Showing posts with label Tony Mancus. Show all posts
Showing posts with label Tony Mancus. Show all posts

Wednesday, January 28, 2026

Apologies by Tony Mancus (2019)

Apologies 

Tony Mancus

Reality Beach, NY

(c)2019

Reality Beach is a foregone conclusion. It doesn't seem to have made it into the 2020s. I am aware of it because I was gifted (at Christmas 2025 - by a masked Santa) with this book. 

I know and admire the work of Tony Mancus. However, the presentation of this book does not fill me with awe. It does not feel that much effort was put into the production of this book. I hope that Tony finds a different home for these poems. It would be unfortunate if this was their final destination. 

Friday, January 23, 2026

eckClogs multiple authors (2015)

 

eckClogs

Magus Magnus

with Tony Mancus, Casey Smith, and Gowri Koneswaran

Furniture Press Books

(Towson, MD)

(c)2015

This was a collaborative effort by the poets involved both in the text for the outdoor presentation/performance and the cover art which itself was created by all 4 artists. 

This was the first effort of 'Illuminated Editions' side project of Furniture Press, which was the brainchild of poet, archivist, and publisher Christophe Casamasima.

The cover is nearly double the size of the handsewn text. The text itself was created by all 4 poets for a performance and installation at the Canal Park Event Day in Washington DC on Sept. 20, 2014. My copy is number 98 of 100 printed copies. 

There was a denseness of purpose to this project that I won't attempt to swim in but knowing these poets and the publisher as I do, I have no doubt as to the intensity of forethought and the execution of the event on the day this was performed. 

Too bad I wasn't there to take it all in. 




Sunday, March 28, 2010

chapbooks 42


Chapbooks 42

I have been fortunate enough to meet Tony Mancus, one of the founders of Flying Guillotine Press who has relocated to Northern VA. As a connoisseur of the chapbook form, I recognized right away the uniqueness of each of their chapbooks and the uniqueness of their concept (among other things, they only make 74 copies of any of their books) Read more about this press Here. A sampling of their work:

The Saint’s Notebook
Kate Schapira
Flying Guillotine Press
© 2009

The smallest of the 3 chapbooks, sown design on burlap material. 4 ½ x 5 ¾ “. Unnumbered pages. The poetry is good. The choice of cover material does make this item one that need to be unhandled – or one that will quickly disintegrate. Either way, it’s very cool.

Circus
Michael Robins
Flying Guillotine Press
©2009

5 ¾ x 5 ¾ “. Cover paper cover with photo of flower on front cover. Photo is held on by photo corners, very old school. Poetry is good.


All the Little Red Girls
Angela Veronica Wong
Flying Guillotine Press
©2009

Vellum covering over red cloth ribbon. Finger print in upper right corner of front cover. 8 ½ x 5 ½ “. The most standard sized chapbook of the batch.

Gathering Down Women
Michael Gushue
Pudding House Chapbook Series
Columbus, Ohio
©2007

The poetry here is fantastic. A great collection, bound by title and theme extremely well; a fine chapbook. As far as substance, yes. As far as style or originality of design; NO. This is not the doing of the author. Pudding House books look like, well, Pudding House books. Same paperstock. Same bewildering image selection. Same introductory note/disclaimer on back of title page. I have to say I am not a fan of Pudding House Press. At the same time, I am a fan of Michael Gushue’s work. Look past the appearance and feast on the words. They are wonderful words.

Book Collecting : A Primer
Thomas C. Hamm, editor
C. Dickens
Atlanta, Georgia
©1996 , 9th printing

At 75 pages, this chapbook straddles the line between forms, and formats. My own feeling is that this ought to be have been a book with a spine. While it’s beautifully made and went through several printings, its size is still more in the book world and less in the chapbook world. Great resource for those beginning book collectors.