Tuesday, March 05, 2013

The Hotel Wentley Poems by John Wieners (2006)




The Hotel Wentley Poems
John Wieners
Joy Street Press
Boston, MA
(c)2006

This is a recreation of the 1965 publication of The Hotel Wentley Poems that was published by Dave Haselwood. I have read a critique of this particular reproduction as somehow misleading or left wanting since the complaining person thought that any reproduction should offer something new, different, or some such thing. I am glad that additional copies have been created for general readers. Isn't that what it's supposed to be about? Getting books into the hands of readers?

The front cover photo was by Wallace Berman with details by Robert LaVigne. Unpaginated. Staple-bound.

Saturday, February 23, 2013

Poetry Is Not a Project by Dorothea Lasky (2010)


Poetry Is Not a Project
Dorothea Lasky
Ugly Duckling Press
Brooklyn, NY
(c)2010

a handsome 6" X 5 1/4" hand-sewn chapbook. Great little chap. Completely worthwhile.

Sunday, February 17, 2013

Trees were felled for these?

Trees were felled for these? Seriously?

I was sent some chapbooks that really ought to be have pulped. I will list them only to attempt to warn others:

North/South
Josh Cotter & Shafer Hall
Self-published
©2004

I Want to Fuck a Redneck
Shane Allison
Scintillating Publications
Burlington, VT
©2006

Exit 2
Moonshine Shorey
little vanity press
New York, NY
©2002

The Day Reagan Died
Chris Martin
boku books
New York, NY

Kiss Me With the Mouth of Your Country
Amy King
Dusie Chapbook
©2007

reflector by Roberto Harrison (2008)


reflector
Roberto Harrison
House Press
(c)2008

reflector is a hand-sewn chapbook by House Press. Unpaginated. A few short weeks ago I had no idea who Harrison was nor his Bronze Skull Press. That has changed. I have become familiar with Harrison, his press, and House Press (the publisher of this chapbook) since they also have published work by Michael Carr and Dana Ward. Layers upon layers, peeling back the onion skin. Learning about one press and those published by it leads to discovering others. And that leads to more discoveries as well.

Here's a voice deserving to be heard on a Press worth watching.

Tuesday, February 12, 2013

Strongest of the Litter by James Franco (2012)



Strongest of the Litter
James Franco
Hollyridge Press
Venice, CA
(c)2012

I get it: James Franco is a name. It's like a book of poetry by Jewel. Except that Franco isn't a female singer-songwriter. He's an actor (and more) but a poet? No, he isn't. This book proves that. Oh, he has an MFA from a well known college that has MFAs of worth? How nice. The "poems" in this collection are not worth the hype that the publisher had hoped his name recognition would bring forth. The poems are crap. Any publisher/editor worth their salt would have passed on this manuscript. I think it's telling that this one didn't.

The book looks exactly like every other book I have ever seen by Hollyridge Press. It's print-on-demand garbage. It's a waste of a tree. I won't speak of it again.

Sunday, February 10, 2013

Maybe A Painter by Christina Fisher (2009)

Maybe A Painter
Christina Fisher
Auguste Press
San Francisco, CA
(c)2009


9 3/4" X 8" mimeo throwback. Cover image by Sunnylyn Thibodeaux. Single sided. Unpaginated.

As observed by the dimensions and appearance of this book, the publisher is attempting to revive the "classic" mimeo form. It does beef up the heft of the book without providing additional work. It's alright. Heft doesn't equal depth. I do like the cover image.

Tuesday, February 05, 2013

one person's literary masterpiece.....

.....is another person's junk. I knew this for years, but it has really come back like a steel tipped boomerang recently when a poet/friend of mine from NY state sent me a large trove of goodies, which on closer inspection didn't seem so tasty. A fair amount of it was absolute garbage and it made me wonder about the collector's etiquette. I assume this is such a thing.

Specifically, I was thinking about how it is inappropriate to throw away something just given to you (be it pamphlet, booklet, chapbook, or flier) by "an artist" within eyeshot of that person. But why would one keep the item for years before deciding to purge it particularly if one knew it was garbage from the first moment they flipped through it? Are we by nature hoarders? Do we hoard things we like to collect simply because they managed to land in our hands?

How long, once you have identified a piece of tripe for what it is, must you keep it before the eventual PURGE? Why send something you have thought of as garbage to someone you know? Do you not think they would also believe it to be shite?

For me, any chapbook or booklet that contains pages of rejection slips from magazines or journals is in itself a good indication of being complete CRAP. If others have thought so, but the author doesn't, whose judgment are we supposed to trust?

I have a motto here on this blog, SAVE A TREE, and I felt that any number of the "authors" are so arrogant that their shitty poems were more important than the life of any number of trees that they are blind to the possibility (or reality) that they were in fact terrible at what they did. Just because a person possesses the technology or ability to publish doesn't mean they ought to. But this doesn't stop someone determined to make the world love their horrid poems. It should allow for people interested in the craft of chapbooks, or collectors in general, to recycle these items as soon as humanly possible.

Saturday, February 02, 2013

Ash by David Pavelich (2004)


Ash by David Pavelich
Bronze Skull Press
Milwaukee, WI
(c)2004


Bronze Skull Press is the brainchild of Andrew Levy and Roberto Harrison. It hails from Harrison's hometown of Milwaukee. This particular chapbook has coverwork by Harrison. Staple-bound chapbook. Unpaginated.

Following a path of snippets (accredited), these pieces are wafer thin. More blank space than text. Almost a celebration of white emptiness.

Thursday, January 31, 2013

Tarantulas on the Lifebuoy (1993)

Tarantulas on the Lifebuoy
Thomas Lux
Ampersand Press
Creative Writing Program
Roger Williams University
Bristol, RI


Originally published in 1983, this copy was published ten years later. It is a 6th printing. For any chapbook to be printed that often is remarkable. 23 pages. Staple-bound chapbook. Cover is grey. Nothing but text on front. A fairly boring cover, I have to say. The poems are good. Redeeming quality for certain. I do find it curious that these poems held together in chapbook form for a dozen years and 6 printings. I might have thought they would have been sucked up into a bigger work.

Sunday, January 27, 2013

Man Joanne Kyger / Women Michael Rothenberg (1987)

Man by Joanne Kyger
Women by Michael Rothenberg
Twowindows Press
Berkeley, CA
(c)1987
Second Printing
Illustrated by Nancy Davis

2 years before Davis and Rothenberg started Big Bridge Press, this tiny chapbook appeared. Twowindows Press may have been a forerunner to Big Bridge. This handsome chap is extremely rare.

Wednesday, January 23, 2013

Prognosis by Ellen Aronofsky Cole (2011)



Prognosis
Ellen Arnonsky Cole
Finishing Line Press
Georgetown, KY
(c) 2011

If ever a book deserved a different publisher! There is much discussion these days about Finishing Line, much of it having to do with its status as a Vanity Press (which it seems to be) and the recent death of its Publisher.

I have long wondered about the business operation of a Press that had a cookie-cutter approach to the DOZENS upon DOZENS of chapbooks that it publishes each season (or is it month?)

The tell-tale bit of ribbon in each book was enough to make me cringe. That said, the work in this chapbook should be read. It's strong, poignant, and heart-felt. The "prognosis" here is Cancer and the way the author deals with the entire process is remarkable. At the same time, I don't know that the cover image has anything to do with the contents.

It's a good read of well crafted poems, I just wish someone else had published it.

Tuesday, January 22, 2013

A Child's Christmas in Wales by Dylan Thomas



A Child's Christmas in Wales
Dylan Thomas
New Directions
first printing - 1954. This is the 12th printing

As often happens when I volunteer at the library, I find interesting items at the bottom of the donation bins; like this book! Designed like a kids book but far too nice, this handsome book with woodcuts by Ellen Raskin is stunning. A joy to hold and read. Mind-boggling to think that New Directions could, when it felt like it, make beautiful near-letter press quality books. This is an example of it. I could hardly believe it, yet there it was.

Unpaginated. 5 1/2" X 5 3/4". Designed and illustrated by Ms. Raskin. A great and rare find.

Tuesday, January 01, 2013

Elyria:Point A in Ohio Triangle by Alex Gildzen (2009)


Elyria: Point A in Ohio Triangle
Alex Gildzen
Crisis Chronicle Press
Elyria, OH
(c)2009

I first learned of Alex Gildzen in 2008 when a poet/friend of mine sent me a copy of one of his earlier chapbooks. I was somewhat surprised to see this particular chapbook listed on Paperback Book Swap website since I don't think of chapbooks are items one can swap from there. I was not familiar with the Press but they seem to be pretty active in the North Central part of the state.

Staple-bound, unpaginated on copy paper (bleed-through) with a drawing by author (at age 6) on front.

Saturday, December 22, 2012

Cocoon by Lindley Bhanji (1988)

Cocoon
Lindley Bhanji
Platonium Press
Seattle, WA
(c) 1988

Those of you who have read these many entries about chapbooks know that when I don't believe a book should have been printed, I say "SAVE A TREE". I am saying this as way of introduction to Lindley Bhanji's chapbook, COCOON. The first piece, tree's epitaph presents it all quite well:


please spend five minutes mourning
at this page, for the tree which
was killed to make the paper from
which you are reading this epitaph,
and from which you will read
the following pages.

The book contains poems and graphics by Lindley Bhanji and was designed by Chris Winkler. Unpaginated. Staple-bound. Interesting blending of image with text. I haven't found out very much about the Press or the artist. It's a well done chapbook.

Monday, December 10, 2012

New Hampshire in the American Revolution (2010)

New Hampshire in the American Revolution
An Exhibition by the Society of the Cincinnati
Anderson House
Washington, D.C.
Nov. 13, 2010-May 7, 2011

Every once in awhile I find a chapbook that begs to be taken seriously. For it's factual content. This is one of those chapbooks. It's the most recent booklet in a series pertaining to the histories of each state that formed the original colonies at the time of the Revolutionary War and how citizens of each state made a significant contribution to the War effort, where important battles might have taken place, etc.

If you are a history buff, this is the perfect find. Complete with maps and other objects from the Exhibition.

Monday, November 26, 2012

House by the Sea by Penny Bihler (1975)


House by the Sea
Penny Bihler
From Here Press
Paterson, NJ
(c)1975

35 pages staple-bound chapbook. Penny Bihler was the romantic interest of William J. Higginson. Together they were intimately involved with the operation of From Here Press and Old Plate Press in the Paterson, NJ area from the mid-1970s till as recently as 2007. The cover stock and font are quite recognizable. Penny Bihler also was published as Penny Harter. A unique slice of New Jersey poetics.

Thursday, November 01, 2012

Open-Book: an Illustrated Essay by M. Kasper (2010)

Open-Book: an Illustrated Essay
M. Kasper
Ugly Duckling Presse
Brooklyn, NY
(c)2010

Straight from the website of Ugly Duckling Presse, "Open-Book, An Illustrated Essay, is an accordion-fold book of eleven five-line observations on an ancient form of interior décor, a sublime aspect of authority, known as marble revetment. The texts in Open-Book float on marble simulations made using the drawing and filtering functions of photo-manipulation software."

I would add that it has a generic cardboard cover with a special black paper wrap to hold it in place. Not everything that UDP does is a hit.

The Calvert Mansion Riverdale (1958)

The Calvert Mansion Riverdale
The Maryland National Capital
Park and Planning Commission
Prince George's County Regional Office
1958 - 3rd printing


Beautifully made historical chapbook. Images of the founding families and of the mansion of itself. 40 pages. Staple-bound. Image of mansion on front and back covers. Great supplemental resource material. Anyone with an interest in Maryland history should have this item!

Tuesday, October 30, 2012

my arcane interests

Perhaps everyone has a special interest or hobby that consumes them but at the same time, they keep to themselves. I have two such interests, one I have been writing about for years now and one I had not thought about in a number of years until quite recently.

For well over a decade I have been getting and collecting chapbooks, mostly of poetry but also other oddities as they present themselves. Primarily because I am a published of chapbooks. Plan B Press primarily publishes chapbooks. We have since 1999. I have been aware that the history of chapbooks is much older than that but that's when I started.

Prior to that, from the time that cassette decks and tapes came into vogue, I was making my own mixtapes. Before High Fidelity, before Hip Hop. I haven't really thought about the "when" of it as it pertains to my involvement in the form, but it would have had to be the late 1970s (after I decided that the failed 8-track format as a dud) Because I had been a DJ on college radio and knew a bit about segues, I liked that a cassette allowed for that nearly perfect segues from song to song as one could in the booth with two turntables going.

Throughout the 1980s and well into the 1990s I made dozens upon dozens of tapes. From vinyl and from other cassettes. Mixology. Then, I moved and the machines didn't move with me. I moved light - kept the tapes but had no machinery to listen to them with. They sat in boxes for several moves. To Philadelphia, to Alexandria,VA and then to Fairfax,VA. Finally, when we moved back to Alexandria, my wife turned to me and said, "let's get a deck so we can listen to your tapes". She had made tapes too, her family made their living ON THE AIR as it were. However, I had tons more than she did so the primary focus was for me to listen to my tapes and perhaps purge the ones that were dups or didn't work anymore.

I did purge some - then about three weeks ago I was trolling the local Freecycle and saw that someone was offering a box of mixtapes. I pounced. I now have over a hundred (new to me) mixtapes. Some of the tapes I cringed at the sight of: Supertramp, Weather Report, Yellowkjackets. I will be moving them along. But some are very good. They play as though I had recorded them myself, but I hadn't. The handwriting is different. I am enjoying the experience and of course I am thinking about my own history mixing, the mixing that captured the moment of my life I was recording. All that. I feel a little like a voyeur listening to someone else's moments being captured. It's weird. The same can be said about chapbooks.

Not all, but some; the self-published ones in particular. They were being made as a mixtape on paper. They are theme-encapturing. They are about that moment, generally. Dealing with a death of a loved one. A spouse. They aren't really meant for general distribution. But they are made and occasionally one ends up in my collection.

Other chapbooks are not time sensitive but are "greatest hits" or the like. Some presses push the page count till they are all but books with spines, or a books with spines but are really cheating because the page count is slight.

I like the idea of a chapbook as a paper mixtape, I will be using that phrase in the future.

Monday, October 15, 2012

3 littles by red iron press

graphic material
CSA
red iron press
Toronto, Canada
October, 2004


I'm not at home
Mykel Board
red iron press
Toronto, Canada
Sept., 2004


by its shadow
Philomene Kocher
red iron press
Toronto, Canada
October,2003


I got this "tinies" from someone who attended the Buffalo (NY) small press festival last year. I don't know much about the press or any of the writers. They are indeed very small in size and page-count.