Black and White
Gilbert Sorrentino
Corinth Books/Totem Press
New York, NY
(c)1964
Cover art by Morton Leaks
Sorrentino did not the receive the attention he deserved. Great poetry here. Of the time and in the time.
This space is dedicated to the underappreciated art form of the chapbook which has been of significant importance in the launching of many fine authors. What follows are images and observations on the writers and their books
Gilbert Sorrentino
Corinth Books/Totem Press
New York, NY
(c)1964
Cover art by Morton Leaks
Sorrentino did not the receive the attention he deserved. Great poetry here. Of the time and in the time.
The Dial
The Song Cave
(c) 2012
Part of a series. This is #55 of 100 printed. Signed by Nealon. Covers all the same pattern (must have been a thing for the series. Staple bound, unpaginated. Single poem.
Big bear paws
Which hold the fist
But could also hold
The breasts of Time
So easily
She would gladly feed us.
(my italics)
what? WHAT? What the absolute BLEEP is that supposed to mean? The breasts of time? I can't. It isn't. I won't.
Henry Crawford
printF
(c)2022
I think Mr. Crawford and I both dabble in computerized language that anticipated the emerging AI "threat" to all things human. He has a method. I need a key code. I do not have it. Shrug.
Tom Pescatore
Alien Buddha Press
(c) 2021
This press has been popping up frequently of late. As has Kelsey Books out in Utah. Good it see new publishers sprouting up as older ones fade and wither as is the nature of all things. Pescatore is a street/rebel poet who has spent time living in the elements. Off the grid. On the border between civilization and "the wilds". His work is true. And worth a read.
W. Luther Jett
Kelsey Books
American Fork, UT
(c)2021
Full disclosure : I used to run a poetry series at a local library and Luther Jett was one of our featured poets in 2020/21 and he read most of the poems that are in this collection, thanking me afterwards for providing the space where he could read them aloud in front of an audience as he was formulating the idea that became this collection.
So - I am a little biased in favor of it. All the same, this is a wonderful collection of poems produced well by Kelsey Books, an enterprise that was been doing great work of late.
Emma Trelles
Goss185-Casa Menendez
Bloomington, IN
(c)2008
It's a chapbook pretending to be bigger since it has a spine - too thin for text. The writing is good though. That's something.
Julie A Selman
One Woman's Press
Juneau, Alaska
(c) 1992
I know nothing about this poet or this press, but it's an interesting piece notwithstanding. This particular copy does not contain "slate sand found on the shore of Gastineau Channel". But it is one of 500 copies printed on recycled paper. Remember this is 1992 -
The poet and publisher are showing a depth of ecological awareness. It's a work tied to and defined by Juneau and its waterways. Glad to have found it. Definitely will be keeping it.
Hale Chatfield
New/Books
Trumansburg, NY
(c) 1967
36 pages. There's a spine with actual lettering on it. Cover and title page by Walter Wanger. Good writing, nice presentation.
Konglomerati Press
Gulfport, FL
(c) 1976
Konglomerati was a magazine of visual poetry, irregularly printed, out of Gulfport, Florida. It billed itself as "visual poetry" but what that most seemed to mean is that it was poems presented on mixed media and their definition of mixed media was "scrap paper".
This is not a chapbook but a small collection of individual pieces of paper with poems on them in a uniquely folded paper folder which I have to say is the most intriguing element to the whole presentation.
bitsy sanders
self published
(c) 2013
Full disclosure : I briefly attended York College of Pennsylvania where Ms. Sanders graduated from. That said, I did know the difference between a "chapbook" of less than 40 pages and a book of 68 pages, which is what this book has. It has a spine with no writing on it - but why? If a book is thick enough to have a spine, then have the title and author's name on the spine for goodness sake. How is a person supposed to KNOW what that bit of color on the spine IS ?
This is not a chapbook. This is also not a completed thought. This is a shotgun wedding without a preacher. This is a signed copy of a book that the signee parted with - this is an example of "just because you can, doesn't mean you should".
a tree was wasted to make this - hopefully another was planted to replace it.
Mary Anne Radmacher-Hershey
Hershey Studios
Cannon Beach, OR
(c)1994
2nd edition.
Handmade book, part of a series produced by this lady. Each book fancy cursive handwriting. I am acknowledging it but it does not resonate with my creative palette.
Peter Waterhouse
Duration Press
(c) 1999
translated by Rosemarie Waldrop
Part of the Duration translation series, this is #10 of that series.
Monster House Press
(Phamplet Series) 003
Bloomington, IN
(c) 2016
This single poem booklet appeared the year before Akbar's book Portrait of the Alcoholic (2017). Appears signed on front cover. Staple bought, interesting find.
Carmen Gimenez Smith
Dusie
( ?)
I am acknowledging the existence of this booklet. That is the extent of my comments. What Dusie does sometimes is beyond my comprehension
In the Arbor
Kent State University Press
Kent, OH
(c)1997
26 pages, staple-bound chapbook.
Little Winter Theatre
Ugly Duckling Presse
Brooklyn, NY
(c) 2011
Non-standard sized hand sewn chapbook. One of 500 printed.
The Nocturnal Factory
Ugly Duckling Presse
Brooklyn, NY
(c)2008
27 pages. Velum flyleaf page.
all three present different aspects of the author's work and all three are rare as her other books are all perfect bound books.
Diane Wakoski
Editura Univers
Socialist Republic of Romania
(c)1981
While this is NOT technically a chapbook due to its page count, I am mentioning it here because it's a rare (for being in the USA) and handsome oddly sized book - not published in English. There is no writing on the spine so I will be storing it with chapbooks so it doesn't get lost.
Denise Levertov
Black Sparrow Press
(c) 1969
Back in the beginning of Black Sparrow, books were hand-sewn chapbooks. This one is signed. Beautiful artifact of a time gone by.
Michael Sikkema & Elizabeth Workman
(c)2014
A chapbook like this is a broader story than what is contained in the 39 pages of staple-bound beauty that as an object it is. It's a story of the publisher who runs the press and the two poets who collaborated on the melding of the work. It's about the cover designer, Erik Brandt, as well as Scott Sweeney, the publisher. It's an entire package. And at the very least an acknowledgment of their collective accomplishment. Which I just did.
Michael Sikkema
serif of nottingham editions
Hamilton, Ontario CANADA
(c)2012
It's interesting to "look back" at someone's work whom you are just now getting to know and they have moved to having novels being published. Interesting little press. Interesting little collection and I especially like the poem "how to explain your politics at a party" since it still feels unfortunately relevant today.