the werld
Claire Becker
Horse Less Press
(c) 2010
Unpaginated staple-bound chapbook. The werds float.
This space is dedicated to the underappreciated art form of the chapbook which has been of significant importance in the launching of many fine authors. What follows are images and observations on the writers and their books
David Baratier
Luna Bizonte Prodz
Columbus, OH
(c)2004
This is simply an extremely bizarre booklet. Words beyond these are meaningless.
New Directions Poetry Pamphlet #4
(c) 2013
Quite the coup to be published by New Directions. 47 pages. Illustration in book by author. Cover art by Office of Paul Sahre. Interior design by Erik Rieselbach. 47 pages. Have your dictionary ready.
Gina Myers
unidentified publisher
signed by poet inside
#8 of 36 copies printed. Broadside. Staple-bound
more mystery than information. I am intrigued.
Burl Ives
Decca Records
(c)1946
This is a booklet that came with a 1946 vinyl record. Full of song lyrics. It's a booklet that I am counting as a "chapbook" since I have seen far too many chapbooks with spine so tiny that no words can be printed on them.
Megan Kaminski
Dusie Kollektiv
(c) 2013
&
Wintering Prairie
Megan Kaminski
Dusie Kollektiv
(c) 2014
Published in Zurich, Switzerland
Just to show those lovely forgotten chapbooks that Ms. Kaminski doesn't acknowledge these days.
Ben Pease
Monk Books
New York City
(c)2011
This is a hybrid twice over. It's 41 pages with a spine, okay, so I technically don't call it a chapbook but the spine has no writing on it so what's the point of that? Dead empty space on a black spine which emphasizes the "tiny sliver of nothing" in black space that I am certain was not a conscious thought of the publisher here but - the book contains, in addition to some interesting language formations and topography has addition visual topography that mirrors and reenforces the words in a playful and almost harmonious way. The subtitle of the book, "Selections from a Blockbuster in Verse", ties the threads together well. And the last line of the last poem does not have a period, suggesting to me at least, that there is not "ending" like a good French film which stops without "concluding". Or, say the ending of the American film "Sideways". The "ending" is what you, the viewer, project it to be; the movie doesn't give it to you. It's satisfying in its unending-ness.
WIZ ("Ben"?)
The Song Cave
#57 of 100 printed. Signed by "Ben" who is also WIZ or not. This is the 22 book from the Song Cave. Hand printed, I mean, the entire book is written in the author's hand. I have not witnessed anything... well, I have actually but WOW. This is bizarre
Shrivel and Bloom
Emily Murman
dancing girl press & studio
Chicago, IL
(c) 2021
Emily Murman is a poet & educator from Chicago. In April 2019, she was awarded the Gail DeHerder Memorial Prize in Creative Writing. She holds an MFA in poetry from National University. She is the author of two chapbooks, “SHRIVEL AND BLOOM" (Dancing Girl Press, June 2021) and “I want your emergency" (Selcouth Station Press, July 2021).
Some really good poems in this thin slice of heaven.
Since I started this divergence, this deep dive into the murky depths of small press publishing of staple bound (almost all of them) book of less than 50 pages, I have listed and mentioned and speculated about the poet and the press and the printer and the first recipient of each book.
Each is unique in its singularity. I have only the single one of each. There is a singular relationship that exists between us all (author/publisher/printer/reader) that, since they are chapbooks, are never really considered in the same way a novel by an established author from a prestigious publishing house is.
It began with a book written by a woman who had her daughter stolen at a concert in San Francisco during the 1960s. A tragedy she has never fully recovered from (and how could she, how could any mother?). Some of the books I have written about were by poets and writers who have become well known, sometimes deciding in their own biographies to "forget to mention" the chapbooks that came before their first official books. Their first literary prize. Their first teaching assignments at the major universities that they now hail from.
My mission or calling (if it is one) is different from the library in Brautigan's The Abortion. These books have all been published, some by the author themselves but all have seen the print of ink. All are physical objects because I do not consider e-texts to be proper books.
And there are many people to thank for the horde of chapbooks I have now, and someday will pass forward. Daniel Nester, another gentleman from upstate New York, a righteous dude from Iowa City, and others along the way. Along the time. Between the margins. As one will.
Mark Turner
(unknown/self published?)
(c) 1980
Every once in awhile I get a chapbook of poetry that as much mystery as any in a novel written by the best writer in their field. Not dramatic conclusion, I hope, but a mystery none the less.
There is no publisher info anywhere in the book. Nothing on the back cover. The booklet was not trimmed so it was unlikely to have been a professional printing. 21 pages, staple bound, white paper. White cover stock. A bit dirty closer to the fold. There is a Mark Turner (cognitive scientist) whose first book was published in 1987. And there is a fair amount of repetition in the writing. But I can not presume to know. So, until further information appears; a mystery it will remain.
dancing girl press
Chicago, IL
(c) 2011
I have to say this is one of the best books I have seen from dancing girl. It's a bit of a shame that Ms. Kaminski doesn't mention her chapbooks published prior to 2012. There is a lot of good poetry before.
Juliana Spahr
Belladonna
Brooklyn, NY
(c) 2012
Chaplet #144 was published to commemoration of her performance with T C Tolbert on April 3, 2012 at Dixon Place (NYC). 11 pages. I have a number of Belladonna chapbooks and printed material. I took in a reading of Ms. Spahr at Georgetown University in DC. She definitely has a style.
Lisa J. Cihlar
Crisis Chronicles Press
Cleveland, OH
(c) 2022
Technicalities aside (this is a chapbook with a spine), this chapbook is a great read written by a talented poet and published by an interesting press out of Cleveland, OH.
27 pages of cool prose poetry. Cover art by the poet herself as well.
Glad to have it. Glad to have read it.
If you know anything about Cleveland Ohio small press history, one name reverberated across the city and that name was d. a. levy. John Burroughs isn't exactly a replacement so much as someone who has picked up that baton and begun to carry it forward. Good for him. Good for publishing. Here's to Crisis Chronicles Press.
Ben Fama
Bloof Books
#37 of 100 printed. Good presentation. Feels like a "best of" without it be said as such.
M. A. Vizsolyi
Monk Books
New York, NY
(c) 2013
#9/200, good writing. Good presentation.
Elizabeth Robinson / Elaine Kahn
The Song Cave
(2012)
Sea Ranch is a quarterly journal. It publishes these journals through The Song Cave. There is a website. This booklet is a combo of poems by Ms. Robinson and Ms. Kahn. The booklet has a different cover image for each side, telling the reader whose work they are about to be reading.
Ms. Robinson is an established and award winning poet. Ms. Kahn is a LA-based poet, musician, and artist. The work here is a little slice of each poets' work. 'Nuff said.
or am i still standing here with my hair down
Steven Karl & Angela Veronica Wong
Lame House Press
Atlanta, GA
I just love this wrap around cover by Liz Wolf. This is #75 of 120 printed copies. Hand sewn. Presentation is excellent. In order to achieve the heft necessary for this book they single sided the poems which feels like a cheat to me, but what on earth do I know?
I have written about Ms. Wong before in a chapbook published by Flying Guillotine Press and Ms. Myers as well I mentioned two years ago about a chapbook she published in 2007.
Steven Karl is the author of Sisters (Noemi Press) and is the Editor of Sink Review.
Mary Biddinger
Black Lawrence Press
Pittsburgh, PA
(c)2011
Black Lawrence is a big deal, slick producing publisher of quality poetry in a chapbook sized format. Books with spines that have writing on them. Even if only 41 pages tiny. It's a wonderfully produced book. Of poems with a maniacally repetitious similar title scheme. Which, you might conclude, I did not favor.
Krystal Languell / Emily Skillings
Flying Object
Hadley, MA
(c) 2014
Unusually sized folding broadside. Amazingly, this piece is fantastically made.