Showing posts with label Kostas Anagnopoulos. Show all posts
Showing posts with label Kostas Anagnopoulos. Show all posts

Wednesday, January 21, 2009

chapbooks 29



Choragus
Pattie McCarthy
Potes & Poets Press
Elmwood, CT
©1998

This chapbook appears to have been made around the time Ms. McCarthy completed Grad School. It has quips on the back from two of her heroes, Rachel Blau DePlessis and Ron Silliman. A few of the pieces had appeared in ixnay journal. I mention this because these all represent or present a particular style of poetics that I acknowledge but don't exactly admire. Once upon a wintry day, I attended a poetry reading in Lancaster, PA held by a group of poets who sounded exactly alike. Their phrasing, their speech patterns, their wording was all vertically the same. I remember how I thought of the word "precise" when I recall that reading, and the endless poem I wrote about it contains the line "precision devoid of blood makes no sound/".

Yes, this collection is precise and not written for the 'common reader'. It was a graduate school thesis in chapbook form. It does not have a pulse. It is brilliant and unapproachable. Within a certain circle of Ivy League writing programs (Brown, U Penn) this work would have been well received. I don't think that poetry ought to be read with a dictionary under my arm, however, nor a copy of Bulfinch's Mythology.

The cover was created using period clipart which is, well, very pixelated. I know people who covet this chapbook as it was at the beginning of her writing career. Contact me, I will sell you this copy.



Warrior Writers
Edited by Lovella Calica
Iraq Veterans Against the War
Burlington, VT
©2007

I found this chapbook in a second hand shop in Fairfax, VA. Brown lettering on plain brown cover. Incredible collection of writings about and against the US military involvement in Iraq by some of the soldiers who have served there. 29 pages. Anyone interested in this organization should contact them online at IVAW.


Various Sex Acts
Kostas Anagnopoulos
Insurance Editions
Jackson Heights, NY
©2008

I am often pleasantly surprised by the chapbooks sent to me from Insurance Editions. However, this one didn’t impress me beyond the look of the chapbook itself. Very well done, but the poetry didn't connect with me.


Too Close to Count
Jennifer Thomas
Self published
©1973

This thin little chap came from the dusty recesses of the Robin’s basement. It was published in 1973. No publisher name, no info, no contact info. No page count. Very mimeo – produced. I look at this and can almost hear the machine at work.

Draft, Unnumbered: Precis
Rachel Blau DuPleassis
Nomados
Vancouver, British Columbia
©2003

Fantastic chapbook. First time I have seen anything by Nomados and it’s simply a pleasure to hold a well made book as this. The poems are wonderful, a must for anyone aware of and a reader of DuPlessis’ on-going “Draft” project. A real collector’s item.

Tuesday, September 04, 2007

Chapbooks 19


Irritant
Kostas Anagnopoulos
Ugly Duckling Presse
Brooklyn, NY
© 2007

This is a great little book. Ugly Duckling Presse continues to impress. Anagnopoulos comes at us with 38 bits of poetic observations, short blasts of reality/absurdity. So this is where the New York school is now. Packaged beautifully in this compact punch. Kudos to Ugly Duckling.


Becoming
Emma Rossi
Green Zone Editions
Brooklyn, NY
© 2007

This odd sized book is a wonderful thing. Ms. Rossi writes prose poetry, and writes it well. With an interesting cover by Kate Parnell, hey cover design is hard work!, this book is a great addition to any collection. AND Green Zone actually has its address in the book so one can contact them and thank them for all their wonderful books.



a familiar album
erica kaufman
The New School Chapbook Series
New York, New York
© 2006

It’s great to see a chapbook coming out of the New School Chapbook series. Ms. Kaufman has written a moving, personal tribute to her family is an interesting treatment on the whole notion of ‘the family album’. For me, however, there needed to be more images or none at all. The black & white photos were a tease. As this was one long prose poem, perhaps that determined the number of photos in the book. Yet, the format could have been ‘toyed’ with a bit more.

I also want to note that Ms. Kaufman is involved with running the Belladonna series in New York which has produced many fine chapbooks over the past few year. Bless you, Erica for all your hard work; your rewards await you in heaven.


a gravure and five drawings with text
Elaine Galen & Edward Colker
John Simon Guggenheim Memorial Foundation
New York, New York
© 1963

This is less a ‘chapbook’ as a loose collection of drawings with text. As the title suggests. The text was provided by Elaine Galen with the etchings by Edward Colker. It’s a beautiful experiment. One that works. One of only 100 made.

Bird in the Overhang
Jennifer Gittings-Dalton
Springfed Chapbook Series
Foothills Publishing
Kanona, NY
© 2007

I must defer to El Lissitzky who wrote in 1931 "The book must be the unified work of the author and the designer. As long as this is not the case, splendid exteriors will constantly be produced for unimportant contents, and visa-versa." Unfortunately, that’s what has happened here. The wonderful poems by Jennifer Gittings-Dalton are wrapped in a frankly boring cover which does no justice to the work. I understand that this is the publisher’s decision, and as this particular volume is number 65 in this series but - he has been milking the cover design for all it is worth. Seriously, invest in hiring someone who can do something ELSE with the covers. PLEASE!!!!!


Hot Water Review 1981
# 4
Peter Bushyeager, editor
Philadelphia, PA
©1981

Bright pink cover with red lettering, Hot Water Review 1981. This is a great collection of text with images, well ahead of its time, featuring Philadelphia legend Joel Colton, who died at Mount St. Helens eruption, along with the editor, Peter Bushyeager, Andrei Codrescu, Richard Kostelanetz, Ron Padgett, and others. It’s a shame that sometimes the most interesting work has the shortest lifespan. This is a great volume. I would imagine rare as hell to find, but – FIND A COPY! (no, you can not have my copy)