poem in a larger book should she get to that stage. However, text is not her primary medium. All the same, I like the poem. And wherever you are, Jaime, I hope you have landed on your feet!
Wednesday, May 07, 2014
Off Flaw by Dawn Pendergast (2009)
Off Flaw
Dawn Pendergast
dusie
(c)2009
tiny tiny tiny "chapbook" measuring in at 3.5" X 3". Braille-like cover. Experimental work and experimental design. This is her first chapbook. Sparse text for the small space. Interesting work. I have read an interesting review of this tiny tiny. Ms. Pendergast seems to be most present on Goodreads.com (personal preference?) I have riffed a poem from one of her lines, I will admit. Collectable!
Tuesday, May 06, 2014
it bears repeating....
It bears repeating: I am not a cheerleader. I am a publisher as well as a poet. I write this blog to acknowledge the work of publishers and poets and "one-time" presses that bubble to the surface through the existence of the work. If someone thinks I should only focus on the poems, they miss my point. Or rather, they are not aware of the quote by El Lissitsky that is a guiding principle of mine:
The book must be the unified work of the author and the designer. As long as this is not the case, splendid exteriors will constantly be produced for unimportant contents, and visa-versa.
El Lissitzky
from Do Not Separate Form from Content!(1931)
If a chapbook visually sucks but the words are good, I will say so. If the chapbook is stunning but the words are god-awful, I will also say so. No tree should ever be felled for tripe or self-serving navel-worshipping. If you have a friend whose work you like a lot and it doesn't matter to you what their chapbook looks like: that fine, but that's not my "job". I respect the people who have taken the time and considerable effort to make a thing of beauty. Putting out a book on the cheapest photo-copy paper available with the grainiest picture imaginable and touting it as your "work of art", I will decline climbing on your bandwagon.
Certain publishers from the past, say from the late 1970s through today, deserve to be recognized as establishing the structure by which "the bar" is placed, let alone raised. The truth is that they publishers cared what their chapbooks LOOKED LIKE as much as the words or images, or both, were INSIDE. I have listed some of these presses before but it is worth mentioning again: Toothpaste Press (Allan Kornblum), Perishable Press Limited (Walter Hamady), The Fathom Press (Robie Liscomb), The Portable Press at Yo-Yo Labs (Brenda Iljima), Pentagram Press (Michael Tarachow), and many others.
I would urge lovers of the chapbook form to image that there is a history to this all, that you are part of it, and that you haven't created the wheel. It's been done. Dozens of times over. Hundreds of times over and then some. There is a historical element to my blog that I perhaps haven't overtly presented but I think it's time that I did. We are all part of something that dates back to the 1940s. If you wish to consider the chap(ter) books that were published in England earlier, then we are talking about the 1600s.
My particular focus is poetry chapbooks of the second half of the 20th century and now into the 21st.
El Lissitzky
from Do Not Separate Form from Content!(1931)
If a chapbook visually sucks but the words are good, I will say so. If the chapbook is stunning but the words are god-awful, I will also say so. No tree should ever be felled for tripe or self-serving navel-worshipping. If you have a friend whose work you like a lot and it doesn't matter to you what their chapbook looks like: that fine, but that's not my "job". I respect the people who have taken the time and considerable effort to make a thing of beauty. Putting out a book on the cheapest photo-copy paper available with the grainiest picture imaginable and touting it as your "work of art", I will decline climbing on your bandwagon.
Certain publishers from the past, say from the late 1970s through today, deserve to be recognized as establishing the structure by which "the bar" is placed, let alone raised. The truth is that they publishers cared what their chapbooks LOOKED LIKE as much as the words or images, or both, were INSIDE. I have listed some of these presses before but it is worth mentioning again: Toothpaste Press (Allan Kornblum), Perishable Press Limited (Walter Hamady), The Fathom Press (Robie Liscomb), The Portable Press at Yo-Yo Labs (Brenda Iljima), Pentagram Press (Michael Tarachow), and many others.
I would urge lovers of the chapbook form to image that there is a history to this all, that you are part of it, and that you haven't created the wheel. It's been done. Dozens of times over. Hundreds of times over and then some. There is a historical element to my blog that I perhaps haven't overtly presented but I think it's time that I did. We are all part of something that dates back to the 1940s. If you wish to consider the chap(ter) books that were published in England earlier, then we are talking about the 1600s.
My particular focus is poetry chapbooks of the second half of the 20th century and now into the 21st.
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