Perfect Villagers by Sueyeun Juliette Lee (2006)

Perfect Villagers
Sueyeun Juliette Lee
Octopus Books
Lincoln, NE
(c)2006

It isn't just one, it's a second of eight. All released at the same time, in the same binding. This one by poet Sueyeun Juliette Lee. This one of 300 printed in Lincoln, NE. Ms. Lee is a Korean-American poet and video artist. Some of her work appears on silentbroadcast.com. I became familiar with her poetry via one poem, Dear Margaret Cho which is the first poem in this tiny collection.

I also was familiar with her work from the 2007 Portable Press at Yo-Yo Labs chapbook Mental Commitment Robots. I am happy to have a signed copy of that chapbook which does not seem to have been mentioned in this blog prior, but wow - Ms. Lee can write! Amazing stuff. With amazing accompanying collages by Brenda Iijima herself.

THIS 28 page collection is equally astounding. Her sense of self; of two selves - one American in tone and language and the other, already split in half by ideology and blood, graphic beyond imagining.

Peaches: The Yes-Girl by Shelly Taylor (2008)

Peaches: The Yes-Girl
Shelly Taylor
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2008

I meant to write about this chapbook several months ago but it got lost in my many stacks of things, unfortunately. What prompted my interest in writing about this chapbook is that I went to Ms. Taylor's website and she lists this chapbook as "out-of-print". Well, I have a copy of that right.....it was just, it is right....somewhere, and that somewhere kept not appearing anywhere. Bother!

The chapbook was published by the incredible Brenda Iijima at her Portable Press. The work is likely good, a mix of poems and prose poems. Great starting point, as with every poet; first books are in some ways the most unique. It's the starting point. Needle on the record, first sound - first rush. Amen.

Cyrus by Anna Burton-Wachter (2013)

Cyrus
Anna Gurton-Wachter
The Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2013

Sometimes one just tries to do too much, spread themselves too thin. This tiny chapbook is an unfortunate example. It's not prose-poetry. It's surface writing. It lacks depth. I did not connect with the writing at all. SAVE A TREE.

Shaved Code by Frances Richard (2008)

Shaved Code
Frances Richard
Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2008

#53 of 130 printed. Unpaginated. Poems as collage as cover. Fragmented. Great chapbook. Simply said.

it bears repeating....

It bears repeating: I am not a cheerleader. I am a publisher as well as a poet. I write this blog to acknowledge the work of publishers and poets and "one-time" presses that bubble to the surface through the existence of the work. If someone thinks I should only focus on the poems, they miss my point. Or rather, they are not aware of the quote by El Lissitsky that is a guiding principle of mine:

The book must be the unified work of the author and the designer. As long as this is not the case, splendid exteriors will constantly be produced for unimportant contents, and visa-versa.
El Lissitzky
from Do Not Separate Form from Content!(1931)

If a chapbook visually sucks but the words are good, I will say so. If the chapbook is stunning but the words are god-awful, I will also say so. No tree should ever be felled for tripe or self-serving navel-worshipping. If you have a friend whose work you like a lot and it doesn't matter to you what their chapbook looks like: that fine, but that's not my "job". I respect the people who have taken the time and considerable effort to make a thing of beauty. Putting out a book on the cheapest photo-copy paper available with the grainiest picture imaginable and touting it as your "work of art", I will decline climbing on your bandwagon.

Certain publishers from the past, say from the late 1970s through today, deserve to be recognized as establishing the structure by which "the bar" is placed, let alone raised. The truth is that they publishers cared what their chapbooks LOOKED LIKE as much as the words or images, or both, were INSIDE. I have listed some of these presses before but it is worth mentioning again: Toothpaste Press (Allan Kornblum), Perishable Press Limited (Walter Hamady), The Fathom Press (Robie Liscomb), The Portable Press at Yo-Yo Labs (Brenda Iljima), Pentagram Press (Michael Tarachow), and many others.

I would urge lovers of the chapbook form to image that there is a history to this all, that you are part of it, and that you haven't created the wheel. It's been done. Dozens of times over. Hundreds of times over and then some. There is a historical element to my blog that I perhaps haven't overtly presented but I think it's time that I did. We are all part of something that dates back to the 1940s. If you wish to consider the chap(ter) books that were published in England earlier, then we are talking about the 1600s.

My particular focus is poetry chapbooks of the second half of the 20th century and now into the 21st.

Cadastral Map by Jill Magi (2005)

Cadastral Map
Jill Magi
The Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2005

When a shorter work, say this one, evolves into a larger one, like the 2011 full sized book by the same title published in Great Britain by Shearsman Books, something in the immediacy of the chapbook form is lost. But the quality of the work certainly remains.

What attracted me to this piece was the language and the space between. And the explanation. I liked the explanation in the chapbook. The explanation has e-or-devolved into an essay at the end of the full book. The text was part of a larger manuscript that had a different working title back in 2004-2005 but with the publication of the chapbook and the response to that chapbook, the title slid into line with this chapbook. It's a great piece, it's a beautiful chapbook.

Heroes and Monsters by Kate Schapira (2009)

Heroes and Monsters
Kate Schapira
The Portable Press at Yo-Yo Labs
Brooklyn, NY
(c)2009

Unlike most entries in this blog about chapbooks, this one comes with a backstory. In 2010 AWP met in Washington, D.C. which is my town these days. I attended as Plan B Press and sat in the huge rooms with publishers, poets, organizations and writing programs from across the country. At one table sat one woman with a few "tiny-tinies". I was intrigued by the smallness of the chapbooks and their production. Only later did I read through it, a tiny Kate Schapira chap called Magpie's Box If it could even properly be called a chap. It was definitely tiny though. And I had become a fan!

Kate Schapira is a lecturer at Brown and the author of three collections of poetry as well as a number of chapbooks. Her name is so familiar now that when I see it, even in a photograph of an ebay book lot being offered from someone in Georgia, it's enough to make me close the deal. I got 10 chapbooks from The Portable Press at Yo-Yo Labs and am taking the other 9 chapbooks as a learning curve.

This is a prose poetry collection with cover art by Brenda Iljima. 32 pages. The work is very good. It's a beautiful chapbook. It's a pleasure to read.