Saturday, February 21, 2026

Taft "wickedest city in America" by Deb Davis-Quitt (2001)

 

Taft "...wickedest city in America..."

Deb Davis-Quitt

self-published 

(c)2001

As often as not, what I am writing about here is an acknowledgment of the existence of both a writer and a book. That is the case here. I just found this "sliver of nothing" in a large book donation at the local library. I retrieved it. Saved it, more than likely. And so, I am making you aware of the existence of Deb Davis-Quitt who lived and wrote and died in 2024. 

It may well be that the link to her obit will also disappear - but she lived and wrote and here is something that she self-published. 

Taft seems as though it was not a good place to settle down in. 

Ultimatum by Glen Coffield (1943)

 


Ultimatum

Glen Coffield

Untide Press

Camp Angel, OR

(Conscientious Objector camp)

(c)1943

I never expected to have a copy of this booklet, even a reproduction of this booklet, in my hands ever. But to me it's the true starting point of both the modern poetry chapbook movement and the mimeograph revolution. 

As it happened, the person responsible for the recreation also wrote the book about the camp where all this took place and the men involved and who then also explored some of the initial ripples that were caused by the making and exchanging of these "simple things". 

I have been assembling material for a book about poetry chapbooks and after reading multiple accounts of the San Francisco Poetry Renaissance it became clear to me that something happened before the 1950s, something had happened to a handful of the men who made their way to San Francisco after WWII and I learned that this same handful had spent the war as COs (Conscientious Objectors) confined to a camp in Oregon. That camp, Camp Angel, was designated to have a Fine Arts Group complete with a mimeograph machine. 

In addition to Glen Coffield at the camp were William Everson, Kenneth Patchen, William Eshelman, George Woodcock and others. Several of these COs went to become poets or printers who started their own presses, or influencers in other fields. 

I am extremely excited to have this item. It serves as the starting point for me, and now I can plunge in. 

Sunday, February 01, 2026

Women the Children the Men by Roberta Metz (1979)

Women the Children the Men

Roberta Metz Swann

Laughing Bear Press

Woodinville, WA

(c) 1979

This is an interesting book but not necessarily meant at a positive. I like the poems, for the most part, but the presentation is somewhere between confusing and just blank OFF. I do understand that it is a chapbook and there are various limitations in that, but to shrink some poem's font size to a reading needing to use a magnifying glass to read it is a bit absurd. 

As it is/was (published in 1979 so the very existence of the book in my hand is both present and past tense) the chapbook is 63 pages and the paper stock is a grade up - perhaps - from transparencythin. I suppose some secret sauce might be revealed in the Laughing Bear Newsletter I have linked above. 

I do credit the production of this book for using different typewriter fonts (1979, so I am imagining the use of one of those semi-circular "heads" one could pop onto one of those new-fangled typewriters of the period) but shrinking the font size of a poem to fit it on a single page when it's already over 60 pages doesn't seem practical to me. {yes, I am also a publisher}

Thursday, January 29, 2026

Our Mother Blooming by Jim Bodeen (1986)


Our Mother Blooming

Jim Bodeen

Blue Begonia Press

Yakima, WA

(c)1986

Jim Bodeen is a poet. And a printer. And a publisher. And a fixture in the Yakima, Washington artistic community. 

This handsome oversized book is a fine example of his work. I have included the publisher's page since it includes the time of year when the book was completed : "...as the first crocus emerged through the snow in last February". 

Handsewn. This is everything I love about chapbooks; the care to detail is exquisite. 



Wednesday, January 28, 2026

Apologies by Tony Mancus (2019)

Apologies 

Tony Mancus

Reality Beach, NY

(c)2019

Reality Beach is a foregone conclusion. It doesn't seem to have made it into the 2020s. I am aware of it because I was gifted (at Christmas 2025 - by a masked Santa) with this book. 

I know and admire the work of Tony Mancus. However, the presentation of this book does not fill me with awe. It does not feel that much effort was put into the production of this book. I hope that Tony finds a different home for these poems. It would be unfortunate if this was their final destination. 

4 poetry booklets from the 2021 Ledbury Poetry Festival (2022)

 

After Everything

Ruzanna Voskanyan

The Trapeze Heart

Volha Hapeyeva

Probable Landscapes

Danae Sioziou

Preludes

Eleni Cay

         I admit I am not up on my international poetry festivals and never heard of this one but someone who seems to have attended no longer had the interest in keeping these and tossed them all into a donation bin which I then scooped up. Handsome booklets. Obviously part of a well oiled operation. Each booklet has poetry in original language and then English. 

         Great addition to my collection


Tuesday, January 27, 2026

24: I mean this thing [by multiple poets] (2011)

24 : I mean this thing

6X6 series 

Ugly Duckling Presse

New York City

(c)2011

This copy has a flat tire (if you will). The pages are bound by a large rubber band but this one, the band broke so the pages are loose and free. This issue contains poems by Bill Cassidy, Helen Dimos, Par Hansson, Aaron Kunin, Kyle Schlesinger, and Rebecca Wolff. 

I have been intrigued by and have followed the trajectory of Ugly Duckling since they were founded. They are so worth supporting. 

Monday, January 26, 2026

The African Repository Volume 2 number 4 (June 1826)


 The African Repository

volume 2 number 4

Washington City

(c)1826

I thought I had mentioned this one before but apparently not. Found it in a thrift store on the bottom shelf of a book rack. A historic gem. The publication started in 1825 with the stated purpose of sending African descendants back to Africa (because they couldn't possibly be American citizens). This one is June 1826. It is rate and it is not pristine (but honestly who could hope for that?)

It was edited by R. R. Gurley (Ralph Randolph Gurley) who was also listed as Agent for A.C.S. (African Colonization Society)


Friday, January 23, 2026

eckClogs multiple authors (2015)

 

eckClogs

Magus Magnus

with Tony Mancus, Casey Smith, and Gowri Koneswaran

Furniture Press Books

(Towson, MD)

(c)2015

This was a collaborative effort by the poets involved both in the text for the outdoor presentation/performance and the cover art which itself was created by all 4 artists. 

This was the first effort of 'Illuminated Editions' side project of Furniture Press, which was the brainchild of poet, archivist, and publisher Christophe Casamasima.

The cover is nearly double the size of the handsewn text. The text itself was created by all 4 poets for a performance and installation at the Canal Park Event Day in Washington DC on Sept. 20, 2014. My copy is number 98 of 100 printed copies. 

There was a denseness of purpose to this project that I won't attempt to swim in but knowing these poets and the publisher as I do, I have no doubt as to the intensity of forethought and the execution of the event on the day this was performed. 

Too bad I wasn't there to take it all in.