Heartbreak Hotel by Tom Clark

Heartbreak Hotel
Tom Clark
Toothpaste Press
West Branch, Iowa
©1981

Unpaginated. 5” X 5” , handmade paper. Hand sown binding. #294 of 500 signed copies. Very handsomely made chapbook, which was the trademark of Toothpaste Press. 5 very short stories with illustrations. Wonderful little book. By collection Toothpaste Press books, one can observe the variation of styles and appearance as publisher Allan Kornblum tinkers with the form of the books he is producing. It is no wonder that he reached a decision within 5 years of this chapbook to recreate his press as Coffeehouse Press and to produce full collections. There are physical restrictions to the chapbook form, not to mention financial considerations, that lead a publisher to change course. STILL, this is a beautiful chapbook. A real find.

Dakota Country by Dakota Dan Holsworth

Dakota Country : The Pioneer Years
1966-1971
Dakota Dan Holsworth
Pine Hill Press
Freeman, South Dakota
©1972

This 20-page chapbook appears to be representative of the work published by Pine Hill Press. The Press was founded in 1952 and is currently housed in Sioux Falls, South Dakota. The Press specializes in Short Run books (some may see the word Vanity Press flashing before their eyes), but it’s been successful enough in what they do to be around for 58 years which is quite an accomplishment by any standard.

There is a Dan Holsworth in Madison, South Dakota who might be the same person. The chapbook itself sports two photos of the author on front and back. I found the poetry itself to be, I have to say, unremarkable. As an object, it is worth acknowledging but as literature – well, it ain’t all that.

I will say this : If I were a collector of regional material, I would want this in my collection.

Teeny Tiny & other microscopic booklets

A poet I know recently sent me a packet of chapbooks and ephemeral material and among the items was

I Wasn't There When it Happened
Christopher Wells
Teeny Tiny
Edmonds, WA
(c)2006

I looked at it for a few seconds and remembered that I had previously become acquainted with Teeny Tiny publications and its founder, Amanda Laughtland. Back in 2007 I happened across her somewhere, perhaps on the net, and contacted her. She responded by sending me

FREE
Amanda Laughtland
Teeny Tiny
March 2007
second edition

Teeny Tiny
#10
March 2007

These are indeed "teeny tiny" booklets, 4 1/4" X 3". We are talking small. We are also talking interestingly created and very under the radar. Using clip-art and stampers to adorn the booklets, the folks behind Teeny Tiny have made an array of interesting "one-of-a-kind" booklets. The Wells booklet is a little better assembled - it has cover stock - while the others were made entirely out of copy paper. All of them fit comfortably into an envelope.

While we are on the subject, there are two other "microscopic" booklets I have and would like to discuss:

A POEM
M. Yankelevich
Ugly Duckling Presse
Brooklyn, NY
(c) 2001

12 short ones
Barbara Torode
enoch flower publishing
Philadelphia, PA
(c)2003

These are tinier still: A POEM measures 2" X 2" and contains a very short little poem, two words per page. This is very early in the development of Ugly Duckling and in the publishing career of M. Yankelevich. It's nearly too small to keep and completely worth while. "12 short ones" by Philadelphia based designer/poet is slightly larger, 2 3/8" X 2 3/8". The Torode cover is color and complex. It uses accordion style printing and uses both sides for her poems. Handsome LITTLE book. #26 of 100 hand-made booklets.

Flowers of Foam by Carol Wight

Flowers of Foam
Carol Wight
F. B. & F. P. Goss
Hyannis, MA
©1936

5” X 4” staple-bound chapbook, likely letterpressed. 16 pages. 11 poems. Every other page is blank. This is a called a “Cape Cod Idyl”. It appears to have been originally published in 1892. If so, then this small chapbook, which was signed by Ms. Wight, came out 44 years after it originally was published. She would have been a significantly older woman. It was signed to “Ted and Pan”. There is an owner’s plate inside front for Theodore Johnson.

The printers/publishers, F. B. & F. P. Goss, seem to have been most active during the early decades of the 20th century and well known by Historical societies in the state of Massachusetts. This book was printed on Cape Cod. It’s an early chapbook, I was not aware of staple-bound chapbooks being made as early as 1936, but here is one. It’s in surprisingly good condition. The cover illustration is by someone with the initials of ASW. No information is available about whom that was; nor did I glean anything from a Google search for “Carol Wight”.

The poetry is certainly not of a form that I favor, but if it was first published in 1892 then it clearly is from a different time. As a collectible, it’s quite rare and handsome. Well worth the search.

Theatre by David Curry

Theatre
David Curry
The Best Cellar Press
Crete, Nebraska
(c) 1973

Unpaginated. Handsome little chapbook. This press seems to have most active in the 1970s. Published something by Ted Kooser and Wendell Berry. The editor was Greg Kuzma who teaches at the University of Nebraska. A very good writer himself and a darn good publisher by the looks of this chapbook. The Poet, David Curry, has published short stories and poems in The American Review, Black Warrior Review, Crab Orchard Review, North American Review, Ohio Review, Prairie Schooner, Shenandoah and elsewhere. His second book of poetry, Contending to be the Dream (New Rivers Press, 1979) received Special Distinction in the 1979 Elliston Book Awards for books of poetry from small, independent presses.

He received a writing fellowship from the National Endowment for the Arts in 1979. For 10 years he edited and published the little magazine Apple from Springfield, Illinois.

Theatre seems to have been among his earliest chapbooks, can't determine where it falls in his bibliography at this time. Will post any updates I received. This is a decent find! (this entry was ably assisted by Caleb Puckett, thanks Caleb!)

In Fee Simple by Gene Kimmet

In Fee Simple
Gene Kimmet
Stormline Press
Urbana, IL
©1986

Representative of the work published by Stormline Press, this 39 page collection by first time author Gene Kimmet shows the strong regionalism that this Press featured. While the poems are a mixed blessing, the sense of place all the same permeates through the work.

Stormline seems to have been most active in the 1980s and published a number of Midwestern poets, writers, and photographers. This is the first book by this Press that I have happened across. It’s a very decent find. The regional voice is strong and sure. You feel the land right there in front of you. Illinois. Heartland. America.

The Healing Green by David Newall

The Healing Green
David Newall
Armaus Publishers
Luton, Bedfordshire, England
P. R. MacMillan
Cambridge, England
(no year stated)

This 34 page chapbook is quite the enigma. The author is unknown. The publisher is unknown. The printer might be P. R MacMillan, Cambridge (England). I do know that this collection does have 34 stated pages and that the poems were written in English and printed in English. Sorry if I seem a bit flippant but it feels like a ball of flummox holding this virtual unknown commodity.

These poems are largely about nature. Upon clearer inspection, these poems also have some typos that someone corrected in pencil. There is no owner name, The Press had an address of Luton, Bedfordshire, England which is the home of a college and it also states on the printer info page that the book was printed in England. SO - there is that.

But little else. The cover is green. The book is staple-bound. It's a legitimate chapbook. I am guessing that it was a student's early publishing effort as it has a dreadful rhyme scheme that bores me to tears. I am leaning toward SAVE A TREE for this one. I might have to pulp this copy myself - but I am almost intrigued to find out more about this book before being "rash". Anyone out there know anything about it?

Commenting on two Plan B Press chapbooks

Without
Richard Erdmann
Plan B Press
Stay-at-Home Press
©2007

The Mutual Life
Relationships, Colonization and Other Accidents
A Manual of Reference
James Thomas Stevens
Plan B Press
©2006


I haven’t written before in this blog about any chapbooks published by Plan B Press since I am the co-founder and head of Plan B Press. Felt like a conflict of interest. However the thrust of my comments here have to do with the books published by one of our divisions : Stay At Home Press. Not that that matters terribly much except that I have a bit less to do with this division than our “running man” division of the Press.

The concept behind Stay–at-Home Press is the attempt to wed image with text in a more realizable way. And to do this in the “book” format, not relying on or hiding behind the non-conventions of the e-book. To produce something a person can hold : a book. This, of course, was only the most basic reason for developing this new division of the Press. One of the statements that our Press tries to adhere to came from El Lissitzky who in 1931 wrote: “The book must be the unified work of author and the designer. As long as this is not the case, splendid exteriors will constantly be produced for unimportant contents, and visa-versa.

Our first attempt was Richard Erdmann’s chapbook Without. This chapbook melded text with image and image with text on. It was more of an experiment than a finished project, in hindsight I say, and as often happens – the poet disappeared into this “day clothes”. It happens. What remains is the chapbook - what has been lost is the meaning or the attempted meaning of the work.

The project that SHOULD have been the first Stay-at-Home Press book was James Thomas Stevens’ 2006 chapbook The Mutual Life . Stevens took much of the language as well as the illustrations that exist in the chapbook and the recreated cover from the original 1901 Mutual Life Insurance Company of New York: Accidents, Emergencies, and Illnesses published BY The Mutual Life of New York. The chapbook itself was the second phase of the work; it was created in 2004 for a writers convention and then published by Plan B Press as the fullest expression of its potentiality (complete with use of same font headings, etc.) before landing in a more neutered state with his 2007 Salt Publishing full book entitled A Bridge Dead in the Water. (the version that exists in that book is devoid of illustrations and the font matches the rest of the book) Besides being the most true expression of the merging of image with text, it presented the most compelling argument for the creation of the Stay-at-Home Division to date. However, Without was not successful as the first effort.

There will surely be more to come from this division as manuscripts continue to come our way with stronger visual elements. At the same time, there are entire publishing firms that dwell only in the e-book universe which challenges the dimension and understanding of what “text” and “book” will mean in the 21st century.

Oranges From Palestine by Mike Maggio

Oranges From Palestine (and other poems)
Mike Maggio
Mardi Gras Press
Harvey, LA
(c) 1996 2nd printing


This 31 page chapbook is a beautiful love bouquet from a poet to a great love, as well as the Middle East that she came from. It's an wonderful gift.

In The War by Jennifer Jean

In The War
Jennifer Jean
Big Table Publishing Co.
(c) 2010

Big Table Publishing Co. seems to be located somewhere in Massachusetts, although they are reluctant to state exactly where. I find that curious for a publishing company. Really? You don't want people to know where you are located? How does that work for you? I mean, you have to send an email to them in order to submit poems for consideration through the mail. What? They email you back their mailing address? Weird, weird, and more weird.

It may well be that this book is about the Vietnam War through the eyes and memory of a little girl whose lost her father (twice?) to that horror. But it's as much about something else. Different/other things. It's an Odyssey across America. One girl's maturity coming with haunting shadows of sorrow. Perhaps; yet it can only give what a girl much too young to understand the HELL of what that jungle war did to her father, and every father/son/husband/spouse went through simply to survive it; little more than glimpses through a prism.

I am a veteran of the era although I served my four years (1975-79) state-side. Unless one lived through it, one has no real point of reference to it. The "it" lingers just off the page throughout this book. It's a valid effort to be sure, and as an effort it has, I do hope, helped the author to come to terms with things beyond her comprehension as a child.

Asa Benveniste

As recently as a few days ago I had no idea who Asa Benveniste was, nor Ray DiPalma, nor had I ever heard of Doones Press. Then I saw a listing on ebay for a chapbook entitled "Listen" and there was a photo and I looked at the photo of this chapbook and decided to investigate a little.

Asa Benveniste was born 1925 in New York, which he left in 1948 'after being pursued by a doppelganger in the same furnished coven in Irving Place which Madame Blavatsky inhabited several decades earlier.' Between 1948 and 1950 he lived in France and Tangier co-editing the literary magazine ZERO. From 1950 he has lived in England 'learning English, straightening ice cream bricks on a conveyor belt, character acting in the provinces, market gardening, rearing chickens and pedigree dogs, editing books and publishing poetry.'


The following list was lifted from Cuneiform Press Blog (list was assembled by Kyle Schlesinger)

ASA BENVENISTE: A CHECKLIST (in process)
Arranged by year, this checklist includes books and a few ephemeral items by poet and publisher of Trigram Press, Asa Benveniste. It includes collaborations and co-publications with other authors, but does not include appearances in periodicals. Corrections and additions welcome at any time. Items followed by ‘ns’ are those that I have ‘not seen’ in person. – K.S. (12.20.09)


Poems of the Mouth (London: Trigram Press) 1966. [book]

A Word in Your Season: a Portfolio of Six Serigraphs w/Jack Hirschman (London: Trigram Press) 1967. [book]

Count Three (San Francisco: Cranium Press) 1969. [book]

The Atoz Formula (London: Trigram Press) 1969. [book]

Umbrella (London: Larry and Ruby Wallrich) 1972. [ephemera]

Time Being w/ Tom Raworth, Ray DiPalma; printed and illustrated by Elisabeth Brandfast (London: Trigram Press) 1972. [book]

Blockmaker’s Black illustrated by Ralph Steadman (London: Steam Press) 1974. [ephemera] ns

Certainly Metaphysics (Bowling Green, OH: Blue Chair Press) 1974. [broadside]

Edge (London: Joe Dimaggio) 1975. [book]

Dense Lens w/ Brian Marley (London: Trigram Press) 1975. [book]

Listen (Bowling Green, OH: Doones Press) 1975. [book] ns

A Part Apart (Osterley, UK: The White Dog Press) 1976. [book] ns

Loose Use (Newcastle upon Tyne, UK: Pig Press) 1977. [book] ns

Colour Theory image by Marc Vaux (London: Trigram Press) 1977. [ephemera]

Language: Enemy, Pursuit w/ note by David Meltzer (Berkeley: Poltroon Press) 1980. [book]

Throw Out the Life Line Lay Out the Corse: Poems 1965-1985 (London: Anvil Press Poetry Ltd) 1983. [book]

Pommes Poems cover by Agneta Falk (Lancashire: Arc Publications) 1988. [book]

Textural (London: Turret Books) 1989. [ephemera] ns

Invisible Ink (Philadelphia: Singing Horse Press/Branch Redd Books) 1989. [book]

Hadrian's Dream images by Ken Campbell (London: Circle Press) 1990. [book] ns

Besides being a poet, Asa also worked as a printer, a typographer, and as a book designer. In London during 1965, he co-founded and managed the Trigram Press, which published work by Tom Raworth, Jack Hirschman, J. H. Prynne, David Meltzer, B S Johnson, Gavin Ewart and Lee Harwood amongst others.

In the 1980s Benveniste and his partner Agnetha Falk moved to Hebden Bridge in West Yorkshire where they operated a secondhand bookshop. When he died in 1990, Benveniste was buried in the graveyard of Heptonstall church.

Doones Press began as a small literary magazine, Doones, published by Raymond DiPalma, at Bowling Green State University in 1969. DiPalma began editing and publishing works of poetry as Doones Press in 1970. Doones seemed to run from 1969-1976. DiPalma's wikipedia page deals with his accomplishments as a published poet and his several books; No mention currently is there of his work as a publisher. Interestingly enough.

DiPalma is associated with the LANGUAGE poets. He now lives in NYC.

In the process, I discovered this wonderful recording by Roy Fisher of his poem, At the Grave of Asa Benveniste

PA local anthology

Winning Voices
The Summit Arts Fellowship
Poetry Awards Anthology
Fall 1995
Summit Station, PA
(c)1994

This oversized anthology, edited by Kate Potter, is a great representation of the poetic voices to be found in the coal region during the mid-1990s. Among the nearly 30 poets represented here is Deborah Filanowski, whom was published by Plan B Press in 2005. 32 pages. Nice central PA collector's item.

Spring Wanderings by "J. H. Martin"

Spring Wanderings
J. H. Martin
Rivers & Lakes Press
People's Republic of China
(c) 2009

I found this book in an antique shop in rural PA about a month ago. It's a beautifully made book that by my calculations ought to be a "chapbook" but isn't. The publisher, Rivers & Lakes Press, is located in China. The book was printed there in 2009. There seems to be a website for the press but it's as vague as the material about the press and the author IN the book.

The poetry itself is beautiful and mysterious. It reflects the country that the work is about (China). The "biographic notes" about the author lend much to vague generalities and vapor trails. The "bio" ends :

"Wherever he is, whatever he is doing I wish him good luck and hope that, somehow, he may
see this slim volume one day."

Indeed so.

Visitor by Steve Lewandowski

Visitor
Steve Lewandowski
White Pine Press
Buffalo, NY
(c) 1976

This is a thin chapbook; all of 18 pages. The cover image is echoed inside without credit. There is an image of a tree, possibly a white pine, on the back cover along with the words "white pine 8". There is little else in the collection to go on - I was able to locate White Pine Press online. The press began in 1973 and is well respected for having published poets and fiction writers of note. (Robert Bly, Neruda, James Wright)

This particular collection is an earlier chapbook of theirs. Staple-bound. Mint green cover. No info about the poet. Street address in Buffalo that likely hasn't been the Press's for over 25 years. The poetry has an air of the Asian, of mystery and sustained breathing to it. It's a pleasant change.

I contacted and heard back from Dennis Maloney, who is the publisher/editor of White Pine Press. He said that this book was published in a quantity of 150-200 copies as was the range that they published back then.

Josephine Miles

Fields of Learning
Josephine Miles
Oyez
Berkeley, CA
(c) 1968


Not enough can be said of Josephine Miles as a catalyst for the development of the "Beat Generation" as well as the San Francisco Renaissance. Her importance lay both in her own work and in her position at U Cal - Berkeley, but additionally as a mentor and sponsor for a number of younger poets who were gathering in the Bay area during the late 1950s and into the 1960s.

This small collection, 25 pages, focused on some of her experiences in academia. While not written in a "Beat style", her questioning mind and rich use of metaphor does provide linkage to the Beats. Josephine was written about in acclaimed 1996 Women of the Beat Generation by Brenda Knight.

The following is a history of Oyez Press which I took from the Thomas Dodd Research Library archives page concerning their holdings of Oyez Press books; "Robert Hawley was born in 1929 in Stockbridge, Wisconsin. He was a student at Black Mountain College in 1956, shortly before that institution closed its doors. Although he already had an M.A. in English and was an aspiring poet, Charles Olson discouraged him in this regard, but suggested to Hawley that he give publishing a try. By 1957, Hawley was in Berkeley, California, working as a bookseller specializing in Western Americana at the Holmes Book Company.

In 1964, Robert Hawley and Stevens van Strum started the Oyez Press by soliciting poems from noteworthy American poets to be published in a series of broadsides, effectively pioneering this publishing medium for poetry. This initial series consisted of ten broadsides, by such poets as William Everson (Brother Antoninus), Gary Snyder, Charles Olson, Michael McClure, and others. The first Oyez book was a collection of poetry by David Meltzer. It was during this period that Hawley began his business relationship with printer Graham Mackintosh. The Oyez poetry editions were well regarded for the simplicity and elegance of their designs. Although not all Oyez books were designed by Mackintosh, several of his designs did receive awards, including an edition of William Everson's Single Source that was selected as one of the 50 books of the year by the American Institute of Graphic Arts.

By the late 1960s, Oyez was publishing about ten books a year, even after Stevens van Strum departed the concern (around 1968), and even though Hawley continued with his day job at the Holmes Book Company. Although the print runs of Oyez books were limited at the cost of the books was kept low, the press did well so long as it had standing orders from universities and book stores with an interest in poetry and rare books. However, inventories began to mount and the cash reserves of the press began to dwindle in time. Hawley eventually turned over the distribution of the Oyez titles to Serendipity Books.

In 1978, Hawley opened his own book shop, the Ross Valley Book Company, in Albany, California (near Oakland). Even though the Oyez press continued to publish sporadically during the next few years, money troubles seriously limited the pace of Hawley's publishing projects. While a collection of poems by Samuel Charters was published in 1992, it is the only book-length project put out by Oyez since 1987. However, friends of the press have also received periodic keepsakes and pamphlets with the Oyez imprint over the years."

My own copy came from a collection that was purchased by a comics and used books dealer in San Francisco. It's a very simple chapbook, staple-bound, type-written pages as was the style of the times, and devoid of any info about the Press or the author.
Nonetheless, it's a valuable slice of late 1960s poetics.

Dorrance Publishing = vanity press

a collection of thoughts and feelings after nineteen years
john michael hohl
Dorrance & Company
Philadelphia, PA
(c) 1971

I found another "chapbook" (hardbound book of 50 pages with a dust jacket) in a second-hand shop and decided to look it over. The poetry is journal entry level. The production is unremarkable. I have seen the name Dorrance around but never had a legitimate poetry book title nor a respected poet's name associated with or printed by this press.

Avoid books published by Dorrance (now located in Pittsburgh, PA) and this book should not have ever been published, blah! SAVE A TREE!!

the shadowy little "Vigilance Society"

Several months ago, I found a small chapbook online called "Priest" by Andrew Rippeon. The booklet/chapbook had no other identifying features other than the image of an eye on the inside back cover with the words Viligance Society 1917-2009 beneath the image. That was it.

It's a beautifully made mystery indeed. An intentional question mark.

I was, of course, intrigued. I wrote the author, Andrew Rippeon, and he responded;

"Thanks for the contact, and I'm glad PRIEST made it into your hands.

Sad to say, I can't offer much more than you've already got on the Vigilance Society. I've been receiving their (its?) items for about two years now--little chaplets and broadsides with work by Rob Halpern, CJ Martin, Craig Dworkin, Eli
Drabman. The most recent to arrive was by David Brazil.

I get one about every 4 or 5 months, and I've noticed that the postmark always shifts (I've been interested in them for a while, too!). Some are marked on the west coast, some on the east coast, and some have been posted (or post-marked) in
places like Colorado and Nevada.

After receiving their booklets for about 18 months, I got an email--it was something like "vigilance@- or vigilance-ed@..."--asking for short work and giving me a hard deadline (10 days!), after which my response would then be ignored. I sent off the PRIEST poems, and the books I got in response are simply exquisite! (my copies posted from Seattle, by the way).

I wish I could say more, but that's about as much as I know--I'm fascinated by the press, and I've gotten used to looking for the card-sized envelopes in the mail at this point. PRIEST is 2009, to answer the only other question I can."

he also directed me elsewhere, "you might also check this post from Ron Silliman some years back:Rob Halpern, Vigilance

I'd just started reading Rob's work (Rumored Place) when I came across this post and, shortly after, received one of my very first Vigilance chaps in my mail here at Buffalo. (The poems there have since been published in Rob's excellent book,
Disaster Suites)".

I found and contacted Mr. Halpern via Facebook without much success. The mystery remains, albeit a beautiful one

The Hour by Javier Sologuren

The Hour
Javier Sologuren
(translated by Elizabeth Dooman Kauffman)
Lagniappe Series
La Yapa Editores
Maryland
© 1990

Peruvian poet and editor Javier Sologuren is widely known and published. This 33 page chapbook contains the poem “The Hour” in English and in Spanish. The cover image was created by Luis Rebaza-Soraluz. This copy is #54 of a limited publication quantity of 70. It is also signed by the author.

The only critique or observation I have is that the English translation could have benefited from spell-check. There’s a glaring “de” instead of “the” on page 8 of the English text of the poem. Minor point, but there it is.

Rare chapbook by an underappreciated poet.

What Remains by Bernadette Geyer

What Remains
Bernadette Geyer
The Argonne House Press
Washington, DC 20009
©2001

To his credit, R.D. Baker, the force behind Argonne House Press, has published a number of Washington DC based poets in this chapbook series. Along with several collections of his own work, it should be noted. The chapbooks are stylistically formatted and unoriginal. The concept of having photos of the poet on the cover doesn’t necessarily speak to the work within but does say something of the intent of the publisher.

This 34-page collection is visually undermined; the work is much better than the presentation. Bernadette Geyer can flat out WRITE!

And in all honesty, who hosts a poetry press on www.angelfire.com? That’s so late 1990s.

the non-chapbook chapbook

Obbligato
Barbara Crooker
Linwood Publishers
Stone Mountain, GA
(c) 1991

A bit of a disclaimer: I know Barbara Crooker. When I was booking poetry readings at Robin's in Philadelphia, I brought in Barbara to read back in 2002. She also served as the judge for the 2010 Plan B Press chapbook contest. We seen each other at events, I have gone to see her at readings.

This "chapbook", Obbligato, was her 6th collection. I have written in the past how fictitious it is to call a chapbook with a spine a book and yet some publishers determine that for whatever reason, that's exactly what they decide to do. Since I knew Barbara, I wrote her to get her take on this book.

When I asked what her intention as the author was for the book, she replied, "Oh, yes, it's definitely a chapbook, and was always intended to be a chapbook. It's possible the publisher wasn't aware of the difference, and/or he liked the elegance of the spine. I have quite a few chapbooks in my own collection that do have spines, for what it's worth. . . .". Indeed, the dilemma is here stated, authors are very aware of books that are outside of the form but also are very particular about what they envisioned with their work. Elsewhere Crooker wrote "but I have no idea why it has a spine (wasn't my idea, that much I do know)".

I mentioned to Barbara that there seemed to have been some issues with the lay-out, some pages where missing or mis-spaced. She was very aware of that situation as well, "Also, you might notice that the title poem has a "pasted-in" page after the first page. That's because he left page two out! I got him to fix it, I thought, but when I "inherited" the remaining copies, I found that they were all still blank. So I ran off some extra pages, and rubber-cemented them all in."

When I spoke about authors have little control over what a small press publisher might decide to do to represent the work, Barbara responded in a way that all poets who have dealt with publishers know all too well, " As for why/how anything gets done in publishing, don't ask the writers! We have no power! Sometimes, you don't know there are going to be problems until the end, when it's too late to do anything. . . ." Ain't it the truth!