grundig : a zine

Another space loop back through the DIY sphere; this one leading to Portland, Oregon. To a store called "Q is for choir" and a time distant enough past that the dust only appears on the hand of the holder and not the pages themselves. Michael, whoever Michael was, made this zine happen. This is #2. At the beginning of this grand adventure. Into collage and zinedom. Into traveling and consequences. The world is a roadmap, a compass to follow, a north star to find. Zines like these need an archive too. Need to be collected. Replaced in the 21st century with blogs and twitter and "every-which-kinda-next-new-format-mattcha-you" but zines like these, staple-bound physical somethings are going quick into the heap of time. Like wall posters in busy city make overs. One week there and the next plastered over or stripped bare and painted over.All the same, "over" they are. Whatever was inside is forgotten by the end of the next news cycle. Our attention spans shrink to nothing. A zine like this, gone without notice. Someone lands a stash - posts on ebay - and a dunderhead like me decides to collect more relics of the past. 1980's - 2000's. Like I collect mimeos. Like I collect mix tape cassettes. Like I collect Punk/grunge era zines.

Letters to Proust by Barry Gifford (1976)

Letters to Proust
Barry Gifford
White Pine Press
Buffalo, NY
(c)1976

I have written before about White Pine via the trove of material I received from poet Steve Lewandowski. The Press had been in Buffalo and then moved. It's interesting to me that while most of the country thinks of Buffalo as a frozen waste, because of the college there - it really is the opposite of a wasteland for literary types. A number of small presses and well known poets have spent time there. Robert Creeley and then Charles Bernstein were there as teachers. Influential in their own ways.

This particular item was illustrated by Mike Neff. It's the 4th chapbook that White Pine put out. Unpaginated. Handsome little "sliver of nothing". Now it's quite possible that the name Barry Gifford is not unknown to you - he's a screenwriter and novelist. He wrote David Lynch's 'Wild at Heart' as well as the Sailor and Lula novels. This had to be an early work of his. Highly collectible.

Deeper Into Woody Chaos by Walt McLaughlin (1997)

Deeper into Woody Chaos
Walt McLaughlin
Wood Thrust Books
Burlington, VT
(c)1997

This 24 page chapbook by the guru of Wood Thrush, Walt McLaughin, shows all the promise of this small press. Glad to know that they are still around and doing great work. It's refreshing to write about a book so dedicated to the earth on Earth Day!

Life is a Joke by Joe Franke

Recently I noticed a listing on ebay for some punk zines and to me that's about as cool as it gets because the entire realm of punk zines is entirely DIY and the DIY universe is extremely awesome. This cat, Joe Franke, started his zine in 1989 while living in Northern California. He was in a punk band (he still is) and he formed Axis Records. He moved from Northern California to San Francisco to Southern Maryland to Las Vegas. Now, Punks in Vegas to me is just weird but hey - he made at least 10 issues of Life is a Joke, plus other one-timers or knock-offs.

Zines, especially the work of an individual. The lay-out, the content, the name and images are all the work of one person. Twisted, illogical, awesome or scary: one person! These are the work of one person who delved in black humor. What writer of punk songs doesn't delve into black humor, I ask you? Well, Mr. Franke certainly does. Keep on keepin' on, Joe Franke. Kewl that.

Mountain Walks by Richard Hartigan (1979)

Mountain Walks
(images)
Richard Hartigan
Rootdrinker
Canton, NY
(c) 1979

A small chapbook of images of mountain terrane with haiku-like text(poems?) on opposite page. Beautiful little book.

Dragons of Mist and Torrent by Teo Savory (1974)

Dragons of Mist and Torrent
Teo Savory
Unicorn Press
Greenboro, NC
(c)1974

Unicorn Press has a storied past which I have to admit not being aware of until I went through a trove of chapbooks that I got last year and just am now researching. Any small press that began 60 years ago and is still going gets the tip of my hat, for certain. Al Brilliant and Teo Savory were the linchpins to this operation which began in Santa Barbara before moving to Greensboro, NC in 1972. What an incredible run of stellar work this tiny press has presented to the world! (Including work by Raymond Queneau!)

This chapbook is no exception. Japanese binding. Should be subtitled "The Canons of Hsieh Ho". Unpaginated. #278 of 450 pages (without signature). Beautiful chapbook.

3 books that got away (from Plan B Press)

I want to look like Henry Bataille
Michael K. Gause
Little Poem Press
Falls Church, VA
(c) 2006

I mentioned on the Facebook webpage that is associated with this blog that in addition to blogging ABOUT chapbooks, I run Plan B Press and in that capacity we read a lot of manuscripts. Some are incredibly good and some of are simply terrible. And some simply get away from us. We pass on them even though they are good or the poet has submitted to other presses as well as ours and someone else agreed to publish them before we even read the work - ah, simultaneous submissions! Here are three examples of some that got away from us.

First, I want to look like Henry Bataille which was published in 2006 by Little Poem Press. Apparently that press is now "misappeared" as my daughter would say. While I am happy that Michael Gause found a publisher for his book, I am disappointed with the appearance of it. The cover image is a pixelated mess. It has the feel of a Print-on-demand job which I can not find rewarding at all. And, as a publisher myself, having 15 completely empty pages at the end of the books is really unforgivable. So now the book is not a chapbook, per se, because it has a "spine". But there is no writing ON the spine, so why exactly did you create one? It's a little thicker "sliver of nothing".

The writing I liked very much. I still do. But the "it" of it? We could have done better.

Freaking Out the Neighborhood
Benjamin DeVos
Flutter Press
(c)2015

Okay, this one is more my fault since I didn't leap on the mss. the second I got it from Temple-grad Ben DeVos; my bad. He's a Philly boy and this book reeks of the city. Not in a bad way either. Just a great slice of the city. Like any book by Ryan Eckes or A Whole Armada of Loss by Blaine Martin, for instance. And there's the first line from his poem, The Painter, "A neighbor is not a nearby friend, but bystander" which is so deadly accurate to anyone who lives in a city (or for that matter in the burbs as well) Yet here again, the book is just wrong. The cover images does not reflect the book title or the work inside. It's another slick POD production (the cover is already curling and the book was printed in 2015) STILL, I can't complain because I am happy that he found a publisher right out of the shoot and, well, his second collection will be published by Plan B Press this season. If we screw it up, he has permission to kick my ass! I will have deserved nothing less.

Honey & Bandages
Katie Longofono & Mary Stone
Folded Word
Meredith, NH
(c)2015

This is a handsome chapbook that Plan B Press did not act on in a timely manner and the authors, a number of years later, found a better home for it at Folded Words. The work is very good. The presentation is lovely. My only observation is that the chapbook size was reduced to bulk it out a bit in order to justify a spine. Of course it is a spine with no text on it. Book title does not appear on the spine. But that's a minor grievance for a wonderful little chapbook. Something that only a publisher might note. It's a great little book.

A Puncher's Pen by Bill May (1995)

A Puncher's Pen
full of Poetry, Prose and Cow Ponies
Bill May
self published
Colorado (?)
1995

I got this one because his last name is my last name. I come from a family that had 8 generations of William May's. This guy ain't any of those guys. 89 pages of yellow paper. Illustrated by family members. This Bill May has two other volumes of his work. All the pieces here are hand-written.

It's sumptin.

Making Something With the Stars (1975)

Making Something With the Stars
Poems
Santa Fe Public Schools
1974-1975
Santa Fe, NM

Clever book for getting young teens interested in poetry, language, and visual arts. Even concrete poetry is represented here! 42 pages. I don't recognize any famous poets or artists within but that isn't what that was about. It was about turning on students to language arts. It's a noble effort.

The elusive Jean Stair

Sometimes the find are so unique that the internets provide no useful information whatsoever.

Like these two - I got them from a Bookstore in Amherst, MA. The listing suggested they were Beat or New York School. I somehow doubt that. There is no publisher information which suggests to me that they were self-published. The Printer was located in Connecticut. They were both published in 1955. Whoever the poet Jean Stair was remains a mystery. There is no information about the elusive author here. This a mystery I will be attempting to uncovering for a long time.

the mystery of life and death (amongst old publishers and Presses)

everyone is getting up there in years. Since I started my chapbook blog in 2006, a handful of well known and established publishers have past into the reeds. Judson Crews, Allan Kornblum (toothpaste press), Bob Grumman (Runaway Spoon Press), Paul Foreman (Thorp Springs Press) and others. A few of them had actually written me notes on the blog, thanking me for remembering them and their presses. I think it's important for where we are to remember where we all came from. It's why I do this, I am part of the history and I am trying to both collect the history as well as contribute to it. Learning about the past and presenting works for the future. Thanks to all who have published, to all who are publishers, to all who were publishers.

Kowboy Poems by Stuart Z. Perkoff (1973)

Kowboy Poems
Stuart Z. Perkoff
The Croupier Press
Golden, CO
© 1973

I first learned of Stuart Perkoff by reading Venice West: The Beat Generation in Southern California by John Maynard, published in 1991 by Rutgers University Press. Even though I lived in Southern California in the 1970’s, I was unaware of the whole “West Coast Beat” scene. (I was in the Air Force, my mind was elsewhere at the time). I was intrigued about this voice, this Beat Generation voice, that I had not heard before.

As luck would have it, sometime after reading the Maynard book, I won a lot of poetry books on Ebay and among those books was Specimen 73 edited by Paul Vangelisti and published by the Pasadena Museum of Modern Art in 1973. In addition to poems by Perkoff are work by Bukowski, Jack Hirschman, Charles Wright, and others.

There are 7 poems in the staple-bound chapbook. The work was written in 1959-1960. It was one of 3 slim volumes to appear in 1973. He was gone by the end of July 1974. Puff of smoke gone. Living too hard for his body to take. Died of Cancer.

Cover drawing by John Fish. Photo on back by Eloy Hernandez. Quite collectible.

her cold martini: haiku by Marsh Muirhead (2013)

her cold martini
(haiku)
Marsh Muirhead
Arrow Publishing Co.
Bemidji, MN
(c)2013

45 pages of haiku. Slick cover. The poet was inspired from a Billy Collins reading in his town. It's a nice story. Better than the haiku that resulted. I can take haiku collections as well as I can take an entire album of steel drum playing - good in small doses. Beyond that - my eyes glaze over, my ears are screaming for me to leave the room. Happy to know that this book came out and am happy for the author. But I am not a fan. Sorry.

Jackhammer by Michael Miller (1972)

Jackhammer
Michael Miller
Helikon Press
NYC, NY
(c)1972

This is the second chapbook in the only 5 book run that Helikon Press had. The path by which it got into my hands is a longer story than the unpaginated staple-bound chapbook I am currently admiring.

It started a few years ago when I happened across a book published by Bellevue Press, which is not the same as the Bellevue Literary Press. This Bellevue Press was run by Gil Williams and his wife in Binghamton, NY. This first exposure to the Press was entitled "Paradise Valley" and it was written by Al Glover. I liked this chapbook, so I kept it.

A few years later I saw that a poet I knew from Philly was reading at State College in PA and I clicked onto the website of the place where he was reading and in the upcoming events section was a notice for a Steve Lewandowski. "Wait, I have one of his chapbooks!", I said. Yes, I had his Visitor from some other previous purchase. So, I searched him out and contacted him. He sent me a TROVE of stuff including something from The Bellevue Press which triggered me to find out more about that press, which in turn led me to the Williams' ABE page. I contacted them. I ended up buying one of every copy of their books and their postcards. YES, it turns out that they made a run of poetry postcards. Active poets whom they had either published or known at the time they made their run. One of the poem postcards was by a poet I never heard of, William Coakley, and it turned out that he and his partner had had a small Press in the 1970s called Helikon. I had not heard of that Press either, so I asked Mr. Coakley if he had anything by his press - and he sent me a Press copy of this delightful chapbook.

The poetry is tight, and urban. The cover and paper are handsome. It's a great piece. If you choose to google the author, I suggest you use Michael and not Mike. There is a Mike but he's kid compared to the elder Mr. Miller. Recommend!

sometimes a review is the best that can happen to you

Beat Attitude by John Burroughs

I often hear that bad press is really good press and that NO press is the worst of all. Not sure that's true though.

Some Body's Poems by Connie Sellers (2005)

Some Body's Poems
Connie Sellers
self-published
(c)2005

I wrote on my Facebook chapbook page (that's awkwardly phrased but...) "so, I don't mean to rail - okay, I do mean to rail against Print-On-Demand operations but also those misguided individuals who believe that if they self-publish a chapbook of their work that they will be discovered or something. I mean, it's the same as the Steve Martin character in The Jerk : just because you are in the phone book doesn't make you special. Just because you self-publish doesn't mean anyone will care, or see, or read your book. It's true. It's just that true. Besides, trees were felled for your piece of crap chapbook, you know. You killed a tree for that. Congrats."

To which someone took exception to my negative tone, but really that person has never come here to read my entries or they would know that negative comments is part of what I present but I feel strongly about a chapbook, as I sometimes do. This chapbook, for example, is dreadful. Just dreadful. I can acknowledge the existence of it without offering the slightly bit of praise for it. SAVE A TREE!

Dream Rim Instructions by Tina Darragh (1999)

Dream Rim Instructions
Tina Darragh
Drogue Press
(c)1999

48 page chapbook brought out by Drogue Press. It's a signed copy. I got to know Ms. Darragh by attending a rare reading by two other LANGUAGE poets: Bruce Andrew and P. Inman a couple of years ago in Georgetown at Bridge Street Books. This book came out the year I first "logged on": 1999. She was talking about "cyberdreams" and Cyborg language and I had quite independently come to the notion that it wouldn't take long for there to be "Cylish" (cyber english).

While researching the SOUP anthology which may/may not ever come about, I got to meet and talk a few times with Ms. Darragh and found her to be warm and quite generous with her time and resources. Her involvement with Some of Us Press came later on in the existence of the Press and, as with all things SOUP, through Michael Lally. She helped to work on some of the last releases of the Press and still lives in the DC area. She works at Georgetown (the university) in fact. What I appreciated about this particular work is the visuality of it. She has experimented with image. While some of the poems in this collection are fairly straight forward, others are visual chaos. (stop making sense) Very much, in some way, to the work of Susan Howe who also "plays about" with collaged text and stolen lines, twisted to a point only she fully appreciates. Even Ms. Darragh's notes at the end are entitled "Annotated Bibliography" and deal exclusively with this one book and it's text. I am very much talent with it. It foreshadowing nearly 20 years of writing "in the future tense" as writing in the computer age truly is. It's thought-provoking and challenging at the same time. After all, she is considered one of the founders of LANGUAGE poetry herself for a reason!

find, and buy!

what Santa Claus brought me for Christmas

yes - a chapbook rack

on the cutting edge by Margaret Gibson (1976)

on the cutting edge
Margaret Gibson
Curbstone Press
Williamtic, Connecticut
(c)1976

A few years ago, perhaps two years ago now, I was reading an on-line article about the influence of Michael and Lee Lally on the publishing community of Washington, DC and at the bottom of the article were some comments and one of them wondered where the anthology of Some of Us Press was. I looked around and noticed that there wasn't one. In addition to all this chapbook blogging I do, I also run Plan B Press and I thought it might be a good idea to purse such an anthology. (I should have read Don Quixote first!)

Most of the poets who were published by SOUP are still alive but due to the fact that the Press only existed for 3 years in the early 1970's, most of those published are well beyond the reminiscing phase of their lives. One of those is the poet Margaret Gibson who has lived in Connecticut most of her adult and has been published most often by Louisiana State University. I had a brief conversation with her while researching the SOUP anthology project but she was overwhelmed with the care of her ailing husband. She was polite enough but greatly disinterested in the project. She did say that she was published by SOUP due to the asking of Michael Lally who seems to have been the linchpin to the organization of the press as well as the primarily talent scout.

Her first chapbook, the one published by SOUP was entitled Lunes and it came out in 1973. The one I am writing about might have something to do with where Ms. Gibson ended up: on the cutting edge was published by Curbstone Press of Williamtic, Connecticut in 1976. (It's not even listed on her Wikipedia page)

The poetry here is strong with slight hints of something in the air at that time: the beginnings of LANGUAGE poetry. Poems like 'Apples', 'on the cutting edge', and 'A Grammar of the Soul' should a range of images and emotions. A Solid early book of her work.

For a variety of reasons I decided to drop the SOUP anthology project. It didn't feel like it was mine to do, frankly. At the same time, I do feel that I owe the poets whose work I did collect some notice for books that came out over 40 years ago, as I shall be doing very soon.

corrections needed for Chapbook 28 (1/17/2009)

I was commenting on

Dying to be Released
Francis Davis
Word of Mouth chapbook series
Meridian Writers Cooperative
Philadelphia, PA
©1994

and I got a few things wrong.

The Francis Davis who wrote this book is not the same person as the Francis Davis who writes about Jazz and is married to Terri Gross. So, I am going to alter my posting shortly. Also, I heard from one the founders of the Meridian Writers Cooperative, Denise Larrabee, who informed me that the Press only made 6 chapbooks. 4 from the series that the Davis chapbook was from and two others. I have to find out who the others were. Interested.

Additionally, I wanted to add the image of the chapbook here.