Thursday, June 13, 2013
5 part investigation (Cape Cod) II
a Cardboard Suitcase Full of Ghosts
:the bad city & suicide poems
joshua m. wilson
jumping bad press
Seattle, Washington
(c)2000
Presentation-wise, this chapbook is every bit the wreck that the first one was. The clip art of an Ark filled with animals relates to the title of book NOT AT ALL. Here is what happens when the technology for anyone who can make a book does so - there were no brakes or editorial control exhibited anywhere in the 49 pages of self-indulgence. There is an introduction by J. Wesley Fullerton who has been published since 2000 but the author seems to have "misappeared" into the fog of time.
The clues again are in the inscription, this time to Mark alone. The author was a student of Mark's in Prague. Okay, so now we are getting somewhere. Prague. Mark taught a class in Prague. Earlier than 2000. Also, jumping bad press was in Seattle and Fullerton lives in Washington State. So there are a couple of clues. Fullerton and someone named Mark.
Wednesday, June 12, 2013
5 part investigation (Cape Cod)
A Slim Volume of Banal Carnalites
Jon O. Smith
self published
I open my 5 part investigation into a 5 chapbook lot that I got from someone on ebay with all items having a connection (or several) to one another. This particular dud should never have been printed. It's horrid. A waste of the life of a tree. Ugh!
Yet there are clues here, none about the author nor the details of the production of this piece of crap but it introduces us to "Mark and Wally" who the book is inscribed to, and there is a copyright mark of 1991. So, there's a year and two names. Apparently the author knew the gents he adds a note to. The person I got them from was located in Massachusetts, this person confirmed that the 5 chapbooks came from a bookstore on Cape Cod that had closed a few years earlier. So, there's a Cape Cod connection.
One can easily see that this item was self published: a line of poetry was hand written on the last page of the book (apparently forgotten)Ooops. Yeah, that's how I feel about the chapbook itself - SAVE A TREE !
Jon O. Smith
self published
I open my 5 part investigation into a 5 chapbook lot that I got from someone on ebay with all items having a connection (or several) to one another. This particular dud should never have been printed. It's horrid. A waste of the life of a tree. Ugh!
Yet there are clues here, none about the author nor the details of the production of this piece of crap but it introduces us to "Mark and Wally" who the book is inscribed to, and there is a copyright mark of 1991. So, there's a year and two names. Apparently the author knew the gents he adds a note to. The person I got them from was located in Massachusetts, this person confirmed that the 5 chapbooks came from a bookstore on Cape Cod that had closed a few years earlier. So, there's a Cape Cod connection.
One can easily see that this item was self published: a line of poetry was hand written on the last page of the book (apparently forgotten)Ooops. Yeah, that's how I feel about the chapbook itself - SAVE A TREE !
Sunday, June 02, 2013
back stories
Every chapbook has one - or many. Every author has one, every publisher has another. Every artist whose image or work adorns a chapbook cover has a different one. Books are often dedicated to someone, they each has one as well. Many people list the places where individual poems have previously appears, be it journal or magazine. Guess what? Each of those publications have their own back stories to tell. Publications as run and edited by people with different lives than the poet. Ripples across a still pond. And then you, the reader, pick up a chapbook and flip through it or study the cover or see if it's signed or written in at all. Layers of complexity, endless things to note or think about, or research.
That's where I end up going : into the rabbit's hole. Peeling onion skin layers down to the nub of nothingness. To this thin slice of nothingness that chapbooks are anyway. This is my endeavor which I have opened up for others to observe, witness, and possibly connect with. I am surprised by what is responded to, and what isn't. I guess most publishers feel the same way; it's a crapshoot. One really doesn't know what is going to "sell" or be written about, or connect with people.
This is especially true of the small presses that specialize in chapbooks and the poets who work best in that form. Allan Kornblum was great at it when he started Toothpaste Press. He ran that pony as far as it would go and then re-imaged the Press right into Coffee House Press. There are so many others. The guys behind Mimeo Mimeo do an incredible service in helping to name names and list small presses. Still....I wonder when the actual "revolution" began - which is the first press or operation to use the mimeograph for poetry? How did that all start?
We are the children of those first innovators. Those of us who collect, read, publish chapbooks. We walk a path that they blazed.
That's where I end up going : into the rabbit's hole. Peeling onion skin layers down to the nub of nothingness. To this thin slice of nothingness that chapbooks are anyway. This is my endeavor which I have opened up for others to observe, witness, and possibly connect with. I am surprised by what is responded to, and what isn't. I guess most publishers feel the same way; it's a crapshoot. One really doesn't know what is going to "sell" or be written about, or connect with people.
This is especially true of the small presses that specialize in chapbooks and the poets who work best in that form. Allan Kornblum was great at it when he started Toothpaste Press. He ran that pony as far as it would go and then re-imaged the Press right into Coffee House Press. There are so many others. The guys behind Mimeo Mimeo do an incredible service in helping to name names and list small presses. Still....I wonder when the actual "revolution" began - which is the first press or operation to use the mimeograph for poetry? How did that all start?
We are the children of those first innovators. Those of us who collect, read, publish chapbooks. We walk a path that they blazed.
Monday, May 13, 2013
Axe by Charles Tillman (2002)

AXE
Charles Tillman
(c)2002
One of a kind, 6" X 4.5" hand-made, single-sided item. Not exactly a chapbook. Not exactly a booklet. Hard to define but not hard to appreciate. This item was made same year as his Trade Names chapbook which I first encountered in Philadelphia during a Ugly Duckling Presse/Loudmouth Collective event.
Similar to that book, this one uses randomized text, hand-written (sometimes smudged) on unidentical pieces of paper. Hole punched, bound by a piece of denim jeans, knotted with contact info on back. Perfectly primitive. This item is part of a long tradition of self-made books that predated the Mimeographic Revolution. Much of this "print primitivism" has been lost since many were single copies which disappeared over time.
Charles Tillman is an artist of diverse interests and completely worth following. As with many artists who cross genres and interests, sometimes the results are murky. While I don't completely understand the puzzle of words here, I greatly appreciate the effort.
Sunday, May 12, 2013
All the Aldas by Daniel Kane and Gillian Kane (2002)


All the Aldas
Daniel and Gillian Kane
Evil Twin Publications
New York
(c)2002
Evil Twin Publications - unique/bizarre tag-team of Amber Gayle and Stacy Wakefield Forte - making primarily "artist" books although a quick glance on their website showed books with dogs on the cover (umm....) The one I have and wish to mention is Daniel and Gillian Kane's twisted effort called All the Aldas. Collage images throughout. Fold-out pages as well. Design difficulties not scored well by the East German judge but really a very engaging effort. Bizarre path to take but worth the time in getting there.
Sunday, May 05, 2013
The Nailed Down Cloud by ben tibbs (1979)

The Nailed Down Cloud
ben tibbs
Stovepipe Press
(c)1979
I had not heard of nor read ben tibbs before receiving this chapbook. Nor had I heard of or have found anything about this Press, Stovepipe, prior. ben tibbs seems to have been much published. This particular chapbook is not so much a collection of poems as a miscellany of one liners. I know that Mr. Tibbs is deceased and as far as I can tell the Press was a one-time blip. There is no address listed nor any other publisher information. I am here to say it exists. That's about it.
Friday, May 03, 2013
"Lipsmack! A Sampler" edited by Diane Borsenik (2012)
Lipsmack!
A Sampler Platter of Poets From Nightballet Press
Year One 2012
edited by Diane Borsenik
Nightballet Press
Elyria, Ohio
(c)2012
The world sometimes flows into my hands, like this little chapbook, and all I can do is write. I don't have a lot of information about the small Press out of Elyria, Ohio. I have this chapbook. I am taking the time to write about it because it's an tiny anthology worth finding. It's some talent in it that I am familiar with. Ralph LaCharity of Cincinnati. Alex Gildzen who apparently grew up in Elyria. Lyn Lifshin who hasn't met a single small press she didn't want to be published in. She is the Queen of the Small Press for a reason!
Nightballet Press has been around since 2011. So, they are newbies. But this is quite a collection so they are also talented and one needs to acknowledge Diane Borsenik who is the driving force behind the Press. She seems to be the "do-all, be-all" of the Press. But Elyria, Ohio as a publishing capital of Ohio?
Yes! I remember now! Crisis Chronicle Press! John Burroughs! They came from there. They are all over Northern Ohio and into Western Pennsylvania. Burroughs is also a force to be reckoned with/acknowledged. So this town has given birth to two small presses. How literate they are in Elyria!
If this anthology is any indication, I would wager a bright future for Nightballet!
A Sampler Platter of Poets From Nightballet Press
Year One 2012
edited by Diane Borsenik
Nightballet Press
Elyria, Ohio
(c)2012
The world sometimes flows into my hands, like this little chapbook, and all I can do is write. I don't have a lot of information about the small Press out of Elyria, Ohio. I have this chapbook. I am taking the time to write about it because it's an tiny anthology worth finding. It's some talent in it that I am familiar with. Ralph LaCharity of Cincinnati. Alex Gildzen who apparently grew up in Elyria. Lyn Lifshin who hasn't met a single small press she didn't want to be published in. She is the Queen of the Small Press for a reason!
Nightballet Press has been around since 2011. So, they are newbies. But this is quite a collection so they are also talented and one needs to acknowledge Diane Borsenik who is the driving force behind the Press. She seems to be the "do-all, be-all" of the Press. But Elyria, Ohio as a publishing capital of Ohio?
Yes! I remember now! Crisis Chronicle Press! John Burroughs! They came from there. They are all over Northern Ohio and into Western Pennsylvania. Burroughs is also a force to be reckoned with/acknowledged. So this town has given birth to two small presses. How literate they are in Elyria!
If this anthology is any indication, I would wager a bright future for Nightballet!
must atone for a single posting in April
busy - distracted - lazy
sorry
promise to do better
stevenallenmay
sorry
promise to do better
stevenallenmay
Friday, April 26, 2013
Death in a Rifle Garden by John Vincent Greco
Death in a Rifle Garden
John Vincent Greco
self published
this DIY effort came from a DIY distributor. Some people try too hard to be interesting, or basic, or well something. This fall well below the "all the above" category. Thankfully the pain ended in 23 pages.
John Vincent Greco
self published
this DIY effort came from a DIY distributor. Some people try too hard to be interesting, or basic, or well something. This fall well below the "all the above" category. Thankfully the pain ended in 23 pages.
Monday, March 25, 2013
Pro Femina by Carolyn Kizer (2000)

Pro Femina
Carolyn Kizer
BkMk Press/University of Missouri Press
(c)2000
I have seen many copies of this chapbook around and while not really enjoying the cover, I have thought it important enough to mention here. Probably not surprisingly there are no review of this chapbook on Amazon; after all, who reviews chapbooks?
This one has a bit of history to it that ought to be brought out. There are 5 parts to this piece and they had not been published together in 35 years. This 30 page chapbook represents a period of time when Feminism was emerging in the US and women were still feeling their way. Kizer wrote part of this piece as an homage to Fanny Stevenson, the wife of Robert Louis Stevenson, and noting the years she spent in his shadow; caring for him, etc.
There is a depth in these 30 pages that belie the thinness of the work. It is merely thin in number, not in substance. It's worth a careful reading.
Wednesday, March 20, 2013
The Story of the Campaign and Siege of Yorktown (1931)

The Story of the Campaign and Siege of Yorktown
H. J. Eckenrode
Presented by Mr. Swanson on Feb. 17, 1931
71st Congress, 3rd Session
United States Government Printing Office
Washington, DC
54 page historical document with illustrations. Wonderful copy of a document entered into the Senate (Senate document 318) in 1931. Great slice of American history.
Wednesday, March 13, 2013
down spooky by shanna compton (2003)

down spooky
Shanna Compton
self published
(c)2003
Shanna Compton has become a known commodity. This brief chapbook isn't. If one ventures over to Ms. Compton's website there is no mention of it. There is a good deal written about the full-length version of a collection of poetry with the same name as this, Down Spooky, which was published by Bloof Books in 2005 but this is an earlier (and I assume more rare) version. The cover is unique to the chapbook.
The chapbook is 16 pages. It begins with an empty crossword puzzle and ends with a now full crossword puzzle. There's a concept to this chapbook that was mothballed by Bloof once a full collection was forthcoming. I find it curious when the original version of a work is "reinvented" by a larger publisher, sometimes despite the effort and thought-process that went into the earlier version.
In some respects a chapbook is a more pure form for a concept piece than a full length book. The making a book of 70-some pages is like making sausage. It's a grind. The end product doesn't represent the sum of the individual poems but the thickness of its spine. Unless poems are arranged in the original order as they appeared in the chapbook, the uniqueness of the chapbook is lost. Completely.
To most people, and to most poets themselves unless they also published their chapbook "in-house" this all might be academic but as a publisher who has seen entire chapbooks swallowed whole into larger books with none of the images or uniqueness that went into the chapbook, it's awfully depressing to see one's ideas flushed for "uniformity" as defined by the Big Fish Press which has published the whole Big Book of poet (whomever)
The Big Book is the brass ring, I understand that. At the same time, what makes a chapbook special is what large books don't attempt to do. Whether that is alternating colored pages, or covers, or illustrations which will never be attempted to be recreated, or any number of other "bells and whistles" and have them in hand so much quicker than books with spines. In some respects, I find big books to be BORING visually because it's "costly" to be otherwise. Okay, then boring it is!
This chapbook is not boring. This chapbook is a priceless example of the little sliver of nothing that compels me onward to seeking out chapbooks wherever I can.
Wednesday, March 06, 2013
Words & Food by Robie Liscomb (1981)

Words & Food
Robie Liscomb
Fathom Press
Chicago, IL
(c)1981
There was some kind of magic happening with Michael Tarachow and his associates, as in this case with Robie Liscomb. I have had to the good fortune to be able to communicate with Michael and through him understood the near-gyspy manner of his Press (they had many homes). One thing that travel did not diminish was the quality of the books that were made. Liscomb himself was a publisher, Fathom Press, at the time. Both men are happily still alive and have multiple copies of their (and their presses') books.
Words & Food is a beautifully made chapbook done on hand-made paper in an edition of 200 copies. Without offending anyone involved, there is great craftsmanship involved in the production of this book. For those in the biz, and collectors in general, all I can say is that it feels like something. You can feel the cover, the pages. Nothing slick. Nothing plastic. It feels, and reads, very REAL.
Google these guys, they are worth getting in touch with. I know that Michael was selling off some of his inventory. Maybe you can still get some of the wonderful Fathom Press chapbooks. Completely worth the effort. (blogger made correction on 5/6/16)
Labels:
Fathom Press,
Michael Tarachow,
Robie Liscomb
Tuesday, March 05, 2013
The Hotel Wentley Poems by John Wieners (2006)

The Hotel Wentley Poems
John Wieners
Joy Street Press
Boston, MA
(c)2006
This is a recreation of the 1965 publication of The Hotel Wentley Poems that was published by Dave Haselwood. I have read a critique of this particular reproduction as somehow misleading or left wanting since the complaining person thought that any reproduction should offer something new, different, or some such thing. I am glad that additional copies have been created for general readers. Isn't that what it's supposed to be about? Getting books into the hands of readers?
The front cover photo was by Wallace Berman with details by Robert LaVigne. Unpaginated. Staple-bound.
Labels:
john wieners,
joy street press,
Wallace Berman
Saturday, February 23, 2013
Poetry Is Not a Project by Dorothea Lasky (2010)
Sunday, February 17, 2013
Trees were felled for these?
Trees were felled for these? Seriously?
I was sent some chapbooks that really ought to be have pulped. I will list them only to attempt to warn others:
North/South
Josh Cotter & Shafer Hall
Self-published
©2004
I Want to Fuck a Redneck
Shane Allison
Scintillating Publications
Burlington, VT
©2006
Exit 2
Moonshine Shorey
little vanity press
New York, NY
©2002
The Day Reagan Died
Chris Martin
boku books
New York, NY
Kiss Me With the Mouth of Your Country
Amy King
Dusie Chapbook
©2007
I was sent some chapbooks that really ought to be have pulped. I will list them only to attempt to warn others:
North/South
Josh Cotter & Shafer Hall
Self-published
©2004
I Want to Fuck a Redneck
Shane Allison
Scintillating Publications
Burlington, VT
©2006
Exit 2
Moonshine Shorey
little vanity press
New York, NY
©2002
The Day Reagan Died
Chris Martin
boku books
New York, NY
Kiss Me With the Mouth of Your Country
Amy King
Dusie Chapbook
©2007
reflector by Roberto Harrison (2008)

reflector
Roberto Harrison
House Press
(c)2008
reflector is a hand-sewn chapbook by House Press. Unpaginated. A few short weeks ago I had no idea who Harrison was nor his Bronze Skull Press. That has changed. I have become familiar with Harrison, his press, and House Press (the publisher of this chapbook) since they also have published work by Michael Carr and Dana Ward. Layers upon layers, peeling back the onion skin. Learning about one press and those published by it leads to discovering others. And that leads to more discoveries as well.
Here's a voice deserving to be heard on a Press worth watching.
Tuesday, February 12, 2013
Strongest of the Litter by James Franco (2012)
Strongest of the Litter
James Franco
Hollyridge Press
Venice, CA
(c)2012
I get it: James Franco is a name. It's like a book of poetry by Jewel. Except that Franco isn't a female singer-songwriter. He's an actor (and more) but a poet? No, he isn't. This book proves that. Oh, he has an MFA from a well known college that has MFAs of worth? How nice. The "poems" in this collection are not worth the hype that the publisher had hoped his name recognition would bring forth. The poems are crap. Any publisher/editor worth their salt would have passed on this manuscript. I think it's telling that this one didn't.
The book looks exactly like every other book I have ever seen by Hollyridge Press. It's print-on-demand garbage. It's a waste of a tree. I won't speak of it again.
Sunday, February 10, 2013
Maybe A Painter by Christina Fisher (2009)
Maybe A Painter
Christina Fisher
Auguste Press
San Francisco, CA
(c)2009
9 3/4" X 8" mimeo throwback. Cover image by Sunnylyn Thibodeaux. Single sided. Unpaginated.
As observed by the dimensions and appearance of this book, the publisher is attempting to revive the "classic" mimeo form. It does beef up the heft of the book without providing additional work. It's alright. Heft doesn't equal depth. I do like the cover image.
Christina Fisher
Auguste Press
San Francisco, CA
(c)2009
9 3/4" X 8" mimeo throwback. Cover image by Sunnylyn Thibodeaux. Single sided. Unpaginated.
As observed by the dimensions and appearance of this book, the publisher is attempting to revive the "classic" mimeo form. It does beef up the heft of the book without providing additional work. It's alright. Heft doesn't equal depth. I do like the cover image.
Tuesday, February 05, 2013
one person's literary masterpiece.....
.....is another person's junk. I knew this for years, but it has really come back like a steel tipped boomerang recently when a poet/friend of mine from NY state sent me a large trove of goodies, which on closer inspection didn't seem so tasty. A fair amount of it was absolute garbage and it made me wonder about the collector's etiquette. I assume this is such a thing.
Specifically, I was thinking about how it is inappropriate to throw away something just given to you (be it pamphlet, booklet, chapbook, or flier) by "an artist" within eyeshot of that person. But why would one keep the item for years before deciding to purge it particularly if one knew it was garbage from the first moment they flipped through it? Are we by nature hoarders? Do we hoard things we like to collect simply because they managed to land in our hands?
How long, once you have identified a piece of tripe for what it is, must you keep it before the eventual PURGE? Why send something you have thought of as garbage to someone you know? Do you not think they would also believe it to be shite?
For me, any chapbook or booklet that contains pages of rejection slips from magazines or journals is in itself a good indication of being complete CRAP. If others have thought so, but the author doesn't, whose judgment are we supposed to trust?
I have a motto here on this blog, SAVE A TREE, and I felt that any number of the "authors" are so arrogant that their shitty poems were more important than the life of any number of trees that they are blind to the possibility (or reality) that they were in fact terrible at what they did. Just because a person possesses the technology or ability to publish doesn't mean they ought to. But this doesn't stop someone determined to make the world love their horrid poems. It should allow for people interested in the craft of chapbooks, or collectors in general, to recycle these items as soon as humanly possible.
Specifically, I was thinking about how it is inappropriate to throw away something just given to you (be it pamphlet, booklet, chapbook, or flier) by "an artist" within eyeshot of that person. But why would one keep the item for years before deciding to purge it particularly if one knew it was garbage from the first moment they flipped through it? Are we by nature hoarders? Do we hoard things we like to collect simply because they managed to land in our hands?
How long, once you have identified a piece of tripe for what it is, must you keep it before the eventual PURGE? Why send something you have thought of as garbage to someone you know? Do you not think they would also believe it to be shite?
For me, any chapbook or booklet that contains pages of rejection slips from magazines or journals is in itself a good indication of being complete CRAP. If others have thought so, but the author doesn't, whose judgment are we supposed to trust?
I have a motto here on this blog, SAVE A TREE, and I felt that any number of the "authors" are so arrogant that their shitty poems were more important than the life of any number of trees that they are blind to the possibility (or reality) that they were in fact terrible at what they did. Just because a person possesses the technology or ability to publish doesn't mean they ought to. But this doesn't stop someone determined to make the world love their horrid poems. It should allow for people interested in the craft of chapbooks, or collectors in general, to recycle these items as soon as humanly possible.
Saturday, February 02, 2013
Ash by David Pavelich (2004)
Ash by David Pavelich
Bronze Skull Press
Milwaukee, WI
(c)2004
Bronze Skull Press is the brainchild of Andrew Levy and Roberto Harrison. It hails from Harrison's hometown of Milwaukee. This particular chapbook has coverwork by Harrison. Staple-bound chapbook. Unpaginated.
Following a path of snippets (accredited), these pieces are wafer thin. More blank space than text. Almost a celebration of white emptiness.
Labels:
Bronze Skull Press,
David Pavelich,
Roberto Harrison
Thursday, January 31, 2013
Tarantulas on the Lifebuoy (1993)
Tarantulas on the Lifebuoy
Thomas Lux
Ampersand Press
Creative Writing Program
Roger Williams University
Bristol, RI
Originally published in 1983, this copy was published ten years later. It is a 6th printing. For any chapbook to be printed that often is remarkable. 23 pages. Staple-bound chapbook. Cover is grey. Nothing but text on front. A fairly boring cover, I have to say. The poems are good. Redeeming quality for certain. I do find it curious that these poems held together in chapbook form for a dozen years and 6 printings. I might have thought they would have been sucked up into a bigger work.
Thomas Lux
Ampersand Press
Creative Writing Program
Roger Williams University
Bristol, RI
Originally published in 1983, this copy was published ten years later. It is a 6th printing. For any chapbook to be printed that often is remarkable. 23 pages. Staple-bound chapbook. Cover is grey. Nothing but text on front. A fairly boring cover, I have to say. The poems are good. Redeeming quality for certain. I do find it curious that these poems held together in chapbook form for a dozen years and 6 printings. I might have thought they would have been sucked up into a bigger work.
Sunday, January 27, 2013
Man Joanne Kyger / Women Michael Rothenberg (1987)
Man by Joanne Kyger
Women by Michael Rothenberg
Twowindows Press
Berkeley, CA
(c)1987
Second Printing
Illustrated by Nancy Davis
2 years before Davis and Rothenberg started Big Bridge Press, this tiny chapbook appeared. Twowindows Press may have been a forerunner to Big Bridge. This handsome chap is extremely rare.
Women by Michael Rothenberg
Twowindows Press
Berkeley, CA
(c)1987
Second Printing
Illustrated by Nancy Davis
2 years before Davis and Rothenberg started Big Bridge Press, this tiny chapbook appeared. Twowindows Press may have been a forerunner to Big Bridge. This handsome chap is extremely rare.
Wednesday, January 23, 2013
Prognosis by Ellen Aronofsky Cole (2011)
Prognosis
Ellen Arnonsky Cole
Finishing Line Press
Georgetown, KY
(c) 2011
If ever a book deserved a different publisher! There is much discussion these days about Finishing Line, much of it having to do with its status as a Vanity Press (which it seems to be) and the recent death of its Publisher.
I have long wondered about the business operation of a Press that had a cookie-cutter approach to the DOZENS upon DOZENS of chapbooks that it publishes each season (or is it month?)
The tell-tale bit of ribbon in each book was enough to make me cringe. That said, the work in this chapbook should be read. It's strong, poignant, and heart-felt. The "prognosis" here is Cancer and the way the author deals with the entire process is remarkable. At the same time, I don't know that the cover image has anything to do with the contents.
It's a good read of well crafted poems, I just wish someone else had published it.
Tuesday, January 22, 2013
A Child's Christmas in Wales by Dylan Thomas
A Child's Christmas in Wales
Dylan Thomas
New Directions
first printing - 1954. This is the 12th printing
As often happens when I volunteer at the library, I find interesting items at the bottom of the donation bins; like this book! Designed like a kids book but far too nice, this handsome book with woodcuts by Ellen Raskin is stunning. A joy to hold and read. Mind-boggling to think that New Directions could, when it felt like it, make beautiful near-letter press quality books. This is an example of it. I could hardly believe it, yet there it was.
Unpaginated. 5 1/2" X 5 3/4". Designed and illustrated by Ms. Raskin. A great and rare find.
Tuesday, January 01, 2013
Elyria:Point A in Ohio Triangle by Alex Gildzen (2009)
Elyria: Point A in Ohio Triangle
Alex Gildzen
Crisis Chronicle Press
Elyria, OH
(c)2009
I first learned of Alex Gildzen in 2008 when a poet/friend of mine sent me a copy of one of his earlier chapbooks. I was somewhat surprised to see this particular chapbook listed on Paperback Book Swap website since I don't think of chapbooks are items one can swap from there. I was not familiar with the Press but they seem to be pretty active in the North Central part of the state.
Staple-bound, unpaginated on copy paper (bleed-through) with a drawing by author (at age 6) on front.
Saturday, December 22, 2012
Cocoon by Lindley Bhanji (1988)
Cocoon
Lindley Bhanji
Platonium Press
Seattle, WA
(c) 1988
Those of you who have read these many entries about chapbooks know that when I don't believe a book should have been printed, I say "SAVE A TREE". I am saying this as way of introduction to Lindley Bhanji's chapbook, COCOON. The first piece, tree's epitaph presents it all quite well:
please spend five minutes mourning
at this page, for the tree which
was killed to make the paper from
which you are reading this epitaph,
and from which you will read
the following pages.
The book contains poems and graphics by Lindley Bhanji and was designed by Chris Winkler. Unpaginated. Staple-bound. Interesting blending of image with text. I haven't found out very much about the Press or the artist. It's a well done chapbook.
Lindley Bhanji
Platonium Press
Seattle, WA
(c) 1988
Those of you who have read these many entries about chapbooks know that when I don't believe a book should have been printed, I say "SAVE A TREE". I am saying this as way of introduction to Lindley Bhanji's chapbook, COCOON. The first piece, tree's epitaph presents it all quite well:
please spend five minutes mourning
at this page, for the tree which
was killed to make the paper from
which you are reading this epitaph,
and from which you will read
the following pages.
The book contains poems and graphics by Lindley Bhanji and was designed by Chris Winkler. Unpaginated. Staple-bound. Interesting blending of image with text. I haven't found out very much about the Press or the artist. It's a well done chapbook.
Monday, December 10, 2012
New Hampshire in the American Revolution (2010)
New Hampshire in the American Revolution
An Exhibition by the Society of the Cincinnati
Anderson House
Washington, D.C.
Nov. 13, 2010-May 7, 2011
Every once in awhile I find a chapbook that begs to be taken seriously. For it's factual content. This is one of those chapbooks. It's the most recent booklet in a series pertaining to the histories of each state that formed the original colonies at the time of the Revolutionary War and how citizens of each state made a significant contribution to the War effort, where important battles might have taken place, etc.
If you are a history buff, this is the perfect find. Complete with maps and other objects from the Exhibition.
An Exhibition by the Society of the Cincinnati
Anderson House
Washington, D.C.
Nov. 13, 2010-May 7, 2011
Every once in awhile I find a chapbook that begs to be taken seriously. For it's factual content. This is one of those chapbooks. It's the most recent booklet in a series pertaining to the histories of each state that formed the original colonies at the time of the Revolutionary War and how citizens of each state made a significant contribution to the War effort, where important battles might have taken place, etc.
If you are a history buff, this is the perfect find. Complete with maps and other objects from the Exhibition.
Monday, November 26, 2012
House by the Sea by Penny Bihler (1975)
House by the Sea
Penny Bihler
From Here Press
Paterson, NJ
(c)1975
35 pages staple-bound chapbook. Penny Bihler was the romantic interest of William J. Higginson. Together they were intimately involved with the operation of From Here Press and Old Plate Press in the Paterson, NJ area from the mid-1970s till as recently as 2007. The cover stock and font are quite recognizable. Penny Bihler also was published as Penny Harter. A unique slice of New Jersey poetics.
Thursday, November 01, 2012
Open-Book: an Illustrated Essay by M. Kasper (2010)
Open-Book: an Illustrated Essay
M. Kasper
Ugly Duckling Presse
Brooklyn, NY
(c)2010
Straight from the website of Ugly Duckling Presse, "Open-Book, An Illustrated Essay, is an accordion-fold book of eleven five-line observations on an ancient form of interior décor, a sublime aspect of authority, known as marble revetment. The texts in Open-Book float on marble simulations made using the drawing and filtering functions of photo-manipulation software."
I would add that it has a generic cardboard cover with a special black paper wrap to hold it in place. Not everything that UDP does is a hit.
M. Kasper
Ugly Duckling Presse
Brooklyn, NY
(c)2010
Straight from the website of Ugly Duckling Presse, "Open-Book, An Illustrated Essay, is an accordion-fold book of eleven five-line observations on an ancient form of interior décor, a sublime aspect of authority, known as marble revetment. The texts in Open-Book float on marble simulations made using the drawing and filtering functions of photo-manipulation software."
I would add that it has a generic cardboard cover with a special black paper wrap to hold it in place. Not everything that UDP does is a hit.
The Calvert Mansion Riverdale (1958)
The Calvert Mansion Riverdale
The Maryland National Capital
Park and Planning Commission
Prince George's County Regional Office
1958 - 3rd printing
Beautifully made historical chapbook. Images of the founding families and of the mansion of itself. 40 pages. Staple-bound. Image of mansion on front and back covers. Great supplemental resource material. Anyone with an interest in Maryland history should have this item!
The Maryland National Capital
Park and Planning Commission
Prince George's County Regional Office
1958 - 3rd printing
Beautifully made historical chapbook. Images of the founding families and of the mansion of itself. 40 pages. Staple-bound. Image of mansion on front and back covers. Great supplemental resource material. Anyone with an interest in Maryland history should have this item!
Tuesday, October 30, 2012
my arcane interests
Perhaps everyone has a special interest or hobby that consumes them but at the same time, they keep to themselves. I have two such interests, one I have been writing about for years now and one I had not thought about in a number of years until quite recently.
For well over a decade I have been getting and collecting chapbooks, mostly of poetry but also other oddities as they present themselves. Primarily because I am a published of chapbooks. Plan B Press primarily publishes chapbooks. We have since 1999. I have been aware that the history of chapbooks is much older than that but that's when I started.
Prior to that, from the time that cassette decks and tapes came into vogue, I was making my own mixtapes. Before High Fidelity, before Hip Hop. I haven't really thought about the "when" of it as it pertains to my involvement in the form, but it would have had to be the late 1970s (after I decided that the failed 8-track format as a dud) Because I had been a DJ on college radio and knew a bit about segues, I liked that a cassette allowed for that nearly perfect segues from song to song as one could in the booth with two turntables going.
Throughout the 1980s and well into the 1990s I made dozens upon dozens of tapes. From vinyl and from other cassettes. Mixology. Then, I moved and the machines didn't move with me. I moved light - kept the tapes but had no machinery to listen to them with. They sat in boxes for several moves. To Philadelphia, to Alexandria,VA and then to Fairfax,VA. Finally, when we moved back to Alexandria, my wife turned to me and said, "let's get a deck so we can listen to your tapes". She had made tapes too, her family made their living ON THE AIR as it were. However, I had tons more than she did so the primary focus was for me to listen to my tapes and perhaps purge the ones that were dups or didn't work anymore.
I did purge some - then about three weeks ago I was trolling the local Freecycle and saw that someone was offering a box of mixtapes. I pounced. I now have over a hundred (new to me) mixtapes. Some of the tapes I cringed at the sight of: Supertramp, Weather Report, Yellowkjackets. I will be moving them along. But some are very good. They play as though I had recorded them myself, but I hadn't. The handwriting is different. I am enjoying the experience and of course I am thinking about my own history mixing, the mixing that captured the moment of my life I was recording. All that. I feel a little like a voyeur listening to someone else's moments being captured. It's weird. The same can be said about chapbooks.
Not all, but some; the self-published ones in particular. They were being made as a mixtape on paper. They are theme-encapturing. They are about that moment, generally. Dealing with a death of a loved one. A spouse. They aren't really meant for general distribution. But they are made and occasionally one ends up in my collection.
Other chapbooks are not time sensitive but are "greatest hits" or the like. Some presses push the page count till they are all but books with spines, or a books with spines but are really cheating because the page count is slight.
I like the idea of a chapbook as a paper mixtape, I will be using that phrase in the future.
For well over a decade I have been getting and collecting chapbooks, mostly of poetry but also other oddities as they present themselves. Primarily because I am a published of chapbooks. Plan B Press primarily publishes chapbooks. We have since 1999. I have been aware that the history of chapbooks is much older than that but that's when I started.
Prior to that, from the time that cassette decks and tapes came into vogue, I was making my own mixtapes. Before High Fidelity, before Hip Hop. I haven't really thought about the "when" of it as it pertains to my involvement in the form, but it would have had to be the late 1970s (after I decided that the failed 8-track format as a dud) Because I had been a DJ on college radio and knew a bit about segues, I liked that a cassette allowed for that nearly perfect segues from song to song as one could in the booth with two turntables going.
Throughout the 1980s and well into the 1990s I made dozens upon dozens of tapes. From vinyl and from other cassettes. Mixology. Then, I moved and the machines didn't move with me. I moved light - kept the tapes but had no machinery to listen to them with. They sat in boxes for several moves. To Philadelphia, to Alexandria,VA and then to Fairfax,VA. Finally, when we moved back to Alexandria, my wife turned to me and said, "let's get a deck so we can listen to your tapes". She had made tapes too, her family made their living ON THE AIR as it were. However, I had tons more than she did so the primary focus was for me to listen to my tapes and perhaps purge the ones that were dups or didn't work anymore.
I did purge some - then about three weeks ago I was trolling the local Freecycle and saw that someone was offering a box of mixtapes. I pounced. I now have over a hundred (new to me) mixtapes. Some of the tapes I cringed at the sight of: Supertramp, Weather Report, Yellowkjackets. I will be moving them along. But some are very good. They play as though I had recorded them myself, but I hadn't. The handwriting is different. I am enjoying the experience and of course I am thinking about my own history mixing, the mixing that captured the moment of my life I was recording. All that. I feel a little like a voyeur listening to someone else's moments being captured. It's weird. The same can be said about chapbooks.
Not all, but some; the self-published ones in particular. They were being made as a mixtape on paper. They are theme-encapturing. They are about that moment, generally. Dealing with a death of a loved one. A spouse. They aren't really meant for general distribution. But they are made and occasionally one ends up in my collection.
Other chapbooks are not time sensitive but are "greatest hits" or the like. Some presses push the page count till they are all but books with spines, or a books with spines but are really cheating because the page count is slight.
I like the idea of a chapbook as a paper mixtape, I will be using that phrase in the future.
Monday, October 15, 2012
3 littles by red iron press
graphic material
CSA
red iron press
Toronto, Canada
October, 2004
I'm not at home
Mykel Board
red iron press
Toronto, Canada
Sept., 2004
by its shadow
Philomene Kocher
red iron press
Toronto, Canada
October,2003
I got this "tinies" from someone who attended the Buffalo (NY) small press festival last year. I don't know much about the press or any of the writers. They are indeed very small in size and page-count.
CSA
red iron press
Toronto, Canada
October, 2004
I'm not at home
Mykel Board
red iron press
Toronto, Canada
Sept., 2004
by its shadow
Philomene Kocher
red iron press
Toronto, Canada
October,2003
I got this "tinies" from someone who attended the Buffalo (NY) small press festival last year. I don't know much about the press or any of the writers. They are indeed very small in size and page-count.
Friday, September 28, 2012
Little Richard the Second by Gregg Biglieri (2011)
Little Richard the Second
Gregg Biglieri
Ugly Duckling Presse
Brooklyn, NY
(c)2011
Ugly Duckling Press is quite capable of making extremely handsome and desirable chapbooks. This one is no exception. Letter-pressed and hand sown stitchery. A single poem, a beautiful thing. For collectors, this is one to get!
Gregg Biglieri
Ugly Duckling Presse
Brooklyn, NY
(c)2011
Ugly Duckling Press is quite capable of making extremely handsome and desirable chapbooks. This one is no exception. Letter-pressed and hand sown stitchery. A single poem, a beautiful thing. For collectors, this is one to get!
Tuesday, September 25, 2012
Annson Kenney follow-up
received this from Peter Bushyeager, who co-founded Hot Water Review : "Annson and I went to Temple U. together. He was a year ahead of me. He majored in music and I majored in communications. We sang together in the Mens Glee Club (!!) and several years after school reconnected through the Philly poetry/art/music scene. I think he participated in one of the Poetry and Art Fairs that were done in the 70s at the now-defunct YMHA Poetry Center on Broad St. He was a funny, courtly, sometimes outrageous guy who was also cerebral and welcoming to other artists. He had a relationship with Maralyn Polak, the poet and Inquirer columnist.
HIs works in Hot Water are actually performance pieces and he performed some of them. He was involved with Relache, a new-music group that was active in Philly in the 70s and 80s (maybe still active, I don't know)"
HIs works in Hot Water are actually performance pieces and he performed some of them. He was involved with Relache, a new-music group that was active in Philly in the 70s and 80s (maybe still active, I don't know)"
Wednesday, September 19, 2012
Just a Little Piece of Heartburn by Tom Cheshire
Just a Little Piece of Heartburn
Tom Cheshire
Safety Third Enterprises
no publication date
The nicest thing about this chapbook is the cover. The rest of the book, the "guts" if you will, is intentionally primitive and hand-written. No part of the guts were typed. It's a schtick. It's a waste of a tree. SAVE A TREE!
Tom Cheshire
Safety Third Enterprises
no publication date
The nicest thing about this chapbook is the cover. The rest of the book, the "guts" if you will, is intentionally primitive and hand-written. No part of the guts were typed. It's a schtick. It's a waste of a tree. SAVE A TREE!
Friday, September 14, 2012
The Faith of John Greenleaf Whittier (1957)
The Faith of John Greenleaf Whittier
An Essay by Rufus M Jones
A Tribute by Benjamin F Trueblood
New England Yearly Meeting of Friends
(c)1957
Nice supplemental booklet. 32 pages. A few B&W photos in book.
Wednesday, September 12, 2012
Sea Birds by Linda Parker (1981)
Sea Birds
Linda Parker
Fathom Press
(c)1981
Published by Robie Liscomb's Fathom Press using Michael Tarachow's Pentagram Press's equipment - as stated in back of book. Liscomb and Tarachow were friends and worked together on a number of projects in the early 1980s. I have exchanged a few emails with Michael Tarachow and learned additional details of the history of Pentagram Press and the intersections between their Presses. It's a wonderful example of a coordinated effort.
Cover art by Thorpe Feidt. Unpaginated. One of 250 copies. Nice book. Well worth the search.
Thursday, September 06, 2012
Acting Problems by Judith Berke (1993)
Acting Problems
Judith Berke
Silverfish Review Press
Eugene, Oregon
(c)1993
This is a 30 page chapbook masquerading as a book with a spine. Ah, it IS a book with a spine. No, it's a 30 page chapbook pretending. In the words of Holden Caulfield, it's a phony. Phony bologna. It's acting like something it isn't. The title is apt. It has an acting problem.
The poetry is okay. It rounds out a multidisciplinary career for Judith Berke. I was not moved nor impressed with the work. Sorry, SAVE A TREE!
Judith Berke
Silverfish Review Press
Eugene, Oregon
(c)1993
This is a 30 page chapbook masquerading as a book with a spine. Ah, it IS a book with a spine. No, it's a 30 page chapbook pretending. In the words of Holden Caulfield, it's a phony. Phony bologna. It's acting like something it isn't. The title is apt. It has an acting problem.
The poetry is okay. It rounds out a multidisciplinary career for Judith Berke. I was not moved nor impressed with the work. Sorry, SAVE A TREE!
Monday, August 27, 2012
Green Man in Suburbia by Marcia L. Hurlow (2008)
Green Man in Suburbia
Marcia L Hurlow
Backwards City Publications of Greensboro
Greensboro, North Carolina
(c)2008
Winner of the Backwards City Chapbook Prize in 2008. Staple-bound chapbook. Cover image by Jaimee Hills. 25 pages. A nice collection.
Friday, August 24, 2012
Poems of the Part and of the Whole Rashaan C. Linson (1993)
Poems of the Part and of the Whole
Rashaan Connell Linson
Namaste Press
Houston, TX
(c)1993
Hand-sewn chapbook. Unpaginated. One of 500 copies. Never heard of the author or of the Press. The Press no longer exists, but there is a 70-year old named Connell Linson who still lives in Houston. (the poet, perhaps?) According to the bio in back of book, Linson was the former director of the Sudan Arts Southwest and Houston's Black Arts Center. He is the author of two collections of poetry in addition to this chapbook.
The book cover and lay-out are fairly basic and generic. Anyone want to swap?
Rashaan Connell Linson
Namaste Press
Houston, TX
(c)1993
Hand-sewn chapbook. Unpaginated. One of 500 copies. Never heard of the author or of the Press. The Press no longer exists, but there is a 70-year old named Connell Linson who still lives in Houston. (the poet, perhaps?) According to the bio in back of book, Linson was the former director of the Sudan Arts Southwest and Houston's Black Arts Center. He is the author of two collections of poetry in addition to this chapbook.
The book cover and lay-out are fairly basic and generic. Anyone want to swap?
Wednesday, August 08, 2012
Annson Kenney: Writing, Luminous Tubing and Other Work (1983)
Annson Kenney: Writing, Luminous Tubing and Other Work
Compiled and Written by Arthur J. Sabatini
Exhibition Booklet
Moore College of Art
Philadelphia, PA
32 pages exhibition booklet filled with B&W photos of Kenney's neon light art and other physical art. Considering that Kenney's untimely death in 1981 ended a budding career, this book is perhaps the only one dedicated exclusively to Kenney and his work. Some of this poems were published in Hot Water Review. However, there has not been a book of his poetry that I am aware of. This might be all there is to encapsulate a career cut short far too early.
Thursday, August 02, 2012
The Cut Worm by Douglas Korb (2008)
The Cut Worm
Douglas Korb
Bright Hill Press
Treadwell, NY
(c)2008
While I admire what Bright Hill Press does, I feel it's cheating in a way to shrink the size of a book to justify making it a book with a spine.
Douglas Korb
Bright Hill Press
Treadwell, NY
(c)2008
While I admire what Bright Hill Press does, I feel it's cheating in a way to shrink the size of a book to justify making it a book with a spine.
Monday, July 30, 2012
The Cheer-Up Book of Wounded Soldier by Evan Kennedy (2007)
The Cheer-Up Book of Wounded Soldiers
Evan Kennedy
Dirty Swan Projects
(c)2007
Much that can be said of this project is on the blog for Dirty Swan Projects. As conceptual art, it might work. My grandfather served in World War I so I came to this project with an open mind. However, the flags for all the voices is a bit confusing and the poetry is equally confusing. All this may well fit into the work that Dirty Swan does, and their heart might be in the right place (check out the blog for the book itself, all proceeds go to a school established in 1915 for WWI soldiers - The Cheer-Up blog) but I must admit I didn't get it.
Evan Kennedy
Dirty Swan Projects
(c)2007
Much that can be said of this project is on the blog for Dirty Swan Projects. As conceptual art, it might work. My grandfather served in World War I so I came to this project with an open mind. However, the flags for all the voices is a bit confusing and the poetry is equally confusing. All this may well fit into the work that Dirty Swan does, and their heart might be in the right place (check out the blog for the book itself, all proceeds go to a school established in 1915 for WWI soldiers - The Cheer-Up blog) but I must admit I didn't get it.
Tuesday, July 24, 2012
Roadside Vegetation Management by Harry Chandler (2000)
Roadside Vegetation Management Manual For Rural Road Crews
Harry Chandler
Vermont Woodlands Association
Colchester, VT
(c)2000
I found two copies of this little chapbook with the specific title and purpose. Staple-bound. 26 pages of detailed information on keeping rural roads clear for automotive transport. How do deal with downed trees, etc. I feel like I ought to learn to chew tobacco to fully appreciate this book.
Harry Chandler
Vermont Woodlands Association
Colchester, VT
(c)2000
I found two copies of this little chapbook with the specific title and purpose. Staple-bound. 26 pages of detailed information on keeping rural roads clear for automotive transport. How do deal with downed trees, etc. I feel like I ought to learn to chew tobacco to fully appreciate this book.
Thursday, July 12, 2012
Civilization Day by Erica Kaufman (2007)
Civilization Day
Erica Kaufman
Open 24 Hours
Bronx/Brooklyn, NY
(c)2007
The Open 24 Hours press have been published by the collective powerhouse of John Coletti and Greg Fuchs. It intentionally mimics or pays tribute to the mimeographic publications of the 2nd and 3rd generation NY School poetics. The name of the press came from a Buck Downs poem, taken first by the Baltimore-based poet Chris Toll, the first publisher of a press by this name. That was in the 1980s. The name was used by Downs for a small magazine he published.
This 8 X 11 homage to the traditions of those earlier period is a bit too clean and polished, the is single side printing throughout (to fluff up the work). Erica Kaufman's poetry is worth reading and this is a fine example of her range. Worth the hunt!
Wednesday, July 11, 2012
Nips by John M Bennett (1980)
Nips
John M Bennett
Luna Bisonte Prods
Columbus, OH
(c)1980
Staple-bound chapbook. 39 pages. collage and visual poetry as well as "textual poetry". John M Bennett has been both an active participant in the Visual Poetry world and a cheerleader for that very world. His work appears in many places, in many forms; both in performance and on the page. Innovative.
This particular book follows the adventures of Nips and others. Found text, random images, twisted metaphors. Great collection!
Monday, July 02, 2012
A Slow Drink by Brian Morrisey (2004)
A Slow Drink
Brian Morrisey
Magenta Press
San Francisco, CA
(c)2004
Staple-bound chapbook. Wasn't struck by any of the poems in this collection, not thrilled by the presentation either. It's been quite a while since I said this, but SAVE A TREE!
Brian Morrisey
Magenta Press
San Francisco, CA
(c)2004
Staple-bound chapbook. Wasn't struck by any of the poems in this collection, not thrilled by the presentation either. It's been quite a while since I said this, but SAVE A TREE!
Sunday, July 01, 2012
A Musics by Carrie Hunter (2010)
A Musics
Carrie Hunter
arrow as aarow press
(c)2010
Hand-sewn chapbook. #94/125. Unnumbered pages. The Press seems to have been very active in 2010 and then completely disappeared. Their website has nothing more recent than 2010. The blog for Carrie Hunter seems to have dried up in 2009. Possible deadends. My interest in this press comes from their publishing Michael Carr. I have a strange history with Mr. Carr (ebay posting)
This is a worthwhile read. Very collectible.
Labels:
arrow as aarow press,
Carrie Hunter,
Michael Carr
Thursday, June 14, 2012
Autonomy 6 by Jerry Joker Inscoe (2006)

Autonomy 6
Jerry Joker Inscoe
cantab publishing
(c)2006
After visiting the website of this publishing group, I can appreciate what the goal of this particular chapbook is. Wedding, or perhaps, welding the work of human hands with the machinery of printing. Staple-bound booklet, it's a very thin "book", this effort feels like an art school project that someone made themselves and distributed around in a complete DIY fashion. And it is no knock on DIY either. But I digress.
It's a visual exercise.
Tuesday, June 12, 2012
The Mad Shoemaker by John Batki (1973)

The Mad Shoemaker
John Batki
The Toothpaste Press
West Branch, Iowa
(c)1973
In the history of Toothpaste Press, this is one of the earlier mimeograph chapbooks that were made. 1973 was early, this is among the earliest chapbooks made by Toothpaste Press. Staple-bound which indicates the age of the book itself as they quickly went to hand-sewn books. It's size, 8" X 10", is another indication. The cover image came from a linoleum block by Dave Morice who went on to create Poetry Comics and co-found the Actualist Poetry Movement.
Unpaginated pages, mimeographed. This book was John Batki's first book. 300 copies were printed.
Labels:
Allan Kornblum,
Dave Morice,
John Batki,
Toothpaste Press
Saturday, June 09, 2012
Knee Deep in the Atlantic (1981)

Knee Deep in the Atlantic
Pentagram Press
Markesan, WI
(c)1981
The beautifully made chapbook was a promotional item for Pentagram Press, featuring 4 poets who were part of "the extended Pentagram Press family"; Linda Parker, Michael Tarachow, Robie Liscomb, and Theodore Enslin. The book contained small colorful images by Bonnie Stillman. Hand sewn. Just an exquisite item. Extremely collectible and rare (only 164 copies printed) in 1981.
Tuesday, June 05, 2012
poems of Mallarme by Brian Coffey (1990)

Brian Coffey
New Writers Press
Dublin, Ireland
The Menard Press
London, England
(c)1990
Oversized staple-bound chapbook. 34 pages. Bilingual Edition. Mallarme was a visionary poet who anticipated several 20th century movements (Dadaism, Surrealism, Futurism) as well as through use of typography laid the foundation for Concrete Poetry roughly 50 years after he began his own experimentations. In that sense, this book is a sampling - a tease of the range and scope of Mallarme. A first bite from the fruit. An introduction to his work.
It succeeds in that, but does not include any of his typographic works. His breath-taking and breakthrough piece, A Throw of the Dice, itself could be this book. Laid out in a manner not seen since it's original French appearance, perhaps. This collection is worthwhile but not stunning. A viewing of Mallarme's work should attempt to be stunning. Nonetheless worthwhile.
Saturday, June 02, 2012
The Pilgrim Story by William Franklin Atwood (1958)
The Pilgrim Story
William Franklin Atwood
The Memorial Press
Plymouth, MA
(c)1958
Originally published in 1940, this oft-reprinted staple-bound book was illustrated by Leo Schreiber. The lengthy sub-title of this books is "Being Largely a Compilation From the Documents of Governor Bradford and Governor Winslow, Severally and in Collaboration; Together With a List of Mayflower Passengers." 76 pages. Has two pages of period ads in back of book.They are priceless in themselves.
A very good history of the time of the landing in Plymouth of the original Puritans. For those interested in this history, this is a fine document.
William Franklin Atwood
The Memorial Press
Plymouth, MA
(c)1958
Originally published in 1940, this oft-reprinted staple-bound book was illustrated by Leo Schreiber. The lengthy sub-title of this books is "Being Largely a Compilation From the Documents of Governor Bradford and Governor Winslow, Severally and in Collaboration; Together With a List of Mayflower Passengers." 76 pages. Has two pages of period ads in back of book.They are priceless in themselves.
A very good history of the time of the landing in Plymouth of the original Puritans. For those interested in this history, this is a fine document.
Thursday, May 31, 2012
journals by Jeff Nuttall (1968)
Journals
Jeff Nuttall
Unicorn Bookshop
Brighton, England
(c)1968
Unpaginated, staple-bound, oversized chapbook from early in the career of this multifaceted artist. Jeff Nuttall was every bit a renaissance man and this unique chapbook attests to. The drawings are incredible. His body of work was overwhelming. Most of these entries were written in 1967. Rare in itself. Worth the search, a treasure to behold.
Monday, May 28, 2012
second avenue by Frank O'Hara(1960)
Second Avenue
Frank O'Hara
Totem/Corinth
New York, New York
(c)1960
Unpaginated staple-bound chapbook with cover art by Larry Rivers. A must for collectors of O'Hara. The interesting thing about this particular copy is that the gutter of the book is so centered that someone missed that the text on the last page of text has been cut off (the text went beyond the page!) A printer's error. It's the little things that make the biggest difference, all the same.
Consists of a single poem, In Memory of Vladimir Mayakovsky.
Frank O'Hara
Totem/Corinth
New York, New York
(c)1960
Unpaginated staple-bound chapbook with cover art by Larry Rivers. A must for collectors of O'Hara. The interesting thing about this particular copy is that the gutter of the book is so centered that someone missed that the text on the last page of text has been cut off (the text went beyond the page!) A printer's error. It's the little things that make the biggest difference, all the same.
Consists of a single poem, In Memory of Vladimir Mayakovsky.
Friday, May 04, 2012
Blennerhassett Island and the Burr Conspiracy by Norris Schneider (1966)
Blennerhassett Island and the Burr Conspiracy
Norris F. Schneider
The Ohio Historical Society
Columbus, Ohio
(c)1966 - 4th edition, 2nd printing.
36 page staple-bound chapbook of well researched episode of US history dealing with the attempted political coup led by Aaron Burr. Fascinating reading. Well worth the find.
Norris F. Schneider
The Ohio Historical Society
Columbus, Ohio
(c)1966 - 4th edition, 2nd printing.
36 page staple-bound chapbook of well researched episode of US history dealing with the attempted political coup led by Aaron Burr. Fascinating reading. Well worth the find.
Monday, April 30, 2012
Dendrochronology by Greta Goetz (2009)
Dendrochonology
Greta Goetz
Ugly Duckling Presse
Brooklyn, NY
(c)2009
Oversized chapbook. 30 pages. Hand-sewn. The text is underwhelmed by the cover. The text should complain to management. It's a better book than was presented. Disappointed.
Saturday, April 14, 2012
The involuntary Whispering of a Shuffling Box by Tom Katisimpalis (2000)

The Involuntary Whispering of a Shuffling Box
Tom Katsimpalis
Vanish Press
Fort Collins, CO
(c)2000
This is an interesting and complex chapbook, a wedding of text with image. The exact type of chapbook that I look for. Designed by Becky Hawley Design, this book is a beautiful example of what can happen when a poet has a visual element and when a visual artist has a text to work with. This is an artist book with text. Vellum flyleaf. Wood cuts or ink drawings on every page. Different fonts for every poem. This is an amazing and unexpected find.
I have never heard of Mr. Katsimpalis before and Vanish Press seems to have vanished as well but Katsimpalis now runs a company called Muse Consulting out of the same address listed in the book, so the active mind behind this book is still alive and creating in Fort Collins. It's a very complete chapbook and worth the look (there were 500 copies of this chapbook made, I have copy #60)
Labels:
Becky Hawley Design,
co.,
fort collins,
tom katsimpalis,
vanish press
Sunday, April 01, 2012
Sonnets by Elizabeth Marie Young (2008)
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