Chap*books 23

6 X 6
Ugly Duckling Presse
Brooklyn, NY
©2002

I have written in the past about this great little collective, Ugly Ducking Presse, which hails from Brooklyn. In this series of little poetry journals, they acknowledge their debt to Russian Constructivism with wallpaper covers of a unique shape and size. The poetry by Joe Elliot, Arielle Greenberg, Lewis Warsh, Carlos Blackburn, Mark Lamoureux, and Alicia Rabins is also fantastic. If one were a collector of fine chapbooks, it would behoove them to get the work by Ugly Duckling!


I’m Going Home
Leslie Breeding
Green Zone Editions
Brooklyn, NY
©2007

Sadly, I have to say that I wish this chapbook had gone home, or stayed home. The cover art is not the best I have seen on a Green Zone book, and the poetry isn’t the strongest I have ever read in a Green Zone chapbook. SAVE A TREE!


A Hollow Destination
Jim Swill
Self published
© 2006

This is a tree wreck. Worse than a train wreck, trees were felled to make this horror. A pulping I did go, a pulping I did go. SAVE A TREE!!!!


In the Late Summer Garden
Barbara Crooker
H&H Press
Middlebury Center, PA
©1998

Barbara Crooker has been mightily busy over the past few decades, having a number of books come out including this well made little gem published by H&H Press. Crooker writes a good deal about Pennsylvania and there is some of that here as well. 23 pages, cover illustration by Natalie Kennedy. A fine little chapbook.

Concerned Poets on the Move
Sharon Leonard Goodman, ed
In The Tradition Press
Philadelphia, PA
©1986

This is one of those important collections that captures a moment, this moment is the aftermath of the terrible Osage Avenue fire that was the result of the confrontation between members of MOVE and the City of Philadelphia. This collection, 33 pages of frustration and rage and heartfelt sense of loss, has a clearly Afro-American hue to its writings and stance but it’s necessary to have this reaction to what some have seen as a clearly forceful response against an Afro-American group. It’s an important document and I wish it were made available again for a wider audience.

oh please, no (1)

just one this time

March-and-Fiesta
Four Short Plays
Wade Savitt
Green Zone
New York, New York
©2008


This has to be one of the worst books that Green Zone has brought out in years. SAVE A TREE!

Chapbooks 22

mystic, Mystic
Joseph W, Wagner
Five Mile Publications
Rowayton, CT.
©1976

This unique chapbook, 8X8 with black & white photos interspersed with text, was the brainchild of Joseph Wagner who is credited with photography and design for this project. The text is a combination of the sea journal of Captain Joshua Slocum, from 1895, and poetry written by a distant relative of the Captain, Robert N Slocomb, Jr.

At the center of this collection is the town and myth of Mystic, Conn. It weaves itself through each page and every image. It’s a great collection and a wonderful concept. Worth the find.

My Dance is Mathematics
JoAnne Growney
Paper Kite Press
Kingston, PA
©2006

Paper Kite Press has been working hard over the past few years to perfect their own vision of what makes a quality chapbook. Here is one. Hand-stitched, this handsome 21 page chapbook is something to aspire to. The poetry is wonderful as well.

Afield
Anthony Hawley
Ugly Duckling Presse
Brooklyn, NY
©2004

This one is a bit smaller, 6 X 6, bound by twine in what I might call ‘typical ugly duckling fashion’. I happen to like the work presented by Ugly Duckling Presse, and this is no exception. It’s the first collection by Mr. Hawley. It’s reads like a single poem. It might be. There is no directive nor biographic material, must be something about the vagueness of New York City. No permanence or no background; something.

The cover is imprinted with the book’s title, done by linoleum cut, using wraparound cover art. It’s a quite handsome little collection. Hurray once again for Ugly Duckling Presse!

The following two chapbooks deal with the other thing that this blog is about, and that is the act of printing as nearly every chapbook I have written about in the 18 months or so that I have been doing this blog has been printed – some by hand-press, or letterpress, but all by the sweat of someone’s brow and I appreciate and applaud that effort in the name of PRINTING everywhere:

The Bookbinder in Eighteenth-Century Williamsburg
C. Clement Samford
Williamsburg Craft Series
Colonial Williamsburg, VA
©1954

This tiny little chapbook was created at a time when Colonial Williamsburg was still being re-invented and revived from the ashes of history and neglect that had left it buried until Rockefeller money and interest brought back the area. The subtitle of this chapbook is ‘An Account of his Life & Times, & of his Craft’ as interpreted by C. Clement Samford, Master Bookbinder of Colonial Williamsburg’. Though a mere 32 pages long, this interesting book details the remarkable history of bookbinding and printing in the Colonial period prior to our Revolutionary War. What I find most remarkable is how precarious life and printing was then – how on the edge of the known world, of “civilized” world they were in Williamsburg, or Philadelphia, or Boston was then – how long they had to wait for printing presses to arrive from Europe, along with parts and supplies. Living on the edge. And now, some three HUNDRED years later, printers still live on the edge in this country. Printers who are attempting to keep the art form alive. Printers who view themselves as artists, craftsmen; magicians with machine and font. Their canvas is the blank page they are about to print onto. Their “paintbrush” is the bound letters prepared to be used.

Then consider how many books are published each year, double that number to account for these little “slivers of nothing’ and one can only marvel that anyone pays any attention at all to chapbooks, their authors, or their publishers. Yet, people do. Cause for celebration to be sure.

An Apology for Printers
Benjamin Franklin
Acropolis Books Limited
Washington D.C.
©1973

Important little book, every publisher should get a copy and read it. This edition was edited with an introduction by Randolph Goodman, prefatory notes by Philip Wittenberg, with engravings by John De Pol, and compiled with design by Harvey Sautenstein. Thanks to all involved in bringing this little book out. To me the most important words are those of Ben Franklin himself at the conclusion of this piece,

“I consider the variety of humors among men, and despair
of pleasing everyone; yet I shall not there leave off printing.
I shall continue my business. I shall not burn my press and
melt my letters.”

No printers should, ever.

Chapbooks 21

Some Natural Things
Glenn W. Cooper
Kamini Press
Stockholm, Sweden
© 2007

The beauty of this blog is when I happen across the “globalization” effect of small presses, take for example the new small press out of Sweden Kamini Press. Poet/artist and now publisher Henry Denander has created a new line of finely made chapbooks. One of the first two is by Australian poet Glenn Cooper. His poetry is well written. The chapbook is very handsome indeed. Cover art by publisher, overall completely worth checking out.

What I most appreciate about the whole thing is that a Swedish publisher brought out an Australian poet’s book that I found out about since this publisher greatly admires a poet that my Press, Plan B Press, just brought out (Mark Terrill’s ‘Something Red). The song “it’s a small world after all” is playing in my head.


First Lie
Ann LaBar Russek
Black Spruce Press
Anchorage, Alaska
©2000

Ann Russek is always writing about where she’s been years after leaving. This collection of poems was written and published in Alaska about her time in the Midwest. Her Alaska poems were written in Pennsylvania, 2 years later, when I met her. This handsome chapbook with a reproduction of the Adam and Eve story is full of fine poems. Well made chapbook, finely crafted poems. Worth finding.



The Unraveller Seasons
Eugene Ostashevsky
Self published
San Francisco, CA
©2000

This 18 page chapbook by Ostashevsky features work created and performed in San Francisco between 1998-1999. The cover was created by Eugene Timerman. It appears to have been self published. Good poems, Handsome chapbook.

Should I Wash My Hands Before or After Love?
Charles London Cyndian
Pygmy Forest Press
Springfield, Oregon
©2007

SAVE A TREE!

Shirazad
Collected Writings from Shirazad.com
Bowmansdale, PA
©2001

This anthology of work is the brainchild of founder and designer Alexandria Hartman. It represents the Harrisburg, PA region and represents it well. Many talented writers are within and tons of lasting images and catchy lines. (a couple of pieces in fact by a poet named stevenallenmay) It’s a time capsule of the late 1990s – a worthy effort brought off marvelously.

Thanks Alexandria, wherever you are!

The Beats (part 1)

I am more than a fan of the Beats, however loosely or broadly defined as you want to make it, I am also a collector of their works. Here again, I favor the chapbooks as they are more rare and often more interesting that full books but....


I will start out discussing :


Sapphobones
Kirby Doyle
The Poets Press
Kerhonkson, NY
(c)1966

Kirby Doyle is a mostly forgotten Beat era poet whose work deserves a second look. This is the first chapbook of his work, a fine chapbook published by The Poets Press with an unattributed illustration on front cover and inside. Pages not numbered. Apparently, the poems in this collection come from various magazine publications from the late 1950s into the 1960s. All of the poems in this collection later appear in The Collected Poems of Kirby Doyle (1983).

This is a well-made and RARE edition of Doyle’s work. Quite the item for collectors.

Empty Mirror
Allen Ginsberg
Totem/Corinth
New York, New York
©1961

Introduction by William Carlos Williams. 47 pages. Staple-bound. Cover image by Jesse Sorrentino. Early poems by Ginsberg. Printed by Totem Press in association with Corinth Books. Interesting to see this early collection, knowing as we do, what became of the young Mr. Ginsberg.

Beards and Brown Bags
Lenore Kandel
Stadtlichter Presse (in German)
Germany
© 2006

This tiny chapbook was sent to me by a German author and collector of Beat Generation books, he is involved with the Stadtlichter Presse, which produces German-language collections of Beat era books. He and I have been swapping books, and this is one that he sent me. I don’t have any of Kandle’s work prior, and now I have one entirely in German. I should have paid more attention to my high school German classes afterall!

11 pages short, illustration on front cover of naked lady in stockings and nothing else. #54 of 100 in this limited edition form. Originally published in Three Penny Press (1959) Illustration accompanied the piece when it first appeared.


Black is Black Blues
Ray Bremser
The Beau Fleuve Series #4
Intrepid Press
Buffalo, NY
© 1971

This tiny chapbook was created by Allen De Loach, editor of Intrepid. Photo on back cover by De Loach. One of 1000 printed. Unnumbered pages. Written in Jan 1970, NY. Much history with the Press, De Loach, Bresmer, and this series. Rare little item indeed.

honey spoon
ted joans
Handshake Press
Paris, France
© 1993

Handshake Press is the workings of poet & writer Jim Haynes, who has lived in Paris for the past 40 years. He became a friend of Ted Joans and published a number of Joans’ work, including this 6” X 5 1/4” book. Published in 1991 by Handshake Press and reprinted in 1993 (this copy is the reprinted one) in Vilnius, Lithuania. There is a photo of a much younger Joans inside back cover and illustrations in the beginning and end of the text. 75 pages. My copy is signed by Joans inside front.

Gasoline
Gregory Corso
Number Eight
The Pocket Poets Series
City Lights Books
San Francisco, CA
© 1958


4 1/4” X 6 ‘14” City Lights edition of ‘Gasoline’ with introduction by Allen Ginsberg. 48 pages. Cover red with white lettering. #8 in series. Great copy of great book.

Sandy Crimmins (1951-2007)

I have not written about any of the chapbooks that Plan B Press has produced, focusing instead on the wide variety of work coming out across the country, and around the world. I must make an exception for String Theory by the late Sandy Crimmins.

We got to know Sandy in Philadelphia, and discussed the possibility of bringing out her first collection as early as 2004. 'String Theory' was a collaborative effort of Sandy and our lay-out and cover design guru, Katy Jean. The book design is similar to the the Harold and the Purple Crayon books except there is a string running throughout the 39 pages. The book is 7" X 5 1/2" with a wraparound cover image of a string that becomes the earth. From there, the combined talents of Sandy and Katy Jean produced a book that launched an entire division at Plan B Press, Stay-At-Home Press. S-A-H is our "art book/book art" division and 'String Theory' is responsible for moving us in that direction.

It was our distinct pleasure to have worked with her, and to become her friend. Shortly after her sudden and untimely death in July, 2007, we decided to establish the Sandy Crimmins award for a first chapbook with strong visual presence, with the initial award being presented in the Fall 2008 season. More details will appear over the next few months on www.planbpress.com website.

Chapbooks 20

The Kimnama
Kim Roberts
Vrzhu Press
Washington, DC
©2007


The Kimnama is the among the first two chapbooks published by this new publisher, Vrzhu Press. The other book is More Than Anything by Hiram Larew. Kim Roberts is a hyper-involved individual in the Washington DC poetry community where she edits the Beltway Magazine. The Kimnama was written during Kim’s travels in India a few years ago, and appropriately enough means ‘the history of Kim’.

I found the writing crisp and approachable. While I am not a big fan of POD (print-on-demand) books, this one is well made and very professional looking. It’s a great book and well worth finding – best way through the Press’s website – Vzrhu Press.



The Good-Neighbor Policy
Charles Ardai
A Midsummer Night’s Press
New York City
©2007


This is an the first offering from a new Press. It is 6 X 4 1/4” mini book, well made (in Spain) 28 pages long. If you are familiar with the author’s work, then I recommend you add it to your library.



Three Poems for Charles Boyer
Joyce Odam
Banshee Press
Philadelphia, PA
©2003


This “chapbook” is actually a 3 poem, as the title suggests, a form of a pamphlet. It’s a well made pamphlet. Perhaps it was offered as a thank you gift or something. There is no price on the cover.



Unbegun
Lisa Alexander Baron
Encircle Publications
Sagamore Beach, MA
©2002


This is a 33 page chapbook, with a clip-art butterfly on the front cover. Although well made, it is not a collection that I can read more than once. HOWEVER, that is merely my own matter of taste. I can see this collection being read by others, and as an early work in the writing career of Ms. Baron, it is worth having.



Staring at the Welder’s Flame
Marlene Dembinsky Rowe
Self published
©1996


Staring at the Welder’s Flame is the first collection of work by Marlene Rowe and it is self published. As such, the only editor is the poet, and often the poet doesn’t know when to stop. This 83 page collection is more a book than a chapbook. The staple-binding looks a bit strained. Much of the work inside is in fact quite good, but again….too much can sometimes be simply too much.



However, the book is also very handsome with illustrations by Martin Heffron. I got my copy from the poet when it was fresh off the presses, and a few years before starting Plan B Press. Ms. Rowe has been very involved in the poetry activity of the coal regions of Pennsylvania where she help to found the Stray Dog poets. I respect what she has accomplished and applaud her book. Looking forward to a follow-up in the near future.

Chapbooks 19

Irritant
Kostas Anagnopoulos
Ugly Duckling Presse
Brooklyn, NY
© 2007

This is a great little book. Ugly Duckling Presse continues to impress. Anagnopoulos comes at us with 38 bits of poetic observations, short blasts of reality/absurdity. So this is where the New York school is now. Packaged beautifully in this compact punch. Kudos to Ugly Duckling.


Becoming
Emma Rossi
Green Zone Editions
Brooklyn, NY
© 2007

This odd sized book is a wonderful thing. Ms. Rossi writes prose poetry, and writes it well. With an interesting cover by Kate Parnell, hey cover design is hard work!, this book is a great addition to any collection. AND Green Zone actually has its address in the book so one can contact them and thank them for all their wonderful books.



a familiar album
erica kaufman
The New School Chapbook Series
New York, New York
© 2006

It’s great to see a chapbook coming out of the New School Chapbook series. Ms. Kaufman has written a moving, personal tribute to her family is an interesting treatment on the whole notion of ‘the family album’. For me, however, there needed to be more images or none at all. The black & white photos were a tease. As this was one long prose poem, perhaps that determined the number of photos in the book. Yet, the format could have been ‘toyed’ with a bit more.

I also want to note that Ms. Kaufman is involved with running the Belladonna series in New York which has produced many fine chapbooks over the past few year. Bless you, Erica for all your hard work; your rewards await you in heaven.


a gravure and five drawings with text
Elaine Galen & Edward Colker
John Simon Guggenheim Memorial Foundation
New York, New York
© 1963

This is less a ‘chapbook’ as a loose collection of drawings with text. As the title suggests. The text was provided by Elaine Galen with the etchings by Edward Colker. It’s a beautiful experiment. One that works. One of only 100 made.

Bird in the Overhang
Jennifer Gittings-Dalton
Springfed Chapbook Series
Foothills Publishing
Kanona, NY
© 2007

I must defer to El Lissitzky who wrote in 1931 "The book must be the unified work of the author and the designer. As long as this is not the case, splendid exteriors will constantly be produced for unimportant contents, and visa-versa." Unfortunately, that’s what has happened here. The wonderful poems by Jennifer Gittings-Dalton are wrapped in a frankly boring cover which does no justice to the work. I understand that this is the publisher’s decision, and as this particular volume is number 65 in this series but - he has been milking the cover design for all it is worth. Seriously, invest in hiring someone who can do something ELSE with the covers. PLEASE!!!!!


Hot Water Review 1981
# 4
Peter Bushyeager, editor
Philadelphia, PA
©1981

Bright pink cover with red lettering, Hot Water Review 1981. This is a great collection of text with images, well ahead of its time, featuring Philadelphia legend Joel Colton, who died at Mount St. Helens eruption, along with the editor, Peter Bushyeager, Andrei Codrescu, Richard Kostelanetz, Ron Padgett, and others. It’s a shame that sometimes the most interesting work has the shortest lifespan. This is a great volume. I would imagine rare as hell to find, but – FIND A COPY! (no, you can not have my copy)

chapbooks 18

This time there is a theme! Location, location, LOcation!!!


Closing Night
Jeff Rath
©2004
One Moment in Time (self published)
Lancaster County, Pennsylvania

In June 2007, I got to hear Jeff Rath read his work for the first time. Astounding. Where has this poet been? The answer is simple enough: living in a cabin in Lancaster County, PA. This self published chapbook, along with his public readings in Lancaster and elsewhere brought Jeff to the attention of Le Hinton, who runs Iris G. Press out of nearby Wrightsville, PA. Iris G has published a full book of Jeff’s work, including a number of poems from this chapbook, under the title of ‘The Waiting Room at the End of the World’ (Iris G Press 2007)

‘Closing Night’ is a reflective body of work. 20 short poems. Color image on the front cover. Poems dedicated to some of his heroes; Carl Sandburg, Neal Cassidy. He lights a cigarette to each as well as to empty, smoke-filled bars at closing time and one can almost hear the Tom Waits playing in the background. Jeff’s work is real. He isn’t writing about something he hasn’t lived, hasn’t experienced for himself.

Apparently there is an earlier chapbook which is quite out of print, as is ‘Closing Night’, yet I highly recommend you get a copy of ‘The Waiting Room…’ and take in for yourself this remarkable talent.

Poets Pen to Play Pretend
Kyle Simmons (aka boog)
Self published
©2006
Pottstown, PA

boog is a 16 year old phenom. This small chap is very well done for a kid who is also in a band, makes visual art, and takes high school chemistry. I hope to see more of this young man’s work, if poetry remains a strong interest for him. But, we are talking about a teen here, so – time alone will tell.

transfer
Alan King
Self published
©2006
DC/NYC

To the people this collection is dedicated to, and the scenes that are herein mentioned, as well as the artists also seasoned through these poems like dressing on a salad; you know it – you live it – it’s your world. To anyone else, this work is superficial and self-referential. Um, SAVE A TREE.

Experimental Forest
#5 The Paper Sword Episode
©2000
Anneville, PA

In a different phase of my life, my own work appeared in this journal. It’s a journal in the guise of a chapbook and this issue focused on the Paper Sword group from the Harrisburg, PA area. The two editors moved away from the written word for visual arts, and with that shift ended the publication. Yet, in it’s heyday, Experimental Forest did a great job representing and capturing the late 1990s – early 2000’s in Central PA.

37 pages. Front cover illustration by Gene Hosey. Three of the poets associated with the Paper Sword group were also the driving force behind the final item that I will be reviewing this time;

The Blue Guitar
#1
Winter/Spring 1989
Harrisburg, PA

This 11’ x 9’ journal is a little bigger than a chapbook per se, but it is also lean and mean. The apparent brainchild of poet Rick Kearns, this first volume featured the work of Kearns, Lance Clewett, and Gene Hosey; all of whom also appeared in the Experimental Forest #5 issue.

The Blue Guitar was conceived as an art and literature quarterly. This is the first issue. I don’t know what became of the idea or if there were other issues. It was a great start all the same. Harrisburg area needs this type of literary presence, and with the emergence of Iris G Press, I am hopeful that Le Hinton will be able to capture at least a little of that energy in his own Fledging Rag journal that appears alongside the books on Iris G imprint. Please find it in your heart to support Le and Iris G.

chapbooks 17

Kristen Gallagher
Form of a bank
dumbie copy.

Kristen Gallagher is a poet and is the publisher of handwritten press. This small ‘experiment’, this poetic exploration of Buffalo, New York is not identified as a handwritten press book because, at the time of this incarnation of the book, it was not finalized AS a book.
This ‘experiment’ is a combination of text and image that is sparkling the unexpected and the sublime. Worth tracking down, please contact Ms. Gallagher if interested.


About TEN poems
James Hoff
Ugly Duckling Presse
Brooklyn, NY
©2002

The history of Ugly Duckling Presse is an interesting one, and their relationship with the author dates to the beginning of the Presse. Ugly Ducking has done some interesting work and used Constructionist materials for covers; wall papering for example.

‘about TEN poems’ is an early effort by the Presse, and it feels that way. It is cheaply made, bound by an elongated rubber band, printing Xerox paper (it seems to me) and typed on a typewriter that needed a serious cleaning. For those familiar with the work of James Hoff, this has got to be a keeper. However, I have to say SAVE A TREE.


Walden Vision Quest and other poems
andy levesque
self published
©1995

I found this chapbook in a used bookstore in northern Virginia. It’s signed by the author. Once I googled the author, I found that he is the host of the Walden Pond poetry series as well as a graphic designer. That explains the layout and attempt of the book which has images on each page, presumably to correspond with the text. I have been to the website, http://www.mothwingarts.com/waldenvisionquest/01waldenvisionquest.html, and have seen the way it exists online. However, the book ought to have been in full color to appreciate the complete picture. As it exist as a chapbook, it’s a muddy mess. Neither the web address nor any contact info exists within the chapbook. One does not know that the author has a companion CD, nor that he is the host of the poetry series, or anything else. These oversights are glaring since as I suggest the chapbook by itself is fairly bland.
Mr. Levesque’s work is very naturalistic and reflective. He is trying to carry the torch of Thoreau and mostly does so very well. I would merely suggest that if a reprint were to be done of this book, it be done in full color.




The Homecoming
James Gerald Koch
Old Mountain Press
Vienna, Georgia
©1995

I learned of a Press I had not heard of previously here. I was also “schooled” on poetry by someone who was a Gulf War veteran. I don’t appreciate being schooled by someone who hasn’t been to school (for creative writing, much less for poetry). The poetry here is Dr. Suess rhyme scheme with political and moral overtones. Not the least bit interesting. SAVE A TREE!




What’s With Modern Art?
Frank O’Hara
Mike & Dale’s Press
Austin, Texas
©1999

Great title chapbook, edited by Bill Berkson, and published with permission by the O’Hara estate. Besides the writing, the coolest thing about this chapbook is that the publishers here, Mike and Dale, went on to form Skanky Possum journal which has become well known in literary circles for the writers they have brought to print and the quality of work they have achieved. 33 pages.
Rare to be sure, but worth it for O’Hara completists.

chapbook16

Chapbooks 16


Back from the Park
Denee Dubeau Zah
Green Zone
New York, New York
© 2006

Zah’s chapbook opens with the poem, Ming, which has the opening line “This book is so well-made I can’t bear to write in it”. Whether irony or hyperbole, that’s about the highest praise this book can give. Self praise. The poems are not breathtaking and the stapled 8 1/2” x 11” size makes for an awkward storage issue. If in fact this chapbook was meant to be saved; or stored. The cover is from a beautiful painting by ‘J. Brooke’, uncredited. It’s got to be an early Green Zone chapbook – a learning as one goes book – since the quality of presentation simply is not visual here. Later chapbooks by the same mystery publisher are extremely well done. This one was not. I fear that the tree was wasted in this effort – SAVE A TREE!!!!


Emergency #3
Ammi
New Orleans, LA
© 2000

A 48 page rant by Ammi, whose Emergency #3 I got first-hand when a swarm of New Orleans writers and poets descended on the city of Brotherly Land back in 2002. It was a most curious evening and a series of curious chapbooks on display. I scooped up one of everything and have been picking through them in this blog. I do so as much to bond with the city that that mob of writers came from as for the merit of their work. As is the case here, It’s a bit of whiny post Gen-X angst. SAVE A TREE!!!!!!!!

The Portuguese Letters
Steve Dalachinsky
Sisyphus Press Chapbook series
© 2000

Steve Dalachinsky has been published by several small presses. This effort is one of the better ones. Green cover with cover art by Yuko Otomo. Contains 5 letters (poems). For those familiar with his work from his Free Jazz collaborations, it’s worth collecting his written work as well.


Yukon Poems of Robert W. Service
Sourdough Edition
Filter Press
Palmer Lake, Colorado
© 1967

For those who love to read the poems of Robert Service, or of any of a list of 47 other writers in this series by Filter Press, this book is quite a find. Fully illustrated with period piece images, it sings of the time. Definitely worth it for those in the know. (not my cup of brandy though)


Dances in Dialogue
Sharon Rees Eiferman
Zenobia Press
Bryn Mawr, PA
© 1991

This is a 30-page chapbook with cover image of unknown married couple, parents or grandparents of the author. There are some poems in this collection that are very good and it would have been interesting to see what might have happened had the author concentrated on only poems about writing, the muse, and poetry itself. Yet this is not a tight and focused grouping of poems and the various strands unwound for me upon reading.

Ms. Eiferman has been a fixture on the campus of Philadelphia Community College and has conducted workshops across the region for many years. I am unaware of any additional books of hers, nor of the press itself.

the Perishable Press Limited

I have previously mentioned that one of my favorite small presses is Toothpaste Press which was most active from during the 1970s and 1980s. I wish to add to this small list the Perishable Press Limited. Brainchild of Walter Hamady and located in Mount Horeb, Wisconsin, this small press has made an incredible contribution to the advance of “book art” in the 20th century. Begun in 1964, the press has defied categorization. Known for their fine hand-made paper, distinguished typography, and unique colophons, the Perishable Press challenges traditional notions of the book. Perishable Press Limited is best known for their work with Robert Creeley, Robert Duncan, Paul Blackburn, and Lawrence Ferlinghetti. However, the books I have to discuss are by lesser known poets; George Oppen, J V Cunningham, Carl Thayler (and a rare gem by William Stafford).

The number and size of chapbooks by Perishable Press, a name taken from the notion that books – like people – are perishable and limited, make them rare to find since few were printed for each project. In the case of Oppen, Cunningham, and Thayler, poets whose work I never read or had only heard of, it’s a precious moment indeed to hold a finely made book of some of their rarely published work.


Some Salt J. V. Cunningham (1967) 8” X 5”. Olive green cover. 14 pages. Single sided. On hand-made paper. 250 copies printed, letter press.

Eleven Untitled Poems William Stafford (1968) 8” X 5 3/4”. Dark Blue with image on front cover. Uncut pages. #123 of 250 numbered copies. On hand-made paper. Letter pressed.

The Drivers Carl Thayler (1969) 8 3/4” X 5 1/2”. Grey cover with impression of title on front cover. Etching inside front by Jack Damer. One of only 130 for sale. 11 poems. Dedicated to Toby Olson.

Alpine George Oppen (1969) 9 1/2” X 6 1/2”. Tan cover with title imprinted onto front cover. 4 poems. 250 copies printed, letter press.

The dedication of Oppen’s chapbook speaks to all of us who are interested in the work of the letter press printers and “book artists” across the nation. ‘To those who as poets and publishers have rescued a nation’s literature”. Indeed so.

Chapbook14

Chapbooks 14


Wit’s End with Bric-A-Brac
Jessica Dessner
©2006
Green Zone
New York City


What is it about Green Zone that is most intriguing and beguiling? The incredible talent with the complete absence of publishing information? That’s it! Jessica Dessner’s work is funny and profound. The book is another testament to the work presented by Green Zone. It’s a book worth finding, if one can.

Dacotah Territory 6
Special Native American Issue
©1973
Dacotah Territory
Moorhead, MN

This small journal, edited by James L. White, has work by Joy Harjo and several other Native American writers included as well as images by Jim McGrath. These 56 pages are stuffed with great writing. It’s a treat for the eyes and the mind. I have been told that the journal is still producing issues at Moorhead State College which is quite impressive in these days of instant gratification and disappearance. Dacotah Territory was a proud member of COSMEP. How many current publications can make that claim?

Axe Factory III
Louis McKee/Joe Farley, ed.
©1990
Philadelphia, PA

Published by Axe Factory and edited by Lou McKee and Joe Farley with cover art by Jeff Vetock, this issue is a time piece into the Philadelphia poetry community of 1990. In addition to work by Lynne Savitt, Tina Barr, Greg Geleta, Ann Mennbroker, and others, there are book reviews by books of Greogry Djanikian and Christopher Bursk as well as a listing in the back of received journals and zines. A must for anyone serious about collecting Philadelphia based publications.


Sex Toy
B.L. Kennedy
©2002
12 Gauge Press
San Clemente, CA

Don’t let his disclaimer throw you; B.L Kennedy is a serious artist who is intent to follow in the footsteps of d. a. levy and Kenneth Patchen. This small sliver of a book is a fine art book which might have been a little more polished but as it is, is a great book. The pages are a series of “picture poems” done in 2002. It’s an incredible merging of image and text. If you want more than black ink on white paper, this book is for you!



Standing In the Sky
Karen Bashkirew
new moon press
Lenhartsville, PA

This fine book by Karen Bashkirew is quite the find. These 26 poems in this well made little book are accessible and well crafted. I can’t help but also hear Suzzy Roche’s voice since one of Bashkirew’s poems have become a “song” on Roche’s album, Zero Church. I look forward to more work by Bashkirew.

Chapbook13

Chapbook13



Recognition Amidst Mystery
Nancy Wisser, editor
©1994
Kutztown, PA

In truth this is the chapbook that got me interested in the artform. I read an article about a collection being put together by a Kutztown area poet, Nancy Wisser, who was gathering work by a array of local poets which became this chapbook. 20 poets are here represented, featuring a variety of voices, topics, and styles. In addition to a number of poems by each poet, there is a brief biographical note about the writing process by each.

Gorse Cottage Poems
Harry Humes
Banshee Press
©1998
Philadelphia, PA

In a natural transition, this chapbook by Kutztown based Harry Humes by published by Philadelphia based Lou McKee’ Banshee Press in 1998. Humes is a widely respected poet who was named the first Poet Laureate of Berks County in 1999. His work reminds me a bit of Billy Collins in its use of simplistic words for deep and effecting observations and emotions.

For the Salamander
Git Ott
Slash and Burn Press
©1985
Philadelphia, PA

Gil Ott was an institution in Philadelphia. His untimely passing was most unfortunate and his presence is sorely missed. This Slash and Burn chapbook speaks volumes about his versatility and vision, as well as the ability of the publisher of Slash and Burn Press. It’s a thin little slice of nothing and not overly wordy as was his technique at that time but it is complete in its form. A great little gem. Cheers to Sally Jo Sorensen for the design of this book, and for the Press itself. (Sorensen was Slash and Burn Press)


Babicka
Connie Fox
Kangaroo Court Press
©1984
Erie, PA

I found this lonely little chapbook in the back of a crowded stack of chapbooks on the bottom shelf at an old bookstore in Philadelphia, and only years later when this alter ego was revealed to me did I find that the true author of this single long poem about a grandmother was that of…

No, I can’t tell you. It’s a well-made little chapbook. Nice paper. Well designed. I suspect that the Press is gone since it has no e-presence. I Googled, nothing came up.



Wizard Poisonings
Mohammad Ali Niamand
Insurance Editions
©2006
Jackson Heights, NY

What is it about Insurance Editions? Such good work. Such interesting poets. So well made.

Chapbook12

Chapbook12


Strangers in a Homeland
Jeffrey Loo
©2001
The Ashland Poetry Press
Ashland, OH

I had the opportunity to meet Jeffrey Loo/Lee as he was leaving Philadelphia for the Rocky Mountains. This collection shares some general themes with a CD that he released around the same time called ‘Identity Papers’. The sense of being an alien in a culture that proclaims unity, but falls quite short of delivering on that claim. The disconnect between knowing ones cultural background, and witnessing it as Loo/Lee did by returning to Taiwan, his “Homeland”. There is great depth in these mere 25 pages and I am glad to have this early work by an author who has gone on to greater things. Two additional books have been published and he now teaches at the University of Northern Colorado. I recommend this fascinating book.



The Murderous Clown
t. kilgore splake
Athena Angel Productions
Calumet, MI

Clowns are weird. They creep people out. A book titled ‘The Murderous Clown’ reminds me of a certain serial killer and that doesn’t make me want to read the book. A book with a B&W cover image of an obvious color painting doesn’t do anything to help. The poems were not breathtaking in a good way. Um, SAVE A TREE!!!!!

natural selection
Karin Randolph
©2006
Green Zone

This tiny, 5 1/2” X 4”, book by Green Zone is wickedly cool. There is precise little about the author or the Press anywhere within the book but the writing is stellar and that is what one is most interested in anyway. The prose poems are completely worthwhile. My only concern is storing books so small. They play havoc with my shelving. No matter, get a copy of this book!



Mayfly
Jack Gillespie
Poets at Work
Portersville, PA

Every chapbook is, in a way, a shout out – a spray-painted tag on the wall of life. This book is just that. Gillespie came from the same region of the country as I did. I remember reading about him and this book in the local newspaper. The references within the book are to people from the area as well, part of the group of poets that he belonged to. There is no publication date but the font suggests an electronic typewriter from the 1980s. There is no cover design – just the title and the author’s name. The poems are laid out as though following the sun across the sky, perhaps in the life cycle of the Mayfly itself.
There is no bio of the author, not acknowledgements. Yet, it exists. It says that Jack Gillespie lived and wrote poetry and here is his book. In that sense, he won’t be forgotten.


falling dreams
Alison Hicks
©2006
Finishing Line Press
Georgetown, Kentucky

Recently I finished reading Virginia Woolf’s A Room of One’s Own. One of the benefits to having read it is that I am now very mindful of the fact that a mere 80 years ago, at the time of Woolf’s writing, it was still uncommon for women to be accepted as authors in their own right. It has been an endless struggle for recognition, and still, for a room of one’s own. That said, approaching a book as full of estrogen as ‘falling dreams’ by Alison Hicks is as off putting as women of the Nineteenth century being subjected to tomes of military history. One can only stomach so much.

This is doubly unfortunate since there are fine pieces of writing in the collection, as in ‘Breaker’ and others. Yet, the collection is primarily a book of “womanness”. There is nothing wrong with this but it is outside of the experience of most men.

The book is divided into four sections. The middle two ‘Music of Birth’ and ‘Red of Transition’ are particularly laden with overwhelming sense of the female. Some poems were simply too much to get through. One poem, “Red Song” used the word “red” TWENTY SIX times in the poem when the word “menstrual” would have sufficed. And as a quark of design, or perhaps as intention, the book is bound with red string which just happens to run through ‘Red Song’, giving the reader a string of red to additionally think about while seeking a sanitary napkin to clean off before continuing. And really, one should, the poems at the end of the book are quite strong.

As for the publisher, what little I know about them is that they bring out a lot of books each year and they all look remarkably alike. One could say “cookie-cutter” and be not far off. Overall, I am glad to have “read” it and will certainly recommend it, which I just did.

chapbook11

Chapbook11

“Hollyridge Press is a small literary publisher located in Venice, California. Hollyridge uses Print-on-Demand technology to keep its books always in print, always in stock. Books are available to stores in just days for orders as small as one book through Hollyridge's wholesalers Ingram and Baker & Taylor. The technology keeps start-up expenses low, and eliminates costly inventory. Savings are put toward promotion. The Press plans to bring out new work and out-of-print work from literary authors.”

Let me just say that I am not a fan of POD operations. I find the work to be uneven at best. Not necessarily the poetry or prose, but the production. Since the books are basically generated per order or sale, one gets the luck of the print operation. If the machines are working well, one may get a well made book with cover clarity and no streaking. If the machines aren’t, well – then one is stuck with a piece of crap.

I am certain that the Press does well and that it has many fans. I don’t happen to be one of them. The books are so uniform that they feel stale upon opening. The content is distracted by the blandness of the packaging. The covers are identical in design. Same layout, some color scheme in the same format. Perhaps this does identify each book as a Hollyridge Press book for those seeking them out. However, for someone who publishes, as I do, this comes across as a complete lack of imagination on the part of the publisher and design person.

That said: I decided to review

Chartreuse
Jesse Lee Kercheval
©2005
Hollyridge Press
Venice, CA

The work in this chapbook is varied and at time surprising. Her bio indicates that she was born in France. It shows in her verse. And I do mean that as a compliment. The work’s strength is in its images and phrases. Her prose poem J’ai deux amours & One of them is Paris is a particular delight. These 39 pages breeze by so quickly it leaves one thirsty for me. I would be remiss if I did not mention that as stated above, however, it is hit-or-miss with quality of the book itself. Death: A Definition is smeared; the page is imperfect. These blemishes do take away from the overall appreciation of the work but I place that “fault” on the decision of the publisher and not on the poet herself. Any book is only as good as what comes back from the printer. And sometimes it makes one wonder if the technology is up to snuff. Buyer beware!


Carrier
Aaron Simon
©2006
Insurance Editions
Jackson Heights, NY

Insurance Editions makes quality chapbooks, period. Carrier by Aaron Simon is no exception. It’s a small book, 6 3/4 X 5 1/4. The paper stock and quality of printing are to be commended. I will note that the book was printed at Oscar Printing Company of San Francisco, CA and it is a superb job. The 34 prose poems are equal to the production of the book. I would say that this is a fine book and if you not yet familiar with Mr. Simon’s work, as I was not, it behooves you to find and read whatever Aaron was brought out. You are in for a treat.

The Anatomy of Oil
Marcella Durand
©2005
Belladonna Books
Brooklyn, NY

This is a gorgeous book. Just that, gorgeous. Letterpress cover designed by Tim Sullivan from the Center for Book Arts and printed by Soho Letterpress, this is a masterpiece of the form. Astounding! The editors of the Belladonna poetry series and of Belladonna Books, Rachel Levitsky and Erica Kaufman have here something to be extremely proud out. This is a collector’s item. The poetry is a wonderful as the production. It’s a book any collector of chapbooks needs to own. Not enough praise for Belladonna Books. If you are interested, and you ought to be, go to Belladonna Series.



Flat House
Irene Koronas
©2006
Ordinary Press
Cambridge, MA

Known in the Boston area as “word catcher”, Irene Koronas’ method of poetry writing feels quite familiar to this reviewer. She writes what she hears, in whatever fragmented way she catches it. Her poems are seamless in their creation and yet one can detect the multiple voices being woven together. In the introduction by Jennifer Howe Peace one sees that “words flow unhinged, like streams of water or riffs of music. (Koronas) creates ripples of words across the page that shift and form new patterns, new associations, new meanings depending on the experiences and attention of the reader.” Indeed so. Koronas has tapped into the Burroughs cut-up machine without having a unified “text” to begin with. Life is the text. What she captures from it, from the snippets of her own awareness, become filtered onto the page and then reinterpreted by the reader. Completing the cycle and starting it anew.

This is an amazingly complex process and effort and if one is inclined to pursue the literary butterflies of LANGUAGE poetics and ‘The New Novel’ abstractness, this book is for you. However, if the reader is seeking a spoon-fed sense of meaning and comprehension, then it’s best to pass on this one. While Koronas is not trying to bend that spoon nor the reader’s perspective, it’s important to remember: there is no spoon.

Here’s to You
Andrew Mister & Anthony Robinson
©2006
boku books
New York, New York

This small Xerox-produced chapbook is nothing more that a series of email exchanges between two persons on either side of the United States. I am not sure why this particular set of exchanges is more worthy of publication than others, but I found it a complete waste of the trees that were felled in its making. SAVE A TREE!

chapbook10

Chapbook10


The Dictionary Poems: Some Bees
Lauren Bender
©2005
Newlights Press

This well made 20 page chapbook, put out by Newlights Press, is from a larger on-going project by Lauren Bender. There is a bit of mystery in the production of this book. There is no title page, nor info about the Press, nor a webaddress, nor a physical address. Interesting, curious. As are the poems. Very interesting and curious.

I got a chance to hear the poet read in 2005. She’s worth reading, check her out.


Black Diamond
Karen Blomain
©1990
Nightshade Press
Troy, Maine

Karen Blomain is a professor at Kutztown University in Pennyslvania. This is the second edition of her first chapbook. It was published by Nightshade Press, a well known small Press with a wonderful track record. The cover illustration is by Carolyn Page. It shows a woman in front of a coal mine with a baby carriage lined up behind a coal cart, suggesting that the baby in the carriage is destined to be in the mines as well. The work is solid and for anyone familiar at all with the coal region of Pennsylvania, an accurate portrayal of the area. Especially the poem ‘Centralia’ about the now abandoned town in Central PA where a fire still burns underground, burning seams of coal, burning endlessly.


a Bestiary
Kim Carlin
©1996
Shattered Wig
Baltimore, MD

I have written before about Shattered Wig and the Baltimore scene a bit. Here’s another example of it. ‘a bestiary’ is a 23 page chapbook with pink cover stock and a collage by Claire Rusko-Berger on the front of a rather untypical feast in which animals with human bodies dine on plates of food including a stuffed human head. The poems themselves are inventive and different. Ms. Carlin is part of the core group that makes up Shattered Wig, all a bit mysterious and lurking in the shadows but sometimes one needs to remain invisible to observe and write without detection.



Wirework
Ann Stephenson
©2006
Tent Editions
New York, New York

Published in May 2006, this seemingly simple chapbook is one of the best-made books I have held in years. Tent Editions has a knack for creating quality products. This is no exception. Her voice is strong and her images crisp. ‘Poem’ is especially touching. Go find this book!

Chapbook9

Sending Off the Godhead in the City of Light
Mark Terrill
©2006
Hydrogen Jukebox Press
Berlin, Germany

I received this small chapbook rather unexpectedly from Germany over the summer. The funny thing is I was going to write about the author, Mark Terrill, anyway since a chapbook of his on the now defunct Green Bean Press imprint, Here to Learn: Remembering Paul Bowles, had such an impact on me. Perhaps it was that the chapbook also contained a CD of Moroccan Music, was illustrated by Bowles good friend, Mohammed Mrebet and was signed by the author. The book itself contained photos of Tangiers and Bowles. A real time piece for anyone who is familiar with Paul Bowles work, and for those collectors who love to find ephemeral material on established writers. Terrill is a good writer in his own right, I should add.
So it was surprising to me to receive something from Terrill in the mail. The chapbook contains 5 prose poems writing in and about Paris. It’s a bit of a tease. It’s so short it’s hard to sink one’s teeth into it. I hope this will be expanded into a larger book someday.
Terrill is the author of seven books of poetry, one book of Nonfiction (the Bowles book) and a book of translation. He is an American ex pat currently living in Germany. And the sort of find worth making!



The Angel Poems
Liz Rosenberg
©1984
State Street Press
Pittsford, NY

Used bookstore find. Nice cover, designed by Ken Morrow, with an angel on the front. This collection of 19 poems was made possible by the New York and Pennsylvania Arts Councils. The writing is strong and contains great visuals. The book was part of the second series of the State Street Press Chapbooks. It’s rare although there were 400 copies of it printed in 1984. One thing about chapbooks I have learned is that they disappear and are generally not cared for as well as ‘standard’ books. That’s a pity. A chapbook like this deserves better.



Toward Morning & Swimmers
Elaine Terranova
©1980
Hollow Spring Press
Chester, MA


This is two small collections put together in one binding. Hollow Spring Press is under the auspices of the Hollow Spring Artists and Writers Guild, Inc. a non-profit organization. (at least in 1980) and Elaine’s work appeared in their magazine prior to this volume coming out.

She is the author of The Cult of the Right Hand (Doubleday, 1991), which won the 1990 Walt Whitman Award of the Academy of American Poets, and Damages (Copper Canyon, 1996). Her translation of "Iphigenia at Aulis" is included in the Euripides III volume of the Penn Greek Drama Series (1998). Her latest book of poems is The Dog's Heart (Orchises, 2002)

Her mastery is quite evident in this chapbook.



How I Figure
Keith Gilyard
©2003
Whirlwind Press
Camden, NJ


Gilyard is an English Professor at Penn State and an editor, as well as being a fine poet. This 27 page collection is a good example of his work. With cover art by Noel Miles, this book is alive with the art within. No conversation about Philadelphia small presses is complete without mentioning Lamont Steptoe’s Whirlwind Press.

chapbook8

Chapbook8

Voiceunder
H.T.
©1993
Texture Press
Norman, OK

H.T. is now a professor of English at Kutztown University (PA) and has been an co-editor of the influential journal 6ix. In this volume, bright pink cover with blue flyleaf, done masterfully by Texture Press, the weaving undercurrent of thought and language are on full display. Interesting sense of poetics.

It’s My Body
Denise Duhamel
©1992
Egg in Hand Press
Chicago, IL

These poems could easily be called her ‘Barbie’ poems – some good work, great imagery and bright pink cover. Egg in Hand Press didn’t spend terribly much on the production of this chapbook however; the text is “hairy”, as a poet I know pointed out in another chapbook done on the cheap. Ms. Duhamel has created quite a body of work of which this is not to be overlooked. I believe some of these poems have appeared elsewhere in her “canon”.


Tonguing Crooked Ample
Ralph LaCharity
©1993
Ostowegowa Press
Kent, OH

In 1998, when I was developing the idea for the poetry festival called Bardfest, the one that occurs in Berks County, PA, one of the first poets who signaled interest in participating was Ralph LaCharity. He has for years been a fixture in Cincinnati, Ohio poetry scene. He played drums and often performed with a group. He had a series of chapbooks and Tonguing Crooked Amble was one of them. There are collages by the poet inside front and back of book. A pink sash across the cover. The chapbook consists of a few poems and longer explanations of his art (poetry) and Art in a more general appreciation. In particular, the final piece, on Performance poetry is insightful and informative;

“The Audience for Poetry is most frequently in a condition of prey,
wherein Poetry stalks the Audience. In Performance, Poetry is
haughty to the point of sadism. The Audience is Victim & must
defend itself howsoever it can. The only defense is comprehension,
but no Audience comprehends fast enough.

Anyone with an interest in how this Performance Poet seems the develop of the art form within the context of our hyper-fast lives needs to read this piece.


Walt Disney is Frozen and Mickey House is a Millionaire
Edward Francis
©1994
Leonard Gontarek's
City Book Shop
Philadelphia, PA

Leonard Gontarek has established himself from the very beginning in Philadelphia as someone on a mission. One of his missions, perhaps one that grew from his time running City Book Shop was the publishing of chapbooks. This is a well made chapbook, awkward title but hey…the clipart of a workman with his lunch box is priceless on the front cover. The poems are consistent. The paper used is really nice. As they say in the business, “Nice paper”. 30 pages.
I don’t know the author, don’t know if he is even in Philadelphia any longer but this is worthy of getting a signed copy if that is possible.



I am Going to Walk toward the Sanctuary
Kelley Jean White, MD
©2001
Via Dolorosa Press
Cleveland, OH

Kelley White has written over 1,200 poems and has a number of chapbooks in print. This one, I am going to walk toward the sanctuary, is among those. A Yellow cover with cover art by Paolo Sorrentino, the volume feels rushed. Not the work itself, although some pages have as few as eight words on them, but the production itself. The book wasn’t trimmed which allows for a raising of the pages toward the middle fold of the book. There is no info on Kelley White in the book and if I didn’t know her already, I would have no idea how to contact the author; other than to contact the publisher. The Imprint, Nepenthe Books, is a division of Via Dolorosa.

I got my copy from the author and there is no price on the book so I don’t know how the distribution for it worked. It’s an interesting read. And for those of you collecting Kelley’s work, and you should, this is definitely one to get. Better ask her for them though.

chapbook7

Chapbook7


Echoes
Robert Creeley
©1982
The Toothpaste Press
West Branch, Iowa

This handsome,(7 3/4” X 5”) little chapbook was published by The Toothpaste Press in March 1982. There is no page count. 14 pages of printed material. Contains the poems First Rain, Waiting, Self Portrait, Still Too Young, Still Dancers, Elements, If Happiness, Bresson’s Movies, Stone, Some Echo, Beyond, and the title poem, Echoes.

I will readily admit to “ebaying” and that’s where I found 3 Creeley chapbooks. It was a lucky moment, but one I was determined to take advantage of. While the chapbooks did not come cheaply, they were all in pristine condition. The craftsmanship of Allan Kornblum, owner of Toothpaste Press, Iowa, is quite evident in the two chapbooks I have from his press. I don’t know how long Toothpaste Press was in operation but if all their books were done this well, they were a treasure lost.

I have found a few copies of this book as well as a French version of it which appeared in 1996 online. Again, not cheap, but incredibly worth having. If you are a fan of Creeley, look for his books on Toothpaste Press; Echoes (1982) and Later (1978).


Let’s Just Say
Charles Bernstein
©2003
Chax Press
Tucson, AZ

Charles Bernstein, in addition to his work with the L=A=N=G=U=A=G=E movement, has consistently worked with small presses. This small (6 7/8” X 5 1/2”) beautifully created chapbook is an example of his work with fine craftsmen/printers. Consisting of 4 poems, including the titled piece, this slim volume was expertly made. In addition to ‘Let’s Just Say’, the chap contains 3 other poems written in 2001, ‘Thank You for Saying Thank You’, ‘In Particular’, and an untitled poem commonly known as ‘every lake has a house’.

I wish there was some info about the production, but alas that is part of the mystery.
Great little book.







Compstrella/Starfield
Charles Potts
©2004
Time Barn Books
Nashville, TN

As I was beginning this ‘chapbook project’ a publisher from Nashville contacted me and we exchanged some books; this was one of them. If you are not familiar with Charles Potts, he is the author of 26 books of poetry and prose. Known primarily as a west coast poet, Potts has been extremely productive and influential in the State of Washington, where he founded Tsunami Inc., a vertically integrated international publishing venture, which published The Temple magazine as well as a driving force behind the creation of Temple Bookstore and the Walla Walla Poetry Party.

This collection of seven poems is followed by an analysis by poet and publisher of Time Barn Books, Klyd Watkins. 7” X 5 1/2” in size and with a glossy cover, this book is a great introduction to both Potts work and that of the Press.



InFire
Anne Kaier
©2005
Skintype
Philadelphia, PA

Anne Kaier’s book is a statement of survival and resilience. InFire, with it’s beautiful cover illustration by Willow Bader and designed by Biddle Design, is very eye-catching. The poems are well crafted and penetrating. Anne suffers from Ichthyosis, a rare skin type, which is most poignantly handled in the piece ‘Scales’ :

In Philadelphia in July
cicadas swell in my garden.

At the Ichthyosis Support Group, we rate each other.
Cindy shakes green scales, chattering.
Etheldra, her face blurred by blisters, shrinks in her wheelchair.
Don’t you just itch after sex, asks Jill.
I stare, like a fish.

In the garden, my phantom Florida woman
sits with Buddha belly on louvered porch.
Birds scream. Teal branches trash the dark.
Water caresses her skin, wet as an alligator’s.


Extremely powerful work. Skintype is a Philadelphia based publisher, and as always I encourage all to support the locals, the independents. They are the backbone of publishing, the ones who find the new voices and bring their work into print. As now, I encourage you to get a copy of Anne Kaier’s book. You won’t be disappointed.

Till soon

stevenallenmay