Thursday, June 30, 2011

The Scottish Cafe by Susanna H. Case (2002)


The Scottish Cafe
Susanna H. Case
Slapering Hol Press
Sleeping Hollow, NY
(c)2002

The cover is a perfect representation of a composition book. 37 page chapbook well-made by Slapering Hol Press, the imprint of the Hudson Valley Writers Center. The chapbook was the winner of their annual contest. All the same, it's glaring to see that her name was misspelled on the cover, title page, and throughout : It's Susanna, not Susan. Yet there it is: neon flashing MISTAKE MISTAKE MISTAKE.

Friday, June 24, 2011

Land's End by Gwen Worley (1976)


Land's End
Gwen Worley
The Four Oceans Press
Maplewood, NJ
(c) 1976

8 page Lesbian story. Chapbook from a very small press. Not much known about author. Cover design handsomely done by Philip Coppola.

Thursday, June 23, 2011

Pantomime by Wayne McNeill (1974)


Pantomime
Wayne McNeill
Catalyst
Scarsborough, Ontario, Canada
(c)1974

Unpaginated. Staple-bound chapbook. Nice little collection of poems, I especially like "The Reading". Rare chapbook.

Sunday, June 12, 2011

the silver book by Jen Bervin (2010)




The Silver Book
Jen Bervin
Ugly Duckling Presse
Brooklyn, NY
©2010

It seems a simple enough chapbook to write about : this book represents the physical manifestation of an installation by Jen Bervin entitled Mississippi, or does it? I wanted to make sure that I sound the least bit intelligent when writing about the chapbook so I contacted Ms. Bervin who told me that chapbook was a “through-line” more than a representation of another work, like, say the installation. He

This confusion or hesitation on my part comes from the timing of receiving a packet of chapbooks for reviewing from Ugly Ducking Presse at roughly the same time that Plan B Press was releasing the first chapbook by Paul Fauteux entitled “The Best Way to Drink Tea”. Fauteux’s chapbook is basically a Play Bill for a performance piece created for the poem “The Best Way to Drink Tea” by Paul Fauteux. He collaborated with his mates Ben Nicholson and Spencer Leach to create a multimedia conceptual piece (film + reading + music). Having witnessed the performance piece and published the text for it as a book, I was interested in how Ms. Bervin and Ugly Duckling Presse handled a similar situation with her The Silver Book .

I received a review copy from UDP which I found wanting. The cover was white with silver lettering, stating the title and words REVIEW COPY at the bottom. At the end of the copy were the publisher info and description of the book which included the following: “the covers are printed on the same silver paper used in bervin’s installation, the river, 230 ft. panoramic scale model of the Mississippi river composed of handsewn sequins, silver paper, and thread”. Okay, fine, I suppose I was suppose to imagine the cover and the installation while reading the text – since the text was all that was present in front of me.

But knowing that there was more I needed to see the “whole package”, the chapbook was it was released to the world. I bought a copy – silver paper cover with letter pressed title on front cover. Otherwise, it looked nearly identical to the review copy. Okay, there was one noticeable difference: the paper stock was marginally better. I now reference Ms. Bervin’s own description of the text as a “through-line”. It is not an exact representation of the installation nor was it meant to be. I have to contrast this with “The Best Way to Drink Tea” which uses a still from a film by Nicholson for the piece: the visualization of the poem, itself altered to include a teabag in water, tinted blue, added by the Creative Director of Plan B Press.

What I am curious to examine in these cases is how one medium is presented in another. How is an installation “presented” on the page, how a performance piece can be “presented” in book form. Do they capture the other art form or merely document the existence of the other? Can words alone describe images, visual arts?

Thursday, June 09, 2011

Greying Ghost Press

During the summer of 2010, I discovered Greying Ghost Press and got a small booklet from them. I didn't just receive a booklet however. I got a packet of material. Some that made sense and some truly bizarre pieces of ephemeral. Theirs is an interesting tale, you should check it out here:

Greying Ghost Press

Monday, June 06, 2011

afterlife 9 by s. c. virtes

afterlife 9
s. c. virtes
self published
(c)2006


The chapbook proves (again) that anyone with a computer and printer can produce a chapbook. It looked better on ebay than it does in hand. Photocopy express, I'm talking! SAVE A TREE!

Thursday, June 02, 2011

37 Psalms from the Badlands McCreesh (2008)



37 Psalms from the Badlands
Hosho McCreesh
Kendra Steiner Editions #85
San Antonio, TX
(c)2008

Staple bound chapbook. Single sided poems. Poorly designed booklet, done on the cheap. The poetry isn't bad. McCreesh is worth reading.

Tuesday, May 31, 2011

parrot on a motorcycle (1924/2010)


Parrot on a Motorcycle : On Poetic Craft
Vitezslav Nezval
translated by Jennifer Rogers
Ugly Duckling Presse
Brooklyn, NY
(c)2010


I have a soft spot for Ugly Duckling Presse. I got to witness one of their "anti-readings" in 2002 and found it refreshingly unpredictable. I have favored their chapbooks and enjoyed their aesthetic, as best as I understood it. This short essay on the "craft of poetics" was originally written in 1924 and was included in Nezval's book Pantomima along with plays, prose pieces, and music. It appears in this form in English and Czech. The cover is a brightly colored image of a bicycle tire. It looks good.

But let me go back to an earlier statement of mine; "I......enjoyed their aesthetic, as best I understood it". I don't see that this very short piece, regardless of the accuracy of its translation and its visuality is worth the effort. Nor the price. As an outsider to their collective effort and mind-set, I don't "get it". So be it. I am not familiar with the work of Nezval and this piece doesn't do much to enlighten me. However, for those who love the work of Ugly Duckling Presse, you ought to find a copy of this one as well.

Monday, May 16, 2011

Two Books by Idiots' Books




Facial Features of French Explorers
Idiots’ Books
Volume 1
Robbi Behr and Matthew Swanson
Chestertown, MD
©2006

The Vast Sahara
Idiots’ Books
Volume XIV
Robbi Behr and Matthew Swanson
Chestertown, MD
©2008

What a bunch of Idiots! This tag-team of illustrator and writer has produced an interesting line of books that are beautifully made and visually astounding. I met these Idiots at the AWP convention in Washington, DC in Feb. 2011 and was immediately drawn to their books are a great example of the synthesis between image and text. A wonderful blend. Captivating. I recommend you check out their wares at www.idiotsbooks.com

Wednesday, May 04, 2011

Joel Colton/Randal Rupert (1979)

The Night Becomes Thick and Comfortable
Joel Colton/ Randal Rupert
Philadelphia Eye and Ear
Philadelphia, PA
©1979


This unpaginated chapbook is a nearly perfect merging of text with image. Joel Colton was a poet and photographer who died at Mount St. Helens on May 18, 1980. He was well known and respected in Philadelphia and had collaborated with a number of artists in an effort to present his work in a greater artistic context. Here, the handwritten text with images by Randal Rupert completely captivate the imagination and broaden the range of the possible in terms of how poetry can be SHOWN on the page.

This brave chapbook was printed at the Print Center in Brooklyn. The publisher’s name indicates the direction that the Press was aiming toward. It’s a direction I fully appreciate. The “Stay-at-Home” division of Plan B Press is also interested in pursing visual work with text and poetry with images. The interesting thing about this Colton/Rupert collaboration is that each spread is completely different and unique within the book. The handwriting on some spreads is like calligraphy. On other spreads, it’s like someone’s hand written letter to their mother.

I first heard of Colton from Philly poet Jim Cory who mentioned him in one of Cory’s poem. That was in 2002. Since Joel died, his work has been fading into the dustbins of time. The work deserves wider recognition. Hopefully these brief words will help in that effort.


Here is a spread from the book :

Tuesday, April 26, 2011

Sorcery Part 2 Hugh & Mary Behm-Steinberg (2007)


Sorcery
A second Book of Days
Hugh & Mary Behm-Steinberg
Dusie.org
Switzerland
(c) 2007


This is a follow-up to Sorcery Part 1 which was written in 1997-98. Hugh provides the text and Mary creates the images. This book was laid out in Word, which Hugh acknowledged was very difficult indeed as there are a least two images on every page. Unpaginated. 5 1/2" X 8 3/4". Green cover. Staple-bound chapbook. Meant more as an experiment than for a wider audience. The chapbook retains a sense of book creation in the late 1990s - early Internet period. The countless images, all Black & White apparent clip-art versions of highly colorized Medieval images, are either overly dark or washed out. This does not take away from the writing but it doesn't enhance the experience in a way that I am certain that the Behm-Steinbergs intended either.

Sunday, April 24, 2011

The Jack Kerouac Upper Peninsula Diary (1998)


The Jack Kerouac Upper Peninsula Diary
T. Kilgore Splake
Angst Productions
Calumet, MI
(c)1998

I first became aware of T Kilgore Splake's work from some broadside published by Alpha Beat Press of New Hope, PA. I wrote to "Splake" and he replied with a letter and some of his other work. One of those items was this chapbook.

42 page diary, staple-bound book with B&W images. The writing, in the manner of Jack Kerouac, is interesting. For myself, the enlightening - the peeling back of the onion skin - is itself part of the back story which is something I am always eager to find. For example, one of the presses that brought out some of Splake's books is called enigma press in Philadelphia. I lived in Philadelphia for two years and was in charge of the chapbook section at the venerable Robins Bookstore and I never saw anything by enigma. In fact, I never heard of enigma until I looked over the material I received from Splake over a decade ago.

I found a wikipedia page on Splake which indicates that he is editor in chief of Angst Productions. Angst Productions just happens to be a publishing company that has produced a number of his books. I am just saying....

Friday, April 22, 2011

Magpie's Box by Kate Schapira



Magpie's Box
Kate Schapira


This is one of the smallest books I have yet seen or received. 2 1/2" X 2 1/4" booklet. Good poetry. Interesting cover and tiny format. Wow!

Tuesday, April 12, 2011

Emily Dickinson: Profile of the Poet as Cook (1976)


Emily Dickinson:Profile of the Poet as Cook
with Selected Recipes
multiple authors
Amherst, MA
(c)1976

Fascinating subject! I had never thought about Emily Dickinson in this regard. The authors were all connected to the Dickinson Homestead in the Bicentennial year. A well researched and illustrated chapbook. 28 pages. Staple-bound. Text mingled with recipes. Pretty awesome indeed.

Sunday, April 10, 2011


Twenty-Five Poems of Protest
Rewi Alley
The Caxton Press
Christchurch, New Zealand
(c) 1968

This fairly rare chapbook published in the midst of the Vietnam War, in the critical year 1968. These poems were written in China by the author who has spent a good portion of his life living there. 41 pages. Cover of unknown origin. Possible woodcut of Chinese or Vietnamese solider waving. Fascinating look at "life during wartime" from a different perspective.

Sunday, April 03, 2011

Poetry Baltimore: poems about a city




Poetry Baltimore: poems about a city
Sam Schmidt and Virginia Crawford, editors
WordHouse
Baltimore, MD
©1997

The backstory here is this : I was attending a poetry reading in Annapolis the same week that a reading had taken place in Baltimore for the 10 year anniversary anthology of Beltway Poetry Journal, edited by Kim Roberts. I had met Kim three years previously and we had exchanged infrequent emails during most of that period, until she contacted me about the possibility of Plan B Press publishing an anthology. Our meetings turned into a series of proposals and counter-proposals leading to the creation of Full Moon on K Street: poems about Washington D.C. (Plan B Press, 2010)

It became obvious to me that the anthology was going to hit the space in Washington, D.C. when an article on Kim and her anthology appeared in the February 7, 2010 edition of the Washington Post. Moreover, Kim had researched earlier anthologies of Washington DC poetry and had posted her findings in an incredible entry on her website - Kim Roberts on DC Poetry Anthology

I had never attended a reading in Annapolis but there were a few featured poets that night I wanted to hear, so I went. Earlier that same week, a piece appeared in the Baltimore City Paper about the tie-in reading occurring in Baltimore for Full Moon. In the piece the reporter bemoaned the fact that there was nothing like Kim’s anthology for Baltimore. I mentioned what this reporter had said to a couple I had met that evening, and they got very dejected. It turned out that the couple I was saying this to was the couple who had put together Poetry Baltimore : poems about a city in 1997. They were understandably a bit upset by the exchange and I offered them a copy of Full Moon…

A few weeks later I received a very nice copy of Poetry Baltimore in the mail. This handsome book contained 30 poems by poets with a connection to Baltimore including Lucille Clinton, Barbara DeCesare, A. V. Christie, Linda Pastan, and Kim Roberts – wait, that Kim Roberts? Yes, it turns out that Kim was friends with Sam and Virginia. Had attended their wedding.

This anthology is 36 pages long, in the universe of chapbooks, but perfect bound. The publisher, WordHouse, Inc. was a new organization in 1997 when this anthology came out. It was one of a handful of books that were brought out by WordHouse. However, there are faint traces of them on the internet. Like so many good ideas, things happened.

I am glad that Virginia Crawford was able to track down a copy of this great little collection. Copies are scarce. But isn’t collecting at least half the search? It’s worth the find!

Tuesday, March 22, 2011

poemns by Bob Grumman


poemns
Bob Grumman
the Runaway Spoon Press
Port Charlotte, FL
(c)1997

unpaginated. 4 1/4" X 5 1/2". This is a 1997 reprint of a book that was originally created over 30 years previously. Grumman was and is affected by ee cummings. It shows. For any fan of cummings and spatial poetics, this short collection is a MUST. It's akin to visual poetry without attempting to be cute or obtuse. It's a great little book, go forth and get yourself a copy!

Sunday, March 20, 2011

3 tiny chaps by Caleb Puckett


Homecoming
Caleb Puckett
The Feral Press
Oyster Bay, NY
©2010

Runoff
Caleb Puckett
The Feral Press
Oyster Bay, NY
©2010

Combatants
Caleb Puckett
The Feral Press
Oyster Bay, NY
©2010

Caleb Puckett is a poet on the move, many seeds planted in the rich soil of the Plains. He’s been poetry editor of Nimrod Magazine, has had several books of various sizes published in the past 5 years (including Desertions by Plan B Press) and is expecting his first child later this year.

These tiny chaps were published by Feral Press which is the brainchild of John Digby and his wife, Joan. John Digby's collages have been exhibited widely in the UK, France, USA and Korea. All of his work is exclusively black and white and composed of archival papers and pastes. The Feral Press is a small press publishing unique stories, essays and poetry, illustrated in black and white by a variety of artists working in various media. Both his studio and press are in Oyster Bay, New York.

These items are quite collectible as both the poet and artist/publisher will be around for some time to come.

Tuesday, March 15, 2011

In the Particular Particular by Stephanie Anderson




In the Particular Particular
Stephanie Anderson
New Michigan Press
Grand Rapids, MI
(c)2007


38 page standard chapbook. Unfamiliar with author and Press. I liked some of the poems quite well. It's a decent find.

Saturday, February 19, 2011

Plants of Sun and Sand (1939)


Plants of Sun and Sand
The Desert Growth of Arizona
Stanford Stevens
Illustrated by Gerry Peirce
The Print Room
Governor’s Corner
Tucson, AZ
©1939

My wife found this unique 48-page chapbook in the discard section of the Philadelphia Library a few years ago. It’s unique primarily due to the fact that the cover is made of wood. Plywood. There are B&W illustrations throughout but the plywood is what I keep coming back to. I had read that some Futurist books were made with tin covers, I have never seen one of those but this was 1939 – Arizona. Not what I would call the “cutting edge” in any way, but there it is (was), a beautifully made chapbook. The topic of the book is cacti, native plants of the desert Southwest. It’s an interesting and unique book, a real find.